Member Since: 1/12/2006
Band Website: ct-collective.com/
Band Members: Just me, Tim Nelson. But I always got good comments on my elementary school report cards for playing nicely with others, so the concept of collaboration wouldn't require much arm-twisting. I like to play on other peoples' projects, yes, I do, whether as an instrumentalist or a producer...Attention filmmakers! The above applies to you as well!
Influences: My daughter Chloe, Robert Rich, David Torn, Terje Rypdal, Eivind Aarset, Ralph Towner, early Soft Machine, Zdenek Liska, Lera Auerbach, Garmarna, Anekdoten, Hedningarna, Brian Eno, Bert Jansch, Davey Graham, early Chris Squire, Jeff Beck, Godspeed You! Black Emperor, Mogwai, Zoe Keating, Sigur Ros, Anima Amina Amiina, Supersilent, Nick Drake, Michael Hedges, John Paul Jones, Bob Moses, Ben Neill, Popul Vuh, Elvin Jones, Mick Goodrick, Eberhard Weber, Keith Moon, gamelan, gnawa, fado, Scandinavian roots music, rembetika, Loop Guru’s Jamuud, TransGlobal Underground, Nels Cline, Dub, King Crimson, Bill Laswell, Richard Thompson, Ennio Morricone, Gyorgy Ligeti, Edgard Varese, Arvo Part, George Martin’s and Jimmy Page’s respective production techniques, Steve Roach, Syd Barrett, pre-Wall Floyd (particularly 1969-71 live bootlegs), Natacha Atlas, exotica, John Coltrane, Miles Davis, Teo Macero, the mighty Hawkwind, Banco de Gaia, Tangerine Dream, Steve Swallow, Jon Hassell, Peter Gabriel, Camel, Bjork, Count Dubulah, James Brown, Bergman, Fellini, Antonioni, Tarkovsky, Juenet & Caro, Jan Svankmajer, The Brothers Quay, Jiri Barta, Maya Deren, Luis Bunuel, Alexander Calder, Louise Nevelson, Chris Cunningham, Odd Nerdrum, Carolyn Leaf, Jean Cocteau, Michael Winters, Dr. Robert Moog, Richard Zvonar, Michael DePorte, Arthur Ganson, Gunter Grass, William Gibson, Neal Stephenson, James Joyce, Marlin Perkins, Tim White, tokaji, small-batch home-infused aquavit, designing label graphics for small batches of home-infused aquavit, paleoanthropogy, history of 17th-century Maine, culinary mycology, eccentric luthiery (for which I moderate the Eccentric Luthiery Support Group), contemplation of the paradoxes inherent to time travel, the fine folks at Looper’s Delight, ethnomusicology, lucid dreaming, akai headrush, line 6 dl-4 and echopro, boss rc-20 oldschool, lexicon reverberation, caffeine, pomegranate seltzer, those new synthetic corks that don’t crumble into the bottle, anonymously creative individuals, people who enjoy reading, writing and (who share with me a need to get over their aversion to) arithmetic, stealth giraffes, wolf tools, peep, snack-grabbing empty-bag-returning georgian emus, residual australopithecine dna, misused muses, misspent youth, india pale ale, macro lenses and stuff like that...
Sounds Like: tim nelson : live Sonic Blender at Zeitgeist Gallery 2003
Sinusoidal StakeIt's Hard to Ride a Bicycle in the DesertJust So Long As I'm the Dictator
Folding Chloe's Clothes
Ramapithecus
Stars Are Funny
...a plethora of guitarlike instruments (fretted, fretless, steel, nylon, electric, acoustic, bass, baritone, resonator, lap & pedal steel, normal & extended range), cello, flutes (boehm, shakuhachi, suling, ocarina, tarka, quena, native american, bansuri, recorders, etc.), circuit-bended things, sitar, tanpura, oud, electrojawari, siamese carcajou, mandola, ukelin, mandolin, bouzouki (a Greek one modified with a sitar-style jawari bridge and a Romanian one strung Celtic-style), theremin, didgeridu, yueh chin, dulcimer, hurdy-gurdy, baglama saz, cura saz, medieval smallpipes, cumbus, pipa, kemence, mellotron, Nellotron, kazooka, organ, vintage analog synths, piano, banjo, swarmandala, the occasional vocal, tseung, door harp, mbira, dumbek, bongo, djembe, zither, drumkit, cymbals, wind-up toys, shortwave radios, walkie-talkies and microcassettes into electric guitar pickups, bells, chimes and so forth, usually sent through lots of circuitry...
