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BlueCat

Accepting Short and Feature Screenplays

About Me



THE 2008 BLUECAT SCREENPLAY COMPETITION
FINAL DEADLINE: APRIL 1st


• Winner receives $10,000
• Four finalists receive $1500
• Every writer receives a written script analysis of their screenplay
Now in its 10th year, the BlueCat Screenplay Competition has discovered more successful writers and provided more support through our analysis and feedback to more writers than any screenplay competition in the world.
We are the leading voice for the development and inspiration of the undiscovered screenwriter, and our community welcomes you to challenge yourself by entering your screenplay in the 2008 competition!

Who is BlueCat?
We are a writing competition founded in 1998 by a writer and judged by the same writer for its entire history.
We’re not a film festival, an agency or media corporation, or the arm of a corporate studio.
We are for screenwriters only!
Who are the writers BlueCat discovers?
Andy Stock and Rick Steadman (2005 Winners) has a second script in production: THE GOODS: THE DON READY STORY, produced by Will Farrell and starring Jeremy Piven and Ving Rhames
Lance Hammer (2004 Finalist) recently won the 2008 Sundance Directing Award for BALLAST---on to Berlin!
Andy Pagana (2004 Winner) is directing for DIE HARD producer, BlueCat winner under second option after winning 2006 Austin
Young Kim’s (2006 Winner) script HYUNG’S OVERTURE attached to HITCH producer Teddy Zee after development in Pusan
Ana Lily Amirpour’s (2007 Winner) THE STONES slated for production this year
How does every writer who enters BlueCat actively change as a writer?
We provide over 600 words of analysis on every script we receive, carefully written by readers handpicked by our judge, giving the beginning writer and the seasoned pro an objective opinion on their work.
Over the course of our history, we have given over 7000 writers feedback on their screenplay for simply entering, at no additional cost.
Would you like an honest, unguarded reaction to your screenplay?
Does BlueCat have the largest award in the world?
We offer the largest cash prize ($16,000) for a screenplay contest that provides written analysis to every entrant than any other competition. There are no additional fees to get our feedback on your script.
We take pride in rewarding all writers for their commitment to their goal and their dream!
SUBMIT YOUR SCREENPLAY

FINAL DEADLINE: APRIL 1st ($60 entry fee)

BlueCat Screenplay Competition
Hollywood, CA 90028
www.bluecatscreenplay.com
www.myspace.com/bluecatscreenplay

Join Newsletter
2006 Winner Interview - PART 1
2006 Winner Interview - PART 2
2006 Screenplay Live staged reading
BlueCat's Gordy Hoffman on The Skinny Bones On Air Video Podcast

Add to My Profile | More Videos

My Interests

I'd like to meet:

screenwriters, writers, directors, producers, filmmakers,film students, agents, managers, editors, composers, publicists, production companies, production crew, actors, actresses, film students, promoters, film development, photographers, journalists, distribution, and just about anyone involved in the entertaiment and film industry.

Music:

BlueCat's Podcast Tour


http://www.bluecatscreenplay.com/community/podcasts.php ____________________________________________


Interview: Gordy Hoffman, Founder of the BlueCat Screenplay Competition
*Do you get a lot of international submissions?
*How do you manage to give written feedback to all the submissions?
*What genres are accepted?
Click HERE to listen ____________________________________________

Episode 6: BlueCat Screenplay Competition
*Who are the readers?
*What kind of advice for independent writers who don't have an agent would you give?
*When you are reading a competition script, are you looking for story or style or both?
Click HERE to listen ____________________________________________

Episode 5 2008 Interview with Gordy Hoffman
*Your background, How did it all come about?
*What exactly is the BlueCat Screenplay Competition?
*For beginning screenwriters, what tips do you have?

