Rhythmic organisations after: Stravinsky and Messiaen,
Serialisations of additional musical parameters after: Boulez and Barraque
Sound blocks and aggregates, fixed objects, after: Edgard Varese..
Random elements and unpredictability: after Kagel, Chaplin
Quarter-tone tuning after oriental models and flexible phrasing after: Ravel and Debussy, Messiaen, Bob Dylan (for his flexible and virtuoso phrasing, tight-rope walker vocal and surreal harmonica playing.
Formal interpolations after: Stravinsky, James Joyce
Musical aggressivity after: Bartok and early Stravinsky
Anti-fascist aesthetics: Walter Benjamin, Chaplin, For more information, music and scores please visit :
Toscanini: l'internazionale/The internationale/Internasjonalen: