NEUSCHWANSTEIN profile picture

NEUSCHWANSTEIN

I am here for Friends and Networking

About Me


Neuschwanstein Castle was built in a majestic, but secluded, mountainous region southwest of Munich, the capital of Bavaria. The foundation stone was laid on September 5, 1869, after the construction of the road and the laying of water pipes. Ludwig II created the site for his dream castle by having the rocky plateau, on which two citadels had once stood, dynamited and lowered by about 8 meters.
Left unfinished at King Ludwig II's death in 1886, it is a white castle with towers and spires in the style of the Middle Ages. Surrounded by ancient trees and mountains, it embodies the 19th century romantic ideal of returning to nature.
Spectacularly sited on a high point over the Pöllat River gorge, it has an imposing position overlooking a quiet lake, Lake Starnberg, in a valley with a narrow path winding into the forest.
The king worked with three different architects in succession: Eduard Riedel, Georg Dollmann, and Julius Hofmann, all Germans who based their designs largely on a scheme produced by German stage designer Christoph Jank.
Prince Ludwig 1864
King of Bavaria 1864 - 1886, * 25. 8. 1845 Nymphenburg, † 13. 6. 1886 in Lake Starnberg.

His paradise was art; His life was drama; His ideal was freedom; His destiny was isolation; His love was an unfulfilled longing; His death in the lake - A mystery, even today.
Beloved by the people of Bavaria to this day, the prince was born on August 25, 1845 in Nymphenburg in Munich as the first child of the Crown Prince Maximilian of Bavaria and his wife Marie, a Princess of Prussia. The little prince was "unbelievably beautiful" and christened Ludwig. His only brother, Otto, was born three years later.
The Queen enjoyed taking Ludwig and his younger brother Otto on lengthy hikes in the nearby alps and it would have been on these occasions that Ludwig developed his love of the mountains and their solitude, as well as his lifelong devotion to the Schwangau region. He also loved to feed the wild swans that lived around the lake, and several drawings of swans that he made at this time survive today.
His grandfather and godfather Ludwig I of Bavaria, had Louis XVI of France as his godfather. This relationship with the House of Bourbon had an important influence on the way the prince saw himself throughout his life.
"Ludwig enjoyed dressing up ... took pleasure in play acting, loved pictures and the like... and liked ... making presents of his property, money and other possessions", said his mother.
This was not to change. His vivid imagination, his tendency to isolate himself, and his pronounced sense of sovereignty were also already evident when Ludwig was a child.
Both princes were strictly brought up by their father, and were not prepared at all for their future responsibilities as head of state. Prince Ludwig spent his childhood and youth in Hohenschwangau, a castle inherited and rebuilt by his father. His active mind was captivated by the many paintings on the walls, which depicted the mythological world of the history of Germany in the Middle Ages. The paintings intensified his romantically inclined emotions, and awoke in him his love for everything noble. He also greatly enjoyed wandering in the forests and valleys around the castle. He felt more and more drawn towards poetry, painting, and soon, music.
At the age of sixteen, Prince Ludwig listened to the Richard Wagner opera "Lohengrin" for the first time in the Munich State Opera House. He was fascinated by this totally new form of music. He saw all of his romantic dreams realized in Wagner's composition structure and his elaboration of the theme. Since then, Ludwig tried to collect all Wagner's compositions and publications.
An eternal mystery
Ludwig II as the Grand Master of the Order of the Knights of St George.
Even before he died, the king had already become something of a legend. "I want to remain an eternal mystery to myself and others", Ludwig once told his governess, and it is this mysterious element that still fascinates people today. The poet Paul Verlaine called Ludwig II the "only true king of this century". The shy dreamer, who had none of the typical characteristics of a popular king, lives on, still idolized, as "the Kini".
His palaces, which were barred to strangers, have been visited by over 50 million people since his death. They are records in stone of the ideal fantasy world which the king built as a refuge from reality. His historic, poetic and ideal interpretation of his role as king was finally his downfall. It is possible that he preferred to die rather than return to reality.
The young king
King Ludwig II in generals' uniform and coronation robe.
In 1864 Ludwig II acceded to the throne at the age of 18 without any experience of life or politics, but adored by women. Looking back in 1873, he described it thus:
"I became king much too early. I had not learned enough. I had made such a good beginning ... with the learning of state laws. Suddenly I was snatched away from my books and set on the throne. Well, I am still trying to learn..."
Ludwig II aided Austria against Prussia in the Seven Weeks' War in 1866 but assisted Prussia in the Franco-Prussian War of 1870-1871. In 1871 he consented to the inclusion of Bavaria in the German Empire.
In 1866 Ludwig II suffered the biggest defeat of his life: the expanding state of Prussia conquered Austria and Bavaria in the "German War". From then on, Bavaria's foreign policy was dictated by Prussia and the king was only a "vassal" of his Prussian uncle.