Click HERE to listen____________________________________________

Episode 10: Gordy Hoffman - Writer, Director, Producer and Founder of the BlueCat Screenplay Competition
*What other skills should a writer have to be successful in the industry?
*Where can producers find good writers?
*How important is it to be in Hollywood for creating a successful career?
LISTEN NOW
____________________________________________

Interview with Mark Yoshimoto Nemcoff on the Word Sushi Podcast


*Why do screenplay competitions matter?
*What would you say to someone who is skeptical about entering a screenplay competition?
*What makes a great a screenplay?
LISTEN NOW
____________________________________________

Interview by Tim Coyne on The Hollywood Podcast
*Directing and casting his debut feature, A COAT OF SNOW
*The story of LOVE LIZA
*What have you learned since winning the Waldo Screenwriting Award at Sundance?
LISTEN NOW
________________________________________

Interview by writer/director Jaz Garewal (ON THE CUTTING ROOM FLOOR) on The Skinny Bones On Air Video Podcast
*How many drafts do you usually write?
*Has moving to LA helped your career?
*What is the origin of the BlueCat name?
*What sets the BlueCat competition apart from other screenwriting contests?
*How has the BlueCat competition helped past winners?
WATCH NOW!
________________________________________

Interview by Aussie Filmmakers Phil Jeng Kane and Edwin James Lynch on the Filmmaking Podcast
*How does Bluecat select readers?
*Has the nature of the screenplay changed over the years?
*Are there many international entries?
*How was the transition from screenwriter to writer/director?
LISTEN NOW!
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Interview by Paula B. on The Writing Show Podcast

*What sorts of screenplays have won?
*What type of critique do entrants get?
*Whether a film’s potential budget affects a screenplay’s chances of winning
*How you can insert back story elegantly?
*How to write great loglines
LISTEN NOW!
________________________________________

Movies:


A COAT OF SNOW
written and directed by Gordy Hoffman

LOVE LIZA
written by Gordy Hoffman

Television:


2005 winners, Rick Stempson and Andy Stock, on set for their movie, Gary the Tennis Coach

2004 winner, Andy Pagana, and 2006 winner, Young Kim, with Heather and Gordy

Gordy and Andy Pagana on a radio show in NYC

2006 Finalist Maureen Tilyou working with the actors on her script at 2006 Screenplay Live

2005 Finalist, Ryan David Jahn, at 2005 Screenplay Live

Books:


Screenwriting Articles
written by Gordy Hoffman. ____________________________________________
You're an Idiot: Making Value from Reaction to your Screenwriting If you're like me, if someone doesn't like something about my screenplay, my very first reaction is always the same. You're not as smart as me. If you knew what I knew, you would understand what I wrote. And you don't understand what I wrote, because you don't know as much as I do. About everything, in general. In short, life. You know, people. Planet Earth. (read full article)
The Rogue Knight of Cinema: Why Screenplay Contests Matter Screenplay contests are changing cinema. Coming from a person who runs one, your first reaction to this statement is most likely, "The only reason you're saying that is you want me to enter yours." (read full article)
YOU ARE THE BOX OFFICE SMASH: The Personal Screenplay
Right this very second, in the heart of every struggling, undiscovered screenwriter, in the dark, hidden corner deep within, there is a voice, a clear whisper, saying one thing: You're never gonna figure this out. And this is not referring to the story with its gaping hole, the finale missing a payoff, the hit and miss humor, the flat title. I'm talking about freedom. The freedom to work as a screenwriter.
(read full article)
Naming Your Baby: How to Find a Great Title to your Screenplay
How exactly does one work on the title of their screenplay? I recently came up with such a wonderful idea for a movie, one of those miraculous moments, like finding money on the sidewalk. I told somebody, and they said, "Great. What's the title?" Suddenly, and rather horrifyingly, my beauty of an idea is crippled.
(read full article)
Screenwriting Tips from a Screenplay Contest Judge
After cracking hundreds of screenplays sent into the BlueCat Screenplay Competition, the same problems in the execution of the story and script continue to emerge. Here is a general overview of these persistent issues.
(read full article)
Discovering the Great Movie Idea for Your Next Screenplay
I am lucky. I have no problems coming up with very good ideas for movies. If I never had another idea for the rest of my life, I would not make a sizable dent in the ones I already have.
(read full article)
How to Start a Screenplay: Treatment or Free Fall?
Starting a screenplay can sometimes be as hard as finishing one. Impatient to pull up to the front door of a classic motion picture, I want to get everything right so quickly. This impatience challenges my trust in the work, the creative process of screenwriting.
(read full article)
Writing the Classic Movie Ending (How to Finish your Screenplay!)
I’ve only finished so many screenplays in my life. Writing a script all the way to the very last page is always an extremely significant, personal achievement for me. A large part of its significance is the reality that I actually wrote an ending, or, at the very least, typed “THE END.”
(read full article)
Rewriting your Screenplay: The Road to your Audience
The promise of the rewrite is very sweet. I have collected evidence that the more authentic the labor put into rewriting your screenplay, the greater the reward, and the reward is high, for whatever lovely, wonderful moments you might have discovered in the frightening process of plowing through the first draft.
(read full article)
The Heart and Soul of Screenwriting: Writing good dialogue and description
Writing dialogue and description is writing a screenplay. You can argue about format and tab margins and what to capitalize and what not. I won't. Dialogue and description is where the experience of screenplay for your reader lives. We write screenplays to make movies. They are not literature.
(read full article)

