"For Bunita Marcus" Four Stars Review
Derived from the exotic patterns of Near and Middle Eastern rugs, as well as the painting of his beloved abstract expressionists (Rothko, Pollock, Guston and Rauschenberg), this austere yet beautiful piece is a monumental celebration of timber and tone. Each note that gracefully falls from the hands of pianist Stephane Ginsburgh is infused with a long decay; the sustain pedal firmly pressed to the floor, creating a dreamlike state that alters the listener's perspective of time and space. It's as if a distant thunderstorm has laid sledge to the performance while the first droplets of rain already begun to descend. For over 70 minutes, piano clusters are atomised and repeated to create a vaporous tapestry and a sonic parallel to those pieces of fabric from which it draws its inspiration.
By Spencer Grady in Record Collector Magazine