Member Since: 3/20/2006
Band Website: This is it
Band Members:
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Steve Kelly: songs, guitars, vocals, keyboards, kitchen sink etc
Andy Mayes: harmonica and talent on the albums Acoustic Shock Therapy and Pushing The Envelope.
Sue Kelly:
backing vocals and muse.
I have received huge support (I am a big bloke, I need it) from many very kind people down the years including:
The one and only Sue, Mike Ritchie, Mark & Andy Kelly, Dave Warne, Iris and Steve Marr, Jim Peters, Andy Mayes, Paul Adams, Louise Adams, Mark Brawn, John Baker, Guy Flint, Derek Verrall, Steve Cooper, Steve Cockley, Chris Worby, Tom Saunders - and not forgetting everyone else who I have forgotten to mention!
Missing in action:
The Further
John Peel
The Village Blues Club, Dagenham Roundhouse
The Beatroot, Romford (my favourite record shop).
Island Records - 1966-1972
Audley Music
Link Wray
Johnny Cash
Gene Pitney
Grant McLennan (The Go-Betweens)
Johnny Paris (Johnny & The Hurricanes)
Freddy Garrity (Freddie & The Dreamers)
Desmond Dekker
Billy Preston
Syd Barrett - Shine on !!!!!!
Tommy Bruce
Bill Miller (Frank Sinatra's 'piano man')
Arthur Lee
Barbara George
Freddy Fender
Boz Burrell
Danny Flores
Prentiss Barnes
Ruth Brown
Alan Freeman
Mario Merola
Robert Lockwood Junior
Charlie Drake
Ehmet Ertegun
James Brown
Alice Coltrane
Denis Doherty
Frankie Laine
Peggy Gilbert
Bobby ‘Boris’ Pickett
Sheep shearing, Taverham, Norfolk c.1880 - my great, great Grandfather, Edward Hastings, is the large gentleman with the black neckerchief, back row.
Celebrating the end of World War I - Beeston Regis, Norfolk.
Great Aunt Edith Atkins (nee Field) and great, Grandfather John Field - Beeston Regis c.1930.
My Grandparents, Hilda and George Gray (holding Janey) with Mum outside their cottage, Sandy Lane, Belton, Norfolk, 1948.
Steve with mum, May Kelly (nee Gray), in Priory Park, Hornsey, 1955.
Steve with dad, John Kelly, at the seaside 1955.
Influences: Like Neil Young said "from Hank to Hendrix". Add a little Nick Drake, Leonard Cohen (a million floors above me in the Tower of Song), Mr Zimmerman et al. I love the songs of (in no particular order) Noel Coward, Sandy Denny, Ray Davies, Patti Smith, Bob Marley, Joni Mitchell, Billy Bragg, Ron Sexsmith, Carole king, Sammy Cahn, Joan Baez, Marvin Gaye, Leiber & Stoller, Donovan, Bruce Springsteen, Rodgers & Hammerstein, Rufus Wainwright, Elvis Costello (he never ceases to amaze me), Holland Dozier & Holland, Cole Porter, Cat Power, but no matter how I try my candle just won't light. I disprove the theory that if you throw enough shit at the wall then some of it will stick. I ran out of wall a long time ago - moved onto the ceiling - a messy business!