Heroes:


2006 Screenplay Live @ High Falls Film Festival

Thursday, Nov 9th, 7:30 pm
Curtis Theatre at George Eastman House
900 East Ave, Rochester, NY 14607
Tickets can be purchased at www.highfallsfilmfestival.com
Abigail Spencer, star of Lifetime's ANGELA'S EYES, to read at Screenplay Live at the 2006 High Falls Film Festival.
SCREENPLAY LIVE returns for a third year at the High Falls Film Festival with a staged reading of BEARD'S CREEK by Maureen Tilyou, a finalist of the 2006 BlueCat Screenplay Competition.
Abigail Spencer , star of Lifetime's new original series, ANGELA'S EYES , will be reading the lead role. A former cast member of ALL MY CHILDREN, Abby also stars in A COAT OF SNOW , written and directed by Gordy Hoffman. A COAT OF SNOW screens Friday at High Falls.
The annual reading series, held as a part of the High Falls program, brings a highly acclaimed screenplay to Rochester, casting local actors through RochesterTalent.com .
Synopsis of BEARD'S CREEK by Maureen Tilyou
When three children find a murdered woman in the dreamy perils of the swamps of 1950..s Georgia, the daydreams of their latch key lives fracture horrifyingly into the reality of an actual killer, their older sister's new beau.
Maureen Tilyou, the writer of BEARD'S CREEK, will direct her own screenplay. She has developed a mini-series based on the life of Ernest Hemingway with Snake River Productions as well as co-writing THE EXPERIMENT for Riverchild Films in London. She recently finished co-writing the feature FANTASY LAND, currently in pre-production with Intrinsic Value Films. In 2000, Maureen won the Best Picture Award (with director Martin Duffy) at the Austin Heart of Screenwriting Festival for the Welsh story TALIESIN JONES.
Gordy Hoffman, Fairport native and Founder of BlueCat, will moderate the Q&A. Hoffman won the Waldo Salt Screenwriting Award at the Sundance Film Festival for LOVE LIZA , which starred his brother, Philip Seymour Hoffman, and Kathy Bates. His directorial debut, A COAT OF SNOW, world premiered at the Locarno International Film Festival, and went to screen at the Silver Lake Film Festival and the Milan Film Festival . A COAT OF SNOW won the Domani Vision Award , given by VisionFest, held at the Tribeca Cinemas in New York. A COAT OF SNOW will screen at the High Falls Film Festival, Friday, Nov 10, at the Dryden Theatre at the George Eastman House, at 9:45 p.m.
SCREENPLAY LIVE is sponsored by ROCHESTERTALENT.COM and the ROCHESTER FILM OFFICE .
HIGH FALLS FILM FESTIVAL is an annual international film festival that showcases exceptional work by women in film and video - all positions before and behind the camera, including cinematographer, screenwriter, editor, composer, director, producer, and stuntwoman. The dates for the festival are November 8-13, 2006.
Festival dates are November 8-13, 2006.
2006 SCREENPLAY LIVE
Thursday, November 9, 2006
Curtis Theatre @ George Eastman House
900 East Ave, Rochester, NY 14607
7:30pm
www.highfallsfilmfestival.com/2005/buytickets.html
To see past SCREENPLAY LIVE events and photos, please visit:
SCREENPLAY LIVE 2005
SCREENPLAY LIVE 2004
BlueCat Screenplay Competition
Hollywood, CA 90028

