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Portugal Music

Júlio Pereira

About Me



Portugal's ten continental region, each one with specific ethnic elementary data. This map is part of the record Miradouro – 1988.
It was designed by Júlio Pereira, illustrated by Henrique Cayatte with documentation of Hipólito Clemente based on the book by Ernesto Veiga de Oliveira: “Instrumentos musicais populares portugueses” (popular Portuguese musical instruments) Funda çã o Caloust Gulbenkian edition.


Visit us at www.juliopereira.pt

Beira Baixa.

Trás-os Montes.

Baixo Alentejo.

JOSÉ AFONSO AMÁLIA RODRIGUES CARLOS PAREDES ADRIANO CORREIA
DE OLIVEIRA

My Interests

Heroes:


Male choir
The musical patrimony of Baixo Alentejo, justly represented by the male choirs (sometimes mixed), reserved only to closed circles, sing without any musical background.
The poliphonic choirs, grave and serious, profoundly introverted are one of the most sui generis manifestations of our popular song.
Each group or each mode has its "pontos" (prompter) , that is, selected voices that start by themselves. The "ponto" sings the initial verse; the higher voice (or requinta) superimposes the harmonic voice, embelishing the mode (estribilho) and the bass voice complete the harmonizing.
Portuguese."guitarra" and "Fado" singer
In Lisbon there is only one single instrument that dominates, the "Guitarra Portuguesa", which accompanied by Spanish guitar presently linked to a specific musical form: the "fado" of Lisbon. Despite its localization within a certain limited area, its recent tradition and limitations of a musical type, the Portuguese "guitarra" has achieved par excellence the status of a national instrument with a tendency to spread nation-wide.
The "fado" in Lisbon does not seem to be associated to the guitar before the mid-XIXth Century, coming from the streets of the old districts of Alfama and Mouraria, being a spontaneous song of the people, entering also into the aristocratic and bourgeois homes. Later, it becomes an obligatory number in the revista (a kind of musical theatre), achieving great success. Today it has lost to a large extent its spontaneous character and is, above all, explored by specialized restaurants.
The Portuguese guitar and the Spanish guitar generally accompany the voice in "fado" but can at times be heard in variations of an instrumental piece.
Pippers
(Bragança). The bagpipes are the principal instrument in the areas of Trás-os-Montes and of Galícia (Spain) and it serves and expresses all its music and culture. In the most important festivities it is usually accompanyed by the "caixa" and the "bombo" and this group is known by the specific designation of "gaiteiros".
At the Christmas feasts in the region of Vinhais, the "gaiteiros" are accompanyed by the "mordomo" who fires rifleshots at the end of each mass.In Vilarinho da Cova da Lua the "gaiteiro" was the shepherd and almost everyday after his return from the hills, the goats safely locked, he would play the bagpipes by the village fountain. A woman was sure to appear with a "pandeiro" and there would be dancing till supper time.
Etc, etc... www.juliopereira.pt