My usual avant-gardening solo stuff has been compared to Robert Rich, Terje Rypdal, Brian Eno, Steve Tibbetts, Anouar Brahem, Ralph Towner and David Torn, topped with a ladle of Ligeti sauce, while the more rock-oriented material I've done as a member of groups has reminded some people of Godspeed You! Black Emperor, The Church, Richard Thompson, Mike Campbell, David Gilmour, Jimmy Page, Social Distortion, U2 and/or The Who. Talk about strange bedfellows...
Miscellaneous Reviews and Comments:
"Tim Nelson makes strangely wonderful music on wonderfully strange instruments!" - Sean Byrne (The Twin Atlas)
"Tim Nelson is one of the most impressive and creative musicians I've run across in my travels. He is ceasely inventive and has no fear of stepping outside of the box to create something that is brand new and cutting edge... He also has a great knack for innovative electronic and physical techniques to create an astonishing arsenal of sounds for both his artistic projects and his professional studio work." - Rick Walker (producer/composer/multi-instrumentalist)
"Tim Nelson is one of the lucky few who truly sees music in a different light, using a myriad of instrumentation to accurately interpret each song's detailed textures and contours, as a photographer would use different lenses to capture the tiniest details. In that regard, Nelson's work is a macro lens that captures the nectar on a bee's legs after pollination." - Marty England (Pondering Judd)
"Tim uses the entire world for his sonic palette. Not just the musical styles but the very musical instruments themselves. His is ambient music that is interesting and moving, rather than a backdrop for something more important, and contains no dairy products whatsoever. From Akron to Arabia, Africa to Ankor Wat, his music is sometimes synthesis and other times distilate--always a journey. Often it is his very own unique aural species, familiar yet exotic, smooth on the outside and dynamicly complex within. Tim knows what he is doing and does it with enthusiasm, open-mindedness, and an ongoing thirst for new sounds and combinations thereof... Yikes." - Butch Heilshorn (5 Balls of Power, Jim Jones & the Guyanas, BobHouse, Hemicuda, Moonking, PlayHard Records)
"Some think of Tim Nelson as a guitarist, others might say a player of all things with strings.But i hold a different picture of Nelson's main axe: it is a cauldron.Whether in live performance or on the studio floor, he stirs home-grown sound sources into boiling concoctions not entirely of this earth. Dare i say "wizard-like", he wields heat, he moves cold with electronic spells, secret spells, which, in turn, enhance and give lift to every other sound or vision over which these secrets are cast.Such potions would appear not at all out of place as ingredients to the film scores of Mark Isham, Philip Glass, Cliff Martinez, Lisa Gerrard, and Peter Gabriel. To the admiration of the Red Sun Soundroom crew, Tim Nelson is a texturalist first: the music he makes is tactile, felt in the fingertips.Mesh, his recent solo release, brings together on one disc at last several pieces created solely at the hand of the mad-botanist-become-organic-chemist-of-the-sonic-laboratory. He plays beautifully. An assortment of instruments are on the palette: acoustic guitars, cello, various flutes from around the globe, percussion instruments of equally diverse origin.He also plays his playing beautifully; treatments bring these instruments to a new place within the compositions on Mesh, to a place hardly imaginable until heard, disbelieved, then heard again.I enjoy Tim Nelson's recorded efforts as a music-lover second. As a composer, creative recordist, and thief, i afford myself a separate, primary motive for listening: inspiration.When (not if!) you buy this disc, buy a second copy for a friend. I'm telling you they will likely procure two more copies to pass along, and they'll thank you for it." - Peter Koniuto (Red Sun Soundroom)