S K U T R the theatre group

THE WEEPERS / Placky
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PLACKY/Weepers
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reciclated asian comedy dell Arte ala Tarantino MASTER and PUPIL Mastr and pupil

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SKUTR
Martin Kukucka & Lukás Trpisovský graduated in 2004 in Stage Direction and Dramaturgy from the Department of Alternative and Puppet Theatre at Prague’s DAMU (Prague Academy of Performing Arts), where they studied under Prof. Josef Krofta and Prof. Miloslav Klíma. They are currently continuing with postgraduate study. Their projects are best described as multi-genre or crossover. SKUTR have already been awarded a string of prizes – the Evald Schorm Prize, Josef Hlávka prize, the Grand Prix at the international festival ZLOMVAZ in 2004 and the Grand Prix and the Audience Prize at the 2007 FIST International Festival in Belgrade. They have been nominated in three consecutive years for the Alfréd Radok Prize, in the category ‘Talent of the year”. They have collaborated with Archa Theatre on the long term project Archa.lab, as part of which they have created the author..s productions Nickname (2004), A child in her mind (2005), Understand (2005), 8 – Birds Black, Tits Great and The weepers (2007). They also work with other leading Czech theatres – The National Theatre in Prague (Heroes, 2006), Theatre on the Balustrade (Velvet, 2005), Divadlo Petra Bezruce (Should I stay or should I go, 2007) - and with Czech Radio. They have collaborated with the theatre academies V--MU in Bratislava, PWST in Wroclaw and DAMU in Prague to prepare several international projects - MacBeth (2003), Masakra (2003), Paradise of the Heart, Labyrinth of the World (2006). For the festival of new cirque Letní letná they prepared an open-air project Master and disciple (2007). Their work has been presented at many festivals all over Europe and, in addition to their directing work, they have led workshops in Prague, Wroclaw, Bratislava, Belgrade, Mostar, Pustevny, Banská Bystrica
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SKUTR WORKSHOP
............................................................ .................................................... „THE POINT ZERO” The performer and his possibilities of the interpretation
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Workshop „The point zero“ is lead by the SKUTR director’s tandem and their co-workers. In the beginning of the workshop the performer is placed into the point zero. He is starting to search the theme. After this he build his actor’s character, that he puts it into the situation. He should replace his usual actor’s expression by searching the new unusual one. Especially, like the work with the metaphor of the space, the physical movement, the sound or the matter. By using the improvisation he is learning how to combine special stage elements to express the theme or the dramatic situation in the best way. Using this, he could find a new space of actor’s expression
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. THE AREA OF THE WORKSHOP:
1. The principles of the author..s theatre
- searching the theme
- creating actor’s character
- searching original situations to express the theme and character
2. The specific theatre thinking that combine different stage elements to express the theme
- Individual and group improvisations
- The actor and his work with a metaphor of the space, the physical movement, the sound and the matter
.3. The way of thinking that doesn’t see the theatre just as a work on performance but also as a social event
CO-WORKERS:
Adéla Lastovková Stodolová
Developing the contact and movement techniques in the reaction to the theme, the space and the situation
Rostislav Novák
Actor’s acrobatic and techniques of the physical theatre
Josef Rosen
Exercises and techniques that help developing actor’s improvisations.
Dora Bouzková
The work with the puppet and with the metaphor of the matter.
Zuzana Stavná
Her work is inspired by the „Body weather“ actor’s improvisation technique by Frank van de Ven
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Hej, lidi, tak hejbnete už kostrou a poslyšte storku vostrou...
audio-kniha v rezii Lukase Trpisovkeho
www.cteteusima.cz
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8 polib prdel kosum/8 birds black tits great

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