Eventually these building projects became impossible to finance with the King's annual income. In the beginning of 1886, Ludwig II had liabilities amounting to 13 million Marks at an annual income of 5.5 million Marks. At the King's death, these debts had increased to the amount of 21 million Marks. This money was owed to the State of Bavaria by Ludwig, i.e., by the King's family, and had to be repaid. None of the suggestions, put forward by the members of his Cabinet in an attempt to reduce the King's expenditures, was successful. So the Government decided to have doctors declare the King mentally incompetent and have his duties taken over by a Regent.

On June 8, 1886, a medical commission, under the direction of Dr. von Gudden, compiled a medical declaration that the King was insane and that as a result he could no longer carry out his official functions. In fact, however, there is substantial written evidence to the contrary, showing that the King, although unhappy, acted calmly and composedly and regarded his surroundings with rigid politeness during this period. One document claims that the medical commission wrote the declaration without even examining Ludwig. Nonetheless, the commission succeeded in forcing their will on the King. On June 12, 1886, Dr. von Gudden took the King for a walk, and they never came back. They were found dead the next day, drowned in Lake Starnberg. There have been various speculations on the cause of the strange deaths of the King and Dr. von Gudden, but none of them has been conclusively substantiated.
Mysterious Death
The real cause of King Ludwig's death has been a mystery ever since his body, together with that of his psychiatrist, was dragged from Lake Starnberg on 13 June, 1886. But the official version, which holds that he committed suicide by drowning, has never been completely refuted.
Now, 112 years after the king's death, new evidence has surfaced which suggests that the builder of Neuschwanstein castle and many other bizarrely romantic architectural follies was murdered. The details are convincing enough to increase calls for the House of Wittelsbach, King Ludwig's family, to allow his body to be exhumed from its tomb in St Michael's Church in Munich to enable a new and conclusive post-mortem examination to be conducted.
The most intriguing new material to support the murder theory has come from a 60-year-old Munich banker called Detlev Utermöhle. In a sworn affidavit issued in 2007, Mr Utermöhle recalled a scene from his childhood which he insisted he remembered vividly.
As a 10-year-old, he and his mother were invited for afternoon coffee and cakes by a Countess Josephine von Wrba-Kaunitz, who looked after some of the Wittelsbach family's assets. Mr Utermöhle recalled how the countess gathered her guests, telling them in a hushed tone: "Now you will find out the truth about Ludwig's death without his family knowing. I will show you all the coat he wore on the day he died." The countess opened a chest and pulled out a grey Loden coat. Mr Utermöhle insisted in his statement that he saw "two bullet holes in its back" and said his mother, who has since died, left him a written account of what they saw.
Unfortunately for Mr Utermöhle, the king's coat was lost after a fire at Countess Wrba-Kaunitz's home in 1973 in which both she and her husband perished. However his claims were supported by Siegfried Wichmann, a Bavarian art historian and specialist in 19th-century painting, who published a hitherto unseen photograph of a portrait of the king painted only hours after his death.
The portrait shows what Mr Wichmann said is blood oozing from the corner of Ludwig's mouth. "King Ludwig cannot have drowned. This is blood from the lungs and there is no water in it," Mr Wichmann insists.
The official version holds that the Bavarian government was driven to depose the reclusive Ludwig because he was squandering vast sums of money on bizarre building projects that were driving his kingdom to ruin. However, Leopold only used his own or borrowed money. None of the funds for buildings were appropriated from the public.
Bernhard von Gudden, his psychiatrist, diagnosed him as suffering from "paranoia" – a condition which today would be classified as schizophrenia. Ludwig was deprived of his crown and, according to the official version, he reacted by drowning himself in Lake Starnberg in a fit of paranoid pique.
Murder theorists counter with recent medical evidence which suggests that the king was, in fact, suffering from a form of meningitis and was far from insane. They say fishermen reported hearing shots at the time of Ludwig's death and claim that his opponents in the Bavarian government hired assassins to kill him as he was trying to flee across the lake. They say that Von Gudden, who was also found dead in the lake, was shot because he was a witness.
Contact Tables

