John Vorus

I see working with sound as mapping vibrations in air. By matching together different vibrational patterns, it is possible to create, in 3 dimensional space, the subtlety and atmosphere of a place that is reflected in your consciousness. When I hear a sound I can see its shape, color, texture, and movement in my head. So, for me, sound is a visual art that you see with your mind. When I was 7 years old, I discovered sound manipulation through the medium of the cassette tape. I would make my own voice recordings (typically imitations of animals and weird vocal sounds), and I discovered that when I would tinker with the motor in the tape drive I could have my voice recorded to play back 2 times slower than normal. The result sounded as if I crept out into the woods in the middle of the night and made field recordings of the very monsters I would lie in bed fearing as I drifted off to sleep. It was like creating some sort of primitive sonic cave art, exercising the hyperactive recesses of my pre-adolescent imagination. Over the years my approach to working with sound has become more involved and the result more fine tuned. But this same experimental approach and psychological resonance lives on. Our interaction with sound is such a unique and individual experience, its presence in our life is that of a phenomenon. The mechanics of it are explainable by science, but the reason behind its influence on our internal atmospheres remains a mystery. Debut cd Transmuting Currents (spring 06) was mixed and co-produced by ambient legend Steve Roach in his Tuscon based Timroom studio. For 5 days i slept on his floor by night and ate veggies and dip and the occasional awesome mexican meal while were emmersed in a week long marathon mix session. Transmuting Currents was released to critical acclaim in April, and has continued to find an ever widening audience in the U.S. and Europe.