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Big Chief Monk Boudreaux

I am officially the Big Chief of New Orleans.

About Me

Big Chief Monk Boudreaux w/ The UPpressors featuring Ras Tree on the Reggae Star filled ”Spirits in the Material World”: A Reggae Tribute to the Police-RELEASE DATE FEBRUARY 19, 2008


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Big Chief Monk Boudreaux is the Big Chief of New Orleans .

In 2005 Joseph Pierre Boudreaux became the most famous Mardi Gras Indian Chief in all the cultures history. Big Chief Monk Boudreaux appeared in full suit on the cover of USA Today and gave the world a brief glimpse into what it means to be an Indian Chief. On every Mardis Gras day in New Orleans people come from around the world to march from Monk's house to the corner of 2nd and Dryades Street with Monk in full suit.

Here is a brief history on the culture and Chief Boudreaux.."s role in preserving and promoting the Mardi Gras Indian culture.

Congo Plains tribal people gathered to celebrate their religion and culture with family and friends from nearby communities. As these gatherings grew, customs of their homeland were often fobidden by landowners and the gatherings tightly controlled.
Though these African celebrations took place thousands of miles from home on the plantations of the southern United States , participants could identify their cultural origins andmaintained their identity as best they could from the earliest times of slavery through the Civil War.

Music was, in part, preserved by the steady stream of Black immigrants, both voluntary and involuntary, into the Gulf Coast states. Most willing immigrants were refugees of poverty and civil unrest in the Caribbean Islands of Haiti and Cuba , where their African traditions were strong.
Following the Civil War, Southern White lawmakers and wealthy plantation owners enforced strict laws on Black Freedmen. The repressive Jim Crow laws, intended to maintain segregation, also served to diminish historical cultural identity of Southern Blacks. As Haitians continued to migrate into the New Orleans area around the beginning of the Twentieth Century, African drumming was kept alive. Congo Square in New Orleans became a focal point of Black social activity.
The Mardi Gras Indians emerged in the late 1800s playing Afro-Caribbean rhythms and wearing costumes made of beads and feathers which were modeled after Native American ceremonial dress. Their traditional music is played with congas, tambourines and belled wrist and ankle bands.
The distinction of rhythms, which were once more specific to tribal practices in different regions of Africa , were somewhat blurred by the turn of the century. But the preservation of the intricate rhythms was critical to the development of jazz and funk, which the Mardi Gras Indians were instrumental in preserving and popularizing.
Some of the Black participants in the .."tribal gatherings.." were of Native American ancestry. Slaves periodically escaped to nearby Indian villages, were made members of the tribe and/or intermarried into the tribe. This was most common with Seminoles, who were aided in their wars against the United States with the help of Black generals and soldiers.
The main purpose of the bright, feathered costumes, some weighing over 100 pounds, may have been to compete with .."tribes.." in other neighborhoods, to suit the spirit of the celebration and to identify with the look of the well-es tab lished Carnival events in mostly Black Caribbean communities, such as Trinidad.
Mardi Gras festivities in the neighborhoods around New Orleans were the show place for the .."Black Indian Tribes..." The Indians popularity grew with the rise in Native American pride and the Civil Rights Movement in the 1960s.
Two recordings were subsequently made by the Smithsonian Folkways record label: Lightning and Thunder featuring Monk Boudreaux and the Golden Eagles and The Mardi Gras Indians Super Sunday Showdown, featuring an all star cast of New Orleans .." regular participants and admirers of the Indians.." sound. Lightning and Thunder, recorded at the H&R Bar .."live and in context.." is truly a window to the sound of the past and offers great informative liner notes.
The Mardi Gras Indians generally appear at undisclosed parade routes on Mardi Gras Day. They participate in events such as the Zulu Parade and Lundi Gras, when they cross the Mississippi River on a barge, arriving at Spanish Plaza to perform on the day before Fat Tuesday. The Indians.." big event, Super Sunday takes place following Mardi Gras near St. Joseph.."s Day .