My Interests

Fantasy world

Ludwig II was a monarch of rare sensitivity and vision, a head of state with rights and duties but constantly frustrated by the bureaucracy of a burgeoning democracy. For this reason he built a carapace of cultural idealism for the world to marvel at – a unique bequest to his beloved Bayern – where he could feel those who shared his sense of romantic idealism would feel at home. From 1875 on he lived at night and slept during the day.

Upper Courtyard

High above the tranquil Hohenschwangau of Ludwig II's father, a "Byzantine Palace" and a copy of Versailles were already in existence by 1868. From the beginning, Ludwig's fantasy world embraced several different epochs. The "New Castle" (subsequently Neuschwanstein), was based on Christian kingship in the Middle Ages, and the new Versailles, built from 1878 on the Herreninsel, recalls the baroque absolutism of the Bourbon King of France. Linderhof in the Graswangtal, built from 1869, imitates a variety of styles, with the help of the latest technology.

Ludwig spent more and more time in the mountains and correspondingly less time in Munich. His fantasy world was further maintained by "private performances" in the Hoftheater: operas and plays performed for the king alone.

Tristan and Isolde

A Mural Within the Castle
Grail King

Ludwig II increasingly identified himself with Parzival, the legendary medieval figure who became Grail King through his purity and faith and thereby redeemed his sin-laden uncle. The inner battle for freedom from sin and purity is distressingly evident in the diaries of the extremely pious king. This particular legend is the subject of Richard Wagner's last work "Parsifal", which he began in 1877. Wagner and his circle privately referred to the king as "Parsifal", and his problems were incorporated into the drama of the Grail. Neuschwanstein, originally a monument to the minnesingers of medieval times, was reinterpreted as the Castle of the Holy Grail and the Throne Room was redesigned as the Hall of the Holy Grail – dedicated to the mystery of salvation for the world.

"The recluse"

The "ideal monarchical poetic solitude" which the king chose for himself was not in the long run compatible with his duties as a head of state. The new settings he was constantly devising for himself were equally beyond the private means of a king. Ludwig failed through his desire to anchor his illusions and dreams in reality.

From 1885 on foreign banks threatened to seize his property. The king's refusal to react rationally led the government to declare him insane and depose him in 1886 – a procedure not provided for in the Bavarian constitution. Ludwig II was interned in Berg Palace. The next day he died in mysterious circumstances in Lake Starnberg, together with the psychiatrist who had certified him as insane.

Neuschwanstein today

Seven weeks after the death of King Ludwig II in 1886, Neuschwanstein was opened to the public. The shy king had built the castle in order to withdraw from public life – now vast numbers of people came to view his private refuge.

Today Neuschwanstein is one of the most popular of all the palaces and castles in Europe. Every year 1.3 million people visit "the castle of the fairy-tale king". In the summer around 6,000 visitors a day stream through rooms that were intended for a single inhabitant.
It is one of 14 finalists recently competing for a place amongst the New 7 Wonders of the World, listed by New7Wonders organization.

