Iris Garrelfs profile picture

Iris Garrelfs

it's a grey day and it's mine!

About Me

FEB 07 Out now: SPRINGTIDE , a 5.1 surround mix for semiconductor's award winning film Brilliant Noise, now out on DVD on Fatcat as World In Flux. http://www.myspace.com/semiconductorfilms

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NOV 06 Out now: TALKING SPACE TO SPACE on licht-ung , a stereo version of my radio art piece of the same title. Using captured natural radio emissions from celestial objects, Iris reshapes these sounds into an audio composition and flings them back to the stars in a radio broadcast. A poetic gesture, a sensual fiction which takes the past, re-shapes it in real-time and travels with it into the future. The piece was originally performed on Resonance FM in June 04 and as part of Radio Art Riot during the Frieze Art Fair, October 04. An extract was also featured as part of Radio Day of European Cultures in October 05. An extended version was listed for the PRS New Music Award in 05. More to follow

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BIOG
Iris Garrelfs
is a composer/performer intrigued by change, fascinated with voices and definitely enamoured by technology. She often uses her voice as raw material, which she transmuted into machine noises, choral works or pulverised “into granules of electroacoustic babble and glitch, generating animated dialogues between innate human expressiveness and the overt artifice of digital processing” as the Wire Magzine put it.

Described as the "Diamanda Galas of Glitch", Iris’ training into creating through voice began very early on. Her parents sang in the village choir, and would often practice at home with Iris making up new melodies, 2nd and 3rd voices to whatever was being sung. She got into the attractions of technology as a teenager, stumbling across her dad’s pulp si-fi magazines. Iris is still waiting for an implant that will siphon off her sonic nerve impulses, fragments of melody, rhythm and correlation floating around in her body and brain. A vital part of her work, be it using voice or other sound material, is improvisation and the use of random elements, the ephemeral fragility and risk implied in giving up control to me moment, a sonic singularity

Iris performs solo as well as in collaboration with other artists, for example Robert Lippok (To Rococo Rot), Kaffe Matthews, Scanner, Si-cut.db and others. Since Autumn 05 she is part of Symbiosis Orchestra, consisting of Scanner (electronics - uk), Stefano Tedesco (vibraphone, percussions -it) Andrea Gabriele (guitar, electronics - it), Claudio Sinatti (videos - it).

The recent album Specified Encounters , released on the French label Bip-Hop , has been moulded from dissected voice sounds and was described as "An astonishing document of current vocal art" by German netmag Ikonen. The Wire Magazines drew parallels with Joan La Barbara and Henri Chopin.

Music making aside aside, Iris is the co-founder of London based underground playground and test tube for current sound Sprawl . Artists featured have included Kim Cascone, Scanner, Kaffe Matthews, Christian Fennesz, Taylor Dupree and more. She is a regular on London’s soundart radio station Resonance FM and sits on the Sonic Arts Network Board of Trustees.

As an outspoken person, Iris gets invited as a speaker and panelist at conferences and events in the UK and abroad, most recently at Visiones Sonoras in Mexico. Iris has appeared on TV, for example and ARTE TV in "Well Tempered Computer - Are Computers able to compose" and most recently on ITV's Mixmasters TV. This project has been released by Moonshine in the US and has received a nomination for Best Music DVD at the Dancestar AwardsFind out more at http://www.irisgarrelfs.com

My Interests

Music:

Member Since: 12/13/2005
Band Website: irisgarrelfs.com
Sounds Like: "combining electronic control with an element of Yoko Ono's conscious primalism." (Wreck This Mess, Holland).

"An obvious antecedent is Joan La Barbara's intense investigations in New York, since the mid-1970s, of electronic extensions of voice. More distantly there is the trail blazed by sound poets and in particular Henri Chopin, composing wity microparticles of vocal sound. More obliquely I was even reminded at times of Grateful Dead associate Ned Lagin's integration of the voices of David Crosby, David Freiberg and Grace Slick into his early 1970s electronic composition, Seastones. ... In practice she has a distinctively personal agenda on Specified Encounters, as she intriguingly mutates and projects vocal identities across an interface of technological possibility and imagination... " The Wire

"Despite the human intervention and the use of human sounds, the electronic make up of this record remains proudly exposed in the foreground. Yet, it is kept totally versatile and fresh by Garrelfss fluid touch. Garrelfs uses this context to develop a series of subtle compositions to perfection" http://www.themilkfactory.co.uk/reviews/igarrelfs_encounters .htm

"So some of the tracks on here contain shining, beautiful voices, others hacked up and distorted voice-bits like listening to someone having a fit while on LSD, to electronica noise like cuts and glitches, to noise ." http://www.monochrom.at/cracked/reviews/Rev%20garrelfs.htm

"...the effect is reminiscent of Meredith Monk .. But by electronically manipulating and warping her voice in radical manner, Garrelfs' boldly experimental approach goes further than Monk's. In the second piece, for example, her voice becomes a veritable percussion orchestra performing an alien drone. Haunted voices and ominous splinters foster a mood of dread in the fourth setting, while the fifth plunges the listener into an industrial netherworld of clanks, rattles, and possessed garble. ... In the first of five sections, Garrelfs layers a supplicating, hymn-like vocal line (that wouldn't sound out of place on a John Tavener or Arvo Pärt recording)... " www.textura.org/archivespages/efgh/garrelfs.htm

"By electronically manipulating and digitally twisting and warping the wordless sounds coming out of her mouth, Garrelfs produces a highly varied and at times unbelieveable collection of work. ....or sounding so far unlike anything even remotely humanoid... at times reminiscent of an early Philip Glass opera . With this CD Garrelfs enters the august company of women experimental vocalists whose modern era begins, I suppose, with Meredith Monk " http://sonomu.net/text/~iris-garrelfs-sp/?key=29547b-90197
Record Label: BipHop / Sprawl
Type of Label: Indie

My Blog

Iris world in May and June

hello hello dear all, with (almost) green trees around I thought it is high time to let you know what's happening in my little world.As of tomorrow, if you're based in Manchester or thereabouts, you ...
Posted by Iris Garrelfs on Tue, 29 Apr 2008 09:06:00 PST

Advent Sprawls

Dear all, once again it is too dark and cold for my liking and that can only mean that x-mas and the new year around the corner. I have purchased a new diary and discovered my first double booking o...
Posted by Iris Garrelfs on Wed, 28 Nov 2007 05:22:00 PST

Back from the USA

Dear all,I am back from a marvelous tour in sunny America , playing at a few venues in New York, Washington and Virginia and meeting many wonderful people. A short and very dark youtube clip is up and...
Posted by Iris Garrelfs on Sun, 14 Oct 2007 12:02:00 PST

the last couple of months

Dear all, apologies for a long break in communication, due to just too much to do and a nice break visiting my family in Germany, where I had a summer! If you do not live in London you might want a fe...
Posted by Iris Garrelfs on Mon, 13 Aug 2007 09:50:00 PST

getting there....

slowly but surely getting all details up on this space... .... i'm just back from Milan, playing with the Symbiosis Orchestra at GAM Gallarate. Much fun and many piccies taken, admittedly mostly fr...
Posted by Iris Garrelfs on Mon, 19 Dec 2005 06:49:00 PST