Mr. Stranger Man produced by Anders Osborne. Mr. Stranger Man is a historical piece of musical history. the record guest stars Cyril Neville, Tab Benoit, Tim Green, John Gros, Doug Belote and Kirk Joseph. African Reggae and Roots music.
Contact Information: TMG Ph: 985-688-5258 email: [email protected]

My Interests

Music:

Member Since: 11/17/2006
Band Members:

What the Critics are saying...........

"When I write indian songs, I try to imagine what might come out of Monk's mouth......" (Dr. John to Relix Magazine)

"Monk deploys his voice as a storyteller, a griot of the streets. His original compositions are filled with characters and scenes from his life as an Indian", (Kieth Spera, music writer forthe Times Picayune)

"Big Chief Boudreaux uniquely balances the stark rawness of the Mardi Gras Indian's chants and rhythms heard on the streets and modern instrumentation and influences. Monk makes it real.", (Geraldine Wykoff for Offbeat Magazine)

In 2005 Since the late 1950s, Big Chief Monk Boudreaux has donned his masked Indian persona, keeping alive the impact of the Mardi Gras Indians on New Orleans music. Boudreaux’s style draws heavily on the tribal chants characteristic of Mardi Gras Indians but also combines funk and traces of R&B. Big Chief Monk Boudreaux has done work with The Golden Eagles, and collaborated with Big Chief Bo Dollis and the Wild Magnolias. In 2002, Boudreaux released a collaborative album with Anders Osborne and finally made his solo debut in 2005 with his hypnotic album, Mr. Stranger Man.


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Big Chief Monk Boudreaux hanging backstage with Tab Benoit, Carl Dufrene, and Darryl White. Along with producer David Z. and Cyril Neville this was the band that recorded Tab Benoit's 2006 BMA Award Winning CD "Fever For The Bayou" Benoit would later collaborate with Monk as members of the Voice of the Wetlands All-stars.

Above is the official print for the 2005 Voice of the Wetlands Festival. The Artist was Richard Thomas who felt compelled to paint the Voice of the Wetlands All-stars during his Katrina evacuation from New Orleans to the bayous where he met Monk's manager Rueben Williams. In 2006 Richard painted Monk again for the 2006 Jazz and Heritage Festivals Congo Square poster.

Big Chief Monk with Tab Benoit on the URBC Blues Cruise.

Jumpin Johnny and Big Chief Monk Boudreaux in Winter Park, CO

No one plays the tamborine like Monk Boudreaux. Infact No one plays the tamborine like any Mardi Gras Indian


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My Blog

All On A MARDI GRAS DAY ... Walk with me.........

One of the events surrounding being a Big Chief is of course Mardi Gras day. This is when all the Bog Chiefs expose thier new creations. The suits that we've worked so hard on. Some glue the suits tog...
Posted by Big Chief Monk Boudreaux on Wed, 07 Feb 2007 08:34:00 PST

Me and Robbie Robertson

You may know Robbie Robertson as the guitar player and singer for THE BAND before he went solo. Robbie and I got together in the early 90's and worked on a cut for his "Storyville" record. The produce...
Posted by Big Chief Monk Boudreaux on Tue, 30 Jan 2007 02:39:00 PST

The Myth and History of Mardi Gras

MYTH & HISTORY   ..> ..> The New Orleans season of merriment begins on January 6, the Epiphany holiday which comes twelve days after Christmas on the day many cultures celebrate the ...
Posted by Big Chief Monk Boudreaux on Mon, 29 Jan 2007 08:28:00 PST

The hIstory of the Mardi Gras Indians

MARDI GRAS INDIANS Tradition and History Masking Indian | Spy, Flag Boy and Big Chiefs| Super SundayMardi Gras Indians Home Page "Mardi Gras Indians are secretive because only certain people partici...
Posted by Big Chief Monk Boudreaux on Mon, 29 Jan 2007 08:22:00 PST