Spettacoli interattivi e multimediali, immersioni, cultura, arte, video manipulation and editing, musica, trekking, rafting, nuoto, concerti, film.
SilentWords
Touch with your fingers the naked body of your desires.
The project is about the power of the “Body Language“.
Most of the time, bodies reveal their true intentions even more then words.
Usually people, more or less, use this power on purpose to manipulate and get what they want from others.
This project will focus on the conflict between body and brain.
On one side the brain will keep under control every basic instinct of the body and use it just like an instrument to seduce, to impose its power and its will .
While on the other side we have a body which has its own brain controlled by feelings, intution, emotion, limits and necessity .
The.way we relate to our bodies becames more and more conflictual,we are not listening anymore to it and we give it a lot of constrictions ,all this in order to predominate, became independent and be above the others.
Of course this behaviour creates insolation from ones surroundings.
However at a certain point we will start to restablish new contacts ,this is due to the fact that we know these relations are important for the human being.
The essence of these contacts enable us to share and exchange experiences of all kinds whether they be good or bad.
But we will keep this knowledge only for a short period,at which at one point we will start again to manipulate and fall into this never ending cycle.
Rotterdam
Caricato da nadessja
"Duet_2006"
Caricato da nadessja
"Aller Ziele" by Ed Wubbe (director Scapino Ballet)
dancers Nadessja Casavecchia & Francesco Curci
I'd like to meet:
"B – LIGHT" Project for Interactive Performance
Visual director: Headvision
Performer: Nadessja
Audio director: Eniac
L'ambiente è semi buio. In un lato della stanza si trova uno schermo di proiezione, davanti ad esso vi è un proiettore video e verso l'area di partecipazione una videocamera mobile. Il tutto viene monitorato attraverso una consolle di regia.
L'happening inizia con l'improvvisazione corporea della performer, dotata, così come il visual director, di un led luminoso con interruttore. Inizialmente lo schermo è buio ma una volta accesi i led e puntati sull'area di partecipazione, vediamo comparire dei giochi di luce che illuminano il corpo della performer mostrandone sullo schermo i movimenti. Dalla consolle audio il musicista elabora in tempo reale una sperimentazione sonora che interpreterà in tempo reale le dinamiche della performance.
Attraverso il video processing, ogni soggetto colpito dalla luce dei led va ad impressionarsi sullo schermo e a con-fondersi al precedente, generando composizioni di forme e colori digitalizzati in un ambiente "fotosensibile" creato dalla stessa gestualità dei partecipanti.
Progressivamente l'area di partecipazione viene aperta anche al pubblico che, dotato dei led, potrà interagire con la performer autogestendo il proprio processo creativo. L'intento è di generare contesti di inter-azione in cui i fruitori possono dare vita spontaneamente e collettivamente all'evento artistico e, attraverso l'azione, costruire attivamente il senso dell'opera, mettendo in condizione il fruitore di costruire e svelare personalmente i suoi mondi e la visione dell'ambiente che lo circonda.
B-Light at DID Festival
Caricato da barabba07
"B-Light" at the DID Festival 07, Milano
dance and coreography Nadessja
visual artist Headvision
audio director Eniac
ENGLISH VERSION
History
The “B-Light†project is an experimental work born of a collaboration between the video artist Headvision (Roberto Zitolo, Turin) and the choreographer/performer Nadessja (Nadessja Casavecchia, Novi Ligure (AL)) in the summer of 2007. Recently, the team has evolved to include the musician Eniac (Fabio Battistetti).
The Project
This project is at the nexus of three arts: the visual arts, contemporary dance and eletronic music. Using state of the art technology, the dynamic “B-Light†stage-space develops with a real-time dialogue between man and machine. “B-Light“ performances are not mere representations, but are collective and active interfaces, with each artist responding instinctually and creatively to the next. Movement becomes digital reproduction and vice versa. In this way, the performers may be guided by their own shadows.
The performance consists of 3 acts, each one characterised by different situations, choreographies, frames and processing arranged into narrative scenes. Every act will correspond to a time-line (in a representation of “past,†“present†and “futureâ€), conceived as an explorative journey through different dimensions, spaces, moments and memories.
Although there is narrative in the performance, their aim is to leave free space for improvisation. The project overcomes the limits of each modality by fostering immediate and instinctive action, whether digital or physical.
