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Ellen

Yoga of Ballet with Ellen Davis

About Me

What is Dance?Dance is spirit tasting itself in form, from stillness to movement, chaos to harmony, cacophony to symphony, in all of its infinite diversity. Dance is what we call it when we see the movement and rhythm that is always already there. Dance is what we do when we let our bodies breathe our being into becoming and our becoming into being. Dance is the soul's love and laughter as it breathes into time. Dance is a heart explosion making love to the air. Dance is form and formlessness endlessly getting it on. Dance is the merging of sound and movement, where each feel like they are causing each other. Dance is God's living in time, as us, through us. Dance is a celebration of and total immersion into process. Dance is the manifestation of the fluidity of spirit in form. In that sense, dance is the resolution of paradox in form. Dance is a noun that is a verb that is life. Dance is our heart fire as it expresses itself through the body. Dance is a celebration in form of Now. - Ellen Davis

Former owner-director of Rozann-Zimmerman Ballet Center in Los Angeles, Ellen Davis danced with the Stuttgart Ballet Company and was a Ford Foundation scholarship student at the School of American Ballet in N.Y.C.

Ellen has taught beginning through professional level ballet for over thirty years. A choreographer, she has performed, choreographed and improvised works in California, New Mexico and abroad. She taught and lived for a year at the Sri Aurobindo Ashram in India and was a guest instructor at the Children's Palace in Nanjing, China. She is currently teaching in San Diego including at City Ballet of San Diego.

Ellen uses the teaching of dance as a way of evoking self-acceptance, beauty, balance, grace, a sense of unity and love for the process of learning. She acknowledges and nurtures the "dancer within" in all of her students regardless of body-type, limited self-belief, or level of training.

She believes that along with proper placement and technique, the awakening of expressive truth, musicality and one's innate creative intelligence are equally important in empowering dancers to use the body as a means of creative self-expression and to extend the grace of dance to all of life. While seing good technique and the spirit of the movement as an integrated and inseparable whole, she evokes and encourages, right from the beginning levels, the expressive and musical qualities along with the technique.

Yoga of Ballet is a traditional classical ballet class taught with a yogic approach that can be translated into one's life. The classes are progressive; in each class more is taught and asked of the dancers. Sometimes improvisational movement is given at the end of class so that dancers can get an experience of their innate creative intelligence, authentic expressive truth and "owning" their movement. Getting an experience of that enables them to translate and integrate it into the rest of their work. Her teaching paradigm encourages self-motivation and a conscious collaboration in the learning process.

Ellen is also available to teach private and semi-private classes, workshops in improvisational dance, to guest teach and to facilitate private whole-person healing sessions as well as satsang. She has another myspace profile: sunyalila's profile and blog: The Play of Emptiness"

She has started this blog to focus on dance, ballet, and pedagogy and so that students, dancers and others in the arts or interested in new paradigm teaching approaches can interact with her on her blog.

Please contact Ellen at [email protected] for more information.

My Interests

Save The World - One Click At A Time!

On each of these websites, you can click a button to support the cause -- each click creates funding, and costs you nothing! Bookmark these sites, and click once a day!

I'd like to meet:

I like to meet: Me, You, Life ... in Truth.

Music:

Svetlana Zakhorova - Revelation

Movies:

The Nederlands Dans Theater, perform the 1st. part of Kylian's beautiful ballet "Petite Mort", for the filmic versions of "Black & White Ballets" (1996); music: Mozart's Pianoconcerto no.23 in A, KV 488 - Adagio

Television:

Alina Cojocaru and Johan Kobborg, Romeo and Juliet, Mariinsky Theatre, St. Petersburg, July 2003 - excerptsAlina Cojocaru and Johan Kobborg in the Act 1 pas de deux from Onegin - excerpts - choreography by John CrankoAlina Cojocaru and Johan Kobborg in the act 3 pas de deux - Onegin - chor. John Cranko - Beautiful interpretation.See the same movement danced by Marcia Haydee and Heinz Clauss who originated the roles: http://www.youtube.com/watch?v=TBfHHLNAaNQLucia Lacarra and Cyril Pierre, Pas de Deux from Lady of the Camilias

My Blog

Links to Special Ballet Videos - Enjoy!!

Lucia Lacarra   Tastes of some great dancers, choreographers and ballets   Irina Kolesnikova in pas de deux from Swan Lake Irina Kolesnikova in Giselle (variation) Irina Kolesnikova in ...
Posted by Ellen on Sun, 07 Oct 2007 02:47:00 PST

Self acceptance and Creating a sense of self and appearance through imagination

A ballet student (not one of mine) writes:"I am too muscular all over, but especially in the legs.  My arms, back and waist look very defined and sculpted, and I guess my legs do as well (years o...
Posted by Ellen on Tue, 05 Dec 2006 07:31:00 PST

God's Echo

He said, "I feel like I am God's echo"and I replied:"God's echo is silence as it sings its song throughout the universeGod's echo is your voice as it resonates throughout my bodyGod's echo is our fini...
Posted by Ellen on Wed, 29 Nov 2006 04:49:00 PST

Entering that special magical atmosphere

To ballet students last week: In order to experience being in that special atmosphere where everything is one and connected,  (when you are feeling beautiful and inspired and the same w...
Posted by Ellen on Mon, 23 Oct 2006 02:46:00 PST

The difference between aspiration and attachment to expectations

The difference between aspiring towards one's visions and attachment to expectations.A frustrated student who started studying ballet as an adult wrote me:"There is too much embarrassment, too much va...
Posted by Ellen on Mon, 28 Aug 2006 04:21:00 PST

Comparing the present moment to a past we hold onto as special

I think when we try and hold onto these experiences or memories, or sense of self, especially the ones that were so profound and amazing - you know - the ones that we invest in because we think that t...
Posted by Ellen on Mon, 26 Jun 2006 04:47:00 PST

Motivation and the Pursuit of Excellence

Motivation, discipline and the pursuit of excellence needn't come from self-tyranny or the tyranny of others.  It can come from our innate perfection's will to realize itself in form.  ...
Posted by Ellen on Sun, 18 Jun 2006 09:52:00 PST

Form and Formlessness Getting It On

Towards the One, using the relative to bridge to the non-relative as these bodies temporal in their belief find themselves suddenly breathing into the now, their matter, mater, Mother transparent, shi...
Posted by Ellen on Thu, 15 Jun 2006 02:21:00 PST

There is only one movement: Now

So many feelings and identities pass through this noonefixedme me. I am some of them, all of them and essentially none of them. And it is as this essentiality that I dance, and through which all parti...
Posted by Ellen on Thu, 15 Jun 2006 02:12:00 PST

Regarding the Judging on

The following are posts in reply to the early episodes of the second season of the reality TV show "So You Think You can Dance" and other posters who were responding to it: Excuse me but pr...
Posted by Ellen on Wed, 14 Jun 2006 02:56:00 PST