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Terpsicorps Theatre of Dance

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Terpsicorps Theatre of Dance became Asheville’s signature professional contemporary ballet company in June of 2003. In five short summer seasons Terpsicorps has consistently thrilled audiences with exciting full evening performances using first rate principal dancers from companies around the country like Pittsburgh Ballet, American Repertory Ballet, BalletMet and the Nashville Ballet. Terpsicorps’ unique summer season, which runs from June to mid-August, invites the community of Asheville to experience artistic director Heather Maloy's innovative style of ballet during two concert series at Pack Place. Asheville’s Citizen-Times proclaimed the company, ‘dance at its best…high budget shows have nothing on the level of stimulus and reward offered by Terpsicorps.'
Terpsicorps offers a vision of ballet that is wholly fresh, making use of both regional and national artists of varied disciplines. This mutually enlightening process has inspired a solid repertoire of work. Over the past four years, projections for their productions of "Alice," "Masque of the Red Death" and "The Scarlet Letter" were possible because of local talent, G. Craig Hobbs. Utilizing Asheville artists like metal sculptor John Payne and fiddle player and composer Ian Moore and combining them with artists imported from other cities, gives Terpsicorps a special quality that is world class and yet distinctly Asheville.
Terpsicorps plans to begin touring their work to other cities by the summer of 2009. Small appearances are already planned for the Summer of '08. Check back periodically to see tour dates in your area.
Excerpts of recent productions...
Heather Maloy's, "The Scarlet Letter," with music by Ian Moore and projections by G. Craig Hobbs.
"The Mighty Hermaphrodite," from Maloy's "Welcome to Cabaret KiKi," a collaboration with the Charleston based cabaret show, Cabaret KiKi.
Maloy's "Le Suil Go," featuring musicians Ian Moore, Matthew Bivins and Ash Hopkins.
"The Woman."


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SEASON 2008 HAS OFFICIALLY BEEN ANNOUNCED!

Elvis & other MEN – June 26-28;

Hurricane & other forces of nature – August 7-9

All performances will take place at 8:00 p.m. at the Diana Wortham Theater in Asheville, NC, with the exception of June 26th, which will begin at 7:30pm.

To purchase tickets, call 828-257-4530 or visit dwtheatre.com. For more information on Terpsicorps Theatre of Dance, call 828-252-6342 or visit terpsicorps.org.

Elvis & other men – June 26-28

In an art form traditionally run by men and populated primarily by women, artistic director Heather Maloy is turning dance on its ear. The company has decided to use their June show, Elvis & other men, to celebrate the dynamic power of the male dancer. Nine men from companies such as Pittsburgh Ballet, Balletmet, Nashville Ballet, and North Carolina Dance Theatre will be coming together to perform a repertoire free of women.

The evening will pay homage to men, in all their forms…

Every Man – Salvatore Aiello’s critically acclaimed masterpiece “Journey” uses a corps of nine men to show the voyage of man as he progresses through the many phases of life.

The Performer - “Elvis has Left the Building” takes an alternately campy and thought-provoking look at the trappings of celebrity.

The Business Man - “Run Ragged” takes a comedic look at the day to day competition and stress of the workplace.

The Working Man – “Train” is inspired by the strength and determination of the men who truly embody the term ‘worker’ with their bodies, hearts, and souls.

The Young Man – “Ugly” uses the music of the Violent Femmes to portray the good, the bad, and the ugly of youth. The music will be performed live by Asheville’s own Holiday Childress of the Goodies, pairing up with the ladies of Ménage to put their own spin on the classic tunes.

Hurricane & other forces of nature – August 7-9

Terpsicorps’ August show features the Asheville premiere of Maloy’s award-winning “Hurricane.” The piece, created for the 21st Century Choreographic Competition in April, will be restaged for Terpsicorps. The idea for “Hurricane” grew out of the climate crisis that is becoming increasingly apparent in today’s world. The choreography embodies the strength, patterns, and progression of a hurricane from its beginnings at sea to its aftermath on land. Footage of actual hurricanes will swirl around the dancers adding to the atmosphere of a storm, with recorded music by Godspeed You Black Emperor!, projections by G. Craig Hobbs, and costumes by Asheville’s premiere fashion designer R. Brooke Priddy.

The remainder of the August program features a variety of works that explore the way man views both nature and technology. Salvatore Aiello’s “Afternoon of a Faun” portrays the mythological faun; a curious, mischievous half man, half beast that at one time embodied man’s wonder at the mysteries of nature. The Terpsicorps favorite, “Couch Potatoes” is an absurdly funny poke at the TV generation who have managed to resist any connection with the natural world.

The world premiere of “The Second Line” closes the show. Until recently, New Orleans has been known first and foremost for their music. This became second in line to images of a disaster zone after Katrina ravaged the city. The Second Line is what the dancers who follow the musicians in a New Orleans parade are called. Maloy is collaborating with New Orleans parade musicians who have lived through the disaster and are still fighting the devastating effects. The Terpsicorps dancers will be the Second Line of dancers following the musicians, but they will also represent the tenacity of the people who must face the ’death’ of their city as they once knew it. The work is created as a statement of hope for the future, and like a New Orleans funeral, a celebration of rebirth.

Music:

Terpsicorps utilizes live music for all of their performances. Music is a huge part of the overall performance experience at a Terpsicorps show. Composers Michael Bellar, Ian Moore, Evan Bivins and Holiday Childress are among Terpsicorps' ever growing list of musical collaborators.

Movies:

Terpsicorps' projection designer, G. Craig Hobbs is resonsible for the multimedia element of their shows. Every season features at least one exciting new collaboration pushing the boundaries of traditional theater.

Heroes:

Terpsicorps also performs the works of former North Carolina Dance Theatre artistic director, Salvatore Aiello. Sal was a tremendous influence in Maloy's work and since his death it has been a great mission in her life to keep his work alive. This is an excerpt of Terpsicorps performing Aiello's "Satto."

My Blog

Terpsicorps announces its first ever Opening Night Gala Event!

Every major dance company celebrates the opening of their new season with a gala, and Terpsicorps is no exception. The First Annual Opening Night Gala Event will begin with a pre-show talk in the Foru...
Posted by Terpsicorps Theatre of Dance on Sat, 24 May 2008 08:10:00 PST

Heather Maloy in the Winston-Salem News!

This has been a great year for Terpsicorps and the news! In addition to Heather Maloy's work in the 21st Century Choreography Competition being profiled in various newspapers in North Carolina, Oklaho...
Posted by Terpsicorps Theatre of Dance on Sat, 24 May 2008 08:09:00 PST

Terpsicorps artistic director wins first round of national competition

On January 1, 2008, Ballet Nouveau Colorado made a phone call to Terpsicorps' artistic director Heather Maloy announcing that she had placed first after the initial voting process in their national ch...
Posted by Terpsicorps Theatre of Dance on Sat, 05 Jan 2008 08:05:00 PST

Vote for Terpsicorps!

Help the world know that Asheville is a hub for great dance! ..Terpsicorps artistic director, Heather Maloy, is entering a national choreography competition. The name of the competition is the 21st ...
Posted by Terpsicorps Theatre of Dance on Tue, 20 Nov 2007 06:29:00 PST