Member Since: 4/22/2007
Band Website: bobbyradcliff.com
Band Members: Basically Bobby performs as a trio with bass and drums, with various appearances adding friends on harp. Sidemen include Les Toth, Chris Mattheos, Keith Hurrell, Steve Guyger, Bruce Ewan, Big Boy Little, and many, many others. He can also be seen playing solo once a month in Greenwich Village.
Influences: Magic Sam, Earl King, Earl Hooker, Charlie Christian, Dick Dale, Jimmy Nolen, Albert Collins, Buddy Guy, Albert King, Ennio Morricone, The Ventures, Johann Sebastian Bach, Jody Williams, Leo Nocentelli, Irving Banister, Lowell Fulsom, Snooks Eaglin...
Listen for yourself and put the pieces together!
Sounds Like: Geoffrey Himes in The Washington Post: “Radcliff is usually pigeonholed as a blues artist, but he owes just as much to the 60s soul and funk of James Brown and P-Funk as he does to the Chicago blues of Magic Sam and Buddy Guy. Because he plays with a trio, Radcliff has to handle both the lead and the rhythm duties himself, and he marries the slashing lead lines of Guy with the choppy syncopation of Brown’s Jimmy Nolen.â€
Peter Pullman in The Wire: “I’m hearing rockabilly and his soloing is unabashedly Cowboy. Radcliff plays the whole instrument. His nimble fingerings and bent chords are uplifting as he moves swiftly through an improvisation; he’s absorbed all these influences, yet remained in the blues tradition.â€
Dan Daley in Musician magazine: “He mines a range of blues influences from his first hero, Magic Sam, through B.B.King, Buddy Guy, and Lightninà Hopkins. But the tense, articulate chicken-pickin’ of Don Rich (Buck Owens’ longtime sideman) and the rounded tones of Scotty Moore are present also, as well as the strains of late-60s soul.â€
Kevin Roe in Sound Views: "...churning out chunky, Venturesque minor chords while simultaneously spinning off manic, white-hot bursts of barely controlled single-note blues and surf licks.â€
Steve Hoffman for WDCU-FM Washington, DC: “His music is drenched in the primal emotions of pain and anger, not only because of his screaming guitar but equally because of the naturally gloomy timber of his voice, which enables him to wrench feeling out of lyrics without resorting to the contortions that pass for singing among too many of his peers.â€
Charles Shaar Murray in “Blues on CDâ€: “...the combination of manic guitar and distinctive cawing voice with encyclopedic lickology and sledgehammer delivery...â€
Steve Walbridge in Blues Revue: “...unmercifully aggressive fretwork and, just as impressively, his quivering vocal delivery... leaves you feeling musically mugged...â€
downbeat: “The firebrand’s Fender shudders, dithers, and fulminates in a rough, deep-seated ecstasy too seldom encountered in this age of superficial, smoke and verbiage blues.â€
David Okamoto in The St.Petersburg Times: “His colorful tenor packs a soulful wallop, while his electric guitar solos snarl and squeal with robust intensity that rarely sacrifices substance for flash.â€
Boston Phoenix: “...perhaps the angriest blues guitarist in the East. The New Yorker’s ax phrasing is tightly constricted, even paranoid. At times his crammed, busy notes and screamingly nervous tone are nearly frightening.â€
Kevin Roe in Sound Views: “...the greatest blues guitarist to ever come out of New York City.â€
Jamie Dell Apa for The Baltimore Blues Society: “...one of the greatest guitar players alive.â€
Record Label: Rollo Records
Type of Label: Indie