I'd like to meet:


The majestic Throne Room

The pictures on the walls of the castle deal with love and guilt, repentance and salvation. Kings and knights, poets and lovers people the rooms. There are three main figures: the poet Tannhäuser, the swan knight Lohengrin and his father, the Grail King Parzival (Parsifal). These were Ludwig's models and kindred spirits.

A further leitmotif of the interiors is the swan. The swan was the heraldic animal of the Counts of Schwangau, whose successor the king considered himself to be. It is also the symbol of the "purity" for which Ludwig strived.

Lower Hall

The main staircase of the Palas leads into the Hall of the third floor.

To the west of this is the Throne Room, to the east the king's apartment.

The paintings on the walls show scenes from the Sigurd legend, based on the Old Norse "Edda" poems. It corresponds to the Siegfried legend of the medieval High German Nibelungenlied, on which Richard Wagner based his opera cycle "Ring des Nibelungen".

The legend is based on the treasure of the Nibelungen, on which there is a fatal curse. Sigurd comes into possession of the treasure after a fight with a dragon. The curse takes effect and he is murdered.

The pictures on the walls of the Hall range from the prediction of Sigurd's fate to Sigurd's death. The fate of Sigurd's wife Gudrun is described in the Hall on the next floor.

The wall pictures in the Dining Room allude to the world of the minnesingers. These medieval lyric poets and musicians extolled the striving for moral perfection and spiritually "pure" love.

While most of the other rooms in Ludwig II's apartment are "Romanesque" in appearance, the bedroom is furnished in the Gothic style. It took 14 woodcarvers four years to complete the elaborate oak carvings of this room.

The bed is particularly elaborate: with its tracery windows and little towers it resembles a late Gothic church.

The wall paintings show scenes from the Tristan and Isolde epic by the medieval High German poet Gottfried von Straßburg. Richard Wagner used this material for his opera of the same name, which was premiered in Munich in 1865.

Ludwig's bedroom with the richly decorated, cathedral-like bed. On the walls paintings illustrating the Tristan and Isolde epic.

It was in the bedroom that Ludwig II was arrested on the night of 11 June 1886. The room thus also has a very real tragic dimension.

The altar, wall paintings and stained glass windows of the Oratory show scenes from the life of the "holy" King Louis IX of France (1226-1270). This king, who was canonized in 1297, was Ludwig II's patron saint and a model of the kind of ruler he wanted to be.

Dressing Room

The pictures on the walls of the Dressing Room show the minnesinger Walther von der Vogelweide and the Nuremberg shoemaker and poet Hans Sachs, whom Wagner immortalized in his opera "Die Meistersinger von Nürnberg".

Grotto

Between the Salon and the Study is the most unusual room in the castle: the Grotto. When the doors are shut it looks like a natural dripstone cave. In Ludwig II's day a small waterfall and coloured lighting created a romantic atmosphere. A hidden opening in the ceiling enabled him to listen to the music in the Singers' Hall above.

Ludwig liked to sit with a glass of wine in the Grotto

The room is an allusion to the Venus Grotto in the Hörselberg near Eisenach. Here Tannhäuser is said to have succumbed to the charms of Venus.

The two stories are also combined In Ludwig II's Study: Tannhäuser journeys from the Grotto of Venus to the Singers' Contest, where he sings a song in praise of sensual love; this infringement against minnesong rules leads to Tannhäuser's exclusion and subsequent pilgrimage.

This conflict between the sensual and spiritual fulfilment of love clearly reflects the inner struggles of the king. In the legend, Tannhäuser is forgiven the sins of sensual desire – for which Ludwig II also craved forgiveness.

Parzival wall painting in the Singers' Hall

The combination of royal dignity and the office of priest explains Ludwig II's fascination with Parzival. It corresponded to his ideal picture of a "pure" and holy kingdom.

The king thus also encouraged the composition of the opera "Parsifal" by Richard Wagner, which was premiered in 1882 in the Bayreuth Festival Theatre.

