Member Since: 12/13/2005
Band Website: irisgarrelfs.com
Sounds Like: "combining electronic control with an element of Yoko Ono's conscious primalism." (Wreck This Mess, Holland).
"An obvious antecedent is Joan La Barbara's intense investigations in New York, since the mid-1970s, of electronic extensions of voice. More distantly there is the trail blazed by sound poets and in particular Henri Chopin, composing wity microparticles of vocal sound. More obliquely I was even reminded at times of Grateful Dead associate Ned Lagin's integration of the voices of David Crosby, David Freiberg and Grace Slick into his early 1970s electronic composition, Seastones. ... In practice she has a distinctively personal agenda on Specified Encounters, as she intriguingly mutates and projects vocal identities across an interface of technological possibility and imagination... " The Wire
"Despite the human intervention and the use of human sounds, the electronic make up of this record remains proudly exposed in the foreground. Yet, it is kept totally versatile and fresh by Garrelfss fluid touch. Garrelfs uses this context to develop a series of subtle compositions to perfection" http://www.themilkfactory.co.uk/reviews/igarrelfs_encounters
.htm
"So some of the tracks on here contain shining, beautiful voices, others hacked up and distorted voice-bits like listening to someone having a fit while on LSD, to electronica noise like cuts and glitches, to noise ." http://www.monochrom.at/cracked/reviews/Rev%20garrelfs.htm
"...the effect is reminiscent of Meredith Monk .. But by electronically manipulating and warping her voice in radical manner, Garrelfs' boldly experimental approach goes further than Monk's. In the second piece, for example, her voice becomes a veritable percussion orchestra performing an alien drone. Haunted voices and ominous splinters foster a mood of dread in the fourth setting, while the fifth plunges the listener into an industrial netherworld of clanks, rattles, and possessed garble. ... In the first of five sections, Garrelfs layers a supplicating, hymn-like vocal line (that wouldn't sound out of place on a John Tavener or Arvo Pärt recording)... " www.textura.org/archivespages/efgh/garrelfs.htm
"By electronically manipulating and digitally twisting and warping the wordless sounds coming out of her mouth, Garrelfs produces a highly varied and at times unbelieveable collection of work. ....or sounding so far unlike anything even remotely humanoid... at times reminiscent of an early Philip Glass opera .
With this CD Garrelfs enters the august company of women experimental vocalists whose modern era begins, I suppose, with Meredith Monk " http://sonomu.net/text/~iris-garrelfs-sp/?key=29547b-90197
Record Label: BipHop / Sprawl
Type of Label: Indie