www.bluecatscreenplay.com
www.myspace.com/bluecatscreenplay

My Blog

Scene Unseen Movie Reviews Podcast

Interview: Gordy Hoffman, Founder of the BlueCat Screenplay Competition*Do you get a lot of international submissions?*How do you manage to give written feedback to all the submissions? *What genres ...
Posted by BlueCat on Wed, 26 Mar 2008 01:23:00 PST

Bay Area Filmmakers Podcast

Episode 6: BlueCat Screenplay Competition*Who are the readers?*What kind of advice for independent writers who don’t have an agent would you give?*When you are reading a competition script, are...
Posted by BlueCat on Wed, 26 Mar 2008 09:16:00 PST

The Filmmaking Central Podcast

Episode 5 2008 Interview with Gordy HoffmanClick HERE to listen *Your background, How did it all come about?*What exactly is the BlueCat Screenplay Competition?*For beginning screenwriters, what tips ...
Posted by BlueCat on Fri, 21 Mar 2008 11:21:00 PST

The Filmmaking Producers Podcast

Episode 10: Gordy Hoffman - Writer, Director, Producer and Founder of the BlueCat Screenplay Competition*What other skills should a writer have to be successful in the industry?*Where can producers fi...
Posted by BlueCat on Wed, 19 Mar 2008 12:32:00 PST

BlueCat on Word Sushi podcast

BlueCat’s Podcast Tour Interview with Mark Yoshimoto Nemcoff on the Word Sushi Podcast*Why do screenplay competitions matter?*What would you say to someone who is skeptical about entering a scre...
Posted by BlueCat on Tue, 11 Mar 2008 04:59:00 PST

FINAL DEADLINE: APRIL 1st

2008 BLUECAT SCREENPLAY COMPETITION OPEN FOR ENTRIESNow accepting Feature length screenplays. *Winner receives $10,000*Four finalists receive $1500*Every writer who submits to BlueCat receives a writt...
Posted by BlueCat on Mon, 04 Feb 2008 08:53:00 PST

BlueCat featured on Movie Maker Magazine Website!

BlueCat Screenwriting Competition Gives Writers Red Carpet Treatmentby Andrew Gnerrewww.moviemaker.com/screenwriting/article/bluecat_scree nwriting_competition_20080220In an industry that can often fee...
Posted by BlueCat on Mon, 25 Feb 2008 01:05:00 PST

What is BlueCat?

THE 2008 BLUECAT SCREENPLAY COMPETITIONDEADLINE: MARCH 3rd MIDNIGHT" Winner receives $10,000" Four finalists receive $1500" Every writer receives a written script analysis of their screenplayNow in it...
Posted by BlueCat on Thu, 07 Feb 2008 09:17:00 PST

Upcoming BlueCat Screenwriting Workshops: Chicago, NY, Rochester, Toronto

THE BLUECAT SCREENWRITING WORKSHOP Chicago Mar 1-2 New York Apr 12-13 Rochester May 4 Toronto May 31 - Jun 1 Led by Gordy Hoffman, the BlueCat workshops focus on the written work of the writers...
Posted by BlueCat on Tue, 11 Dec 2007 02:33:00 PST

2005 Winner Sells Script

2005 BlueCat winners Andy Stock and Rick Stempson have done it again.The first comedy Will Ferrell and Adam McKay's Gary Sanchez Productions is producing under their deal with Paramount Vantage is non...
Posted by BlueCat on Wed, 19 Sep 2007 05:29:00 PST