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Mircan

Mircan

About Me

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Mircan is a musician, a civil engineer and a professional earthquake engineer. The first album she put out was Bizim Ninniler (Our Lullabies), a first of its kind, which was followed by Kül (Ashes).
Mircan’s family comes from the Megrel ethnic group who migrated to Turkey from Batumi, Georgia. After completing middle school and graduating from Nisantasi Girl’s High School in Istanbul, she studied at Bogaziçi University and completed a master's degree. In addition to her musical work, she works with advanced engineering technology. She started singing very early, in infancy, preferring to sing adult songs, rather than those for babies and children. Singing with orchestras in wedding ceremonies gradually became an ordinary activity for her. At an early age, her singing of classical Turkish Music would produce smiles of surprise in her listeners.
She has studied music with private music teachers. Started performing in front of audience when she was a child. Performed with the Classical Turkish Music Choir of the University for four years. Performed and written songs