Ludwig II however never heard Wagner's music in the Singers' Hall of Neuschwanstein: Wagner concerts were first held here more than sixty years after the death of the king.

Music:



Wagner

Crown Prince Ludwig was already fascinated by the music dramas and writings of Richard Wagner. He wanted to bring the composer to Munich as soon as he became king, and realize his dream of an opera festival. In 1864 he summoned Wagner to him and thus rescued him from a serious financial crisis.

"... Today I was brought to him He is unfortunately so beautiful and wise, soulful and lordly, that I fear his life must fade away like a divine dream in this base world... You cannot imagine the magic of his regard: if he remains alive it will be a great miracle!" wrote the composer after his first meeting.

Nocturnal scene. Painting by Kurt von Roszinsky

In the following years, Munich became the music capital of Europe with the premieres of " "Tristan und Isolde" (1865), "Die Meistersinger von Nürnberg" (1868), "Das Rheingold" (1869) and "Die Walküre" (1870). Ludwig II thus continued the patronage tradition of the House of Wittelsbach in grand style.

Wagner was however forced to leave Munich by the end of 1865 because of conflict with the government. Later Ludwig II also protested against the anti-Semitic sentiments expressed by his friend. He nevertheless continued with his lavish support for Wagner's work. The monumental festival theatre planned for Munich was built in a vastly simplified form in Bayreuth and inaugurated in 1876 with the cycle "Der Ring des Nibelungen". In 1882 "Parsifal" was premiered here. Without Ludwig II's commitment, there would never have been a Bayreuth Festival.

Neuschwanstein design as an ideal

The picture cycles of Neuschwanstein were inspired by the operas of Richard Wagner, to whom the king dedicated the castle. The pictures were not however directly modelled on Wagner's works, but on the medieval legends that the composer had also taken as the basis for his works.

WAGNER'S SCORES

For his 50th birthday, several leading industrialists presented Hitler with a case containing the original scores of some of Richard Wagner's music. They had paid nearly a million marks for the collection. Towards the end of the war, Frau Winifred Wagner asked Hitler to transfer these manuscripts to Bayreuth. Hitler refused, saying he had placed them in a far safer place. The manuscripts involved included the scores of 'Die Feen', 'Das Liebesverbot', 'Reinzi', 'Das Rheingold', 'Die Valküre' and the orchestral sketch of 'Der Fliegende Holländer'. These lost documents have never been found.

Movies:

VISITING The famous Oktoberfest in Munich. Every year, from the last week of September until the end of the first week of Oktober, the world's largest Beer Festival takes place attracting visitors from far and wide to sample the region's great speciality. Fun, music, dancing and, of course, sampling the brews for two whole weeks. Legendary! Go to this festivity with us this year!

Books:


Bruno Lohse, 1912 - 2007 In February, 1945, the art historian Bruno Lohse was ordered to go to Neuschwanstein to protect the ERR inventory records–card catalogues, photographic records, and the like. The ERR (Einsatzstab Reichsleiter Rosenberg)was the official art collecting organization of the NSDAP.

Neuschwanstein was used to store works intended for two huge museums dedicated to Goring and Hitler. Together, they were to house the cream of Europe's art.
This largest of the wartime German art caches was found by units of the 7th U.S. Army when they explored tunnels under the castle.

Heroes:


"My intention is to bring before the Munich public such serious and significant works as those of Shakespeare - Caléron - Goethe - Shiller - Beethoven - Mozart and Gluck.
In doing so I wish to raise audiences to a higher more concentrated mood and gradually to wean them off the more vulgar and frivolous type of performances."
- Letter to Wagner 8 Nov 1864

My Blog

Tannhäuser

During the rule of the Hohenstaufen emperors, the art of the minnesingers flourished. The knight Tannhäuser travels as a singer from castle to castle and sings his songs in praise of female beauty and...
Posted by NEUSCHWANSTEIN on Sat, 08 Mar 2008 07:12:00 PST