In fact there are so many wonderful writers and performers that all lists become meaningless and I listen to so many disperate sounds that a list of current favourites would be equally meaningless and endless (hence the name of my own imprints: Endless Records and Endless Music):
Rock 'n' Roll (Fats Domino, Jerry Lee Lewis, Carl Perkins, Eddie Cochran, Chuck Berry, Buddy Holly, Little Richard), Miles Davis, Schubert, Albert King, Dusty Springfield, Johnny Cash, Tamla Motown (Supremes, Four Tops, Mary Wells, Temptations, The Miracles), The Raconteurs, Chess & Chicago Blues (Muddy Waters, Litle Walter, Howlin' Wolf et al), Frank Sinatra, Jimi Hendrix, Iron & Wine, Kitty Wells, Joy Division, Bert Jansch, Stax & Atlantic (Booker T, Otis Redding, Sam & Dave, Aretha Frankin, Carla Thomas, Eddie Floyd), Mozart, Elvis, Stevie Wonder, Calexico, Tony Bennett, The Everly Brothers, Wanda Jackson, The Streets, Robert Johnson, Sibelius, Dion, Psychedelia (Floyd, Airplane, Fever Tree), Doo-Wop (The Penguins, The Five Keys, The Spaniels), Lee Morgan (how come I'd never heard this guy before), June Tabor, Ska & Bluebeat (how long have you got), Spooky Tooth, Robyn Hitchcock, The Beatles and The Stones, Eric Bibb, Devendra Banhart, The Crystals (did I mention Phil Spector), Mussorgsky, The Coasters, Robert Wyatt, John Barry, The Byrds (please give Gene Clark and Gram Parsons a listen), Fairport Convention (and thus onto the solo works of Sandy Denny, Richard Thompson, Ian Matthews), Louis Jordan, The Concretes, Cream, The Waterboys, Julie London, Crosby Stills Nash & Young (The Hollies & Buffalo Springfield), The Drifters (and that reminds me I really like Cliff Richard's early stuff around the time The Shadows had to stop calling themselves The Drifters), The Ventures, Joe Meek (a complete trip if ever there was one).
You can stuff fads and fashion, just enjoy whatever you enjoy - the best time for music is always now!
Steve, Princess Bowling Alley, Dagenham, 1962
Steve at 10 Downing Street mid 1960s. Harold Wilson never recovered from the shock of those turn-ups !
Andy, Steve, Mark - Belton mid 1960s.
Steve and Sue, Dagenham Village Church, 28th September 1972.
Steve and Sue 1975 - possibly demin was fashionable - oh, and Sue made the waistcoat.
Sounds Like: Something like I would like it to sound.
How does it sound to YOU - that's the interesting part.
Kind people have heard 'a dark beauty', 'a dark optimism', 'a soulfull folk sound', 'a controlled intensity' or a 'down to earth, dramatic quality'. Other equally kind people have heard 'hurt', 'honesty', 'integrity', 'dignity' and 'emotion' in the songs ... and the music has been described as classic or vintage, with a haunting depth to the songs that has had some folks thinking that they are indeed 'standards'.
To some it sounds like 'a mix of Leonard Cohen and Nick Drake' with 'a dash of Johnny Cash',
to others it sounds like "a lovely Gandhi with a guitar",
Bob Dylan,
Ray Davies,
Donovan,
John Cale,
Tim Hardin,
Roy Orbison,
Arlo Guthrie,
Phil Ochs,
Frank Black,
Al Stewart,
Fabrizio de Andre,
Neil Young ("Hanging Tough sounds like you ate Neil Young whole and took the spirit over"),
Richard Hawley,
Noel Harrison,
Nick Cave (as produced by Joe Meek),
Rod McKuen,
Bob Lind,
The Righteous Brothers (which I think is stretching things a little, but hey, it's your party),
Robert Wyatt or
Robyn Hitchcock.
Maybe there is a feeling of uncertainty and loss (but with dignity), a sense of sand slipping through fingers and an understanding that beautiful things are fleeting, transient - embrace them and celebrate them while you can.
I would like the songs to convey a sense of hope and not to just sound like the bitter meanderings of a grumpy old man (which is of course what they are).
But what do I know?
I have also been compared to The Byrds, The Moody Blues and The Smiths, but as Sue says they probably meant Granny Smiths - ouch !
Steve and Sue 1971. 'Alright then we'll give it another 35 years or so - and see how it goes.'
With support from Stone The Crows and Bronco
Sue 1972
With support from Billy Preston and Kracker
Michael and Paul, Spain 2004
Nicola and Daniel - Poi twirling, Aberystwyth 2005
Eleanore, Craig & Jessica 2005
Auryn and Kate, Italy 2005
Record Label: Endless Records
Type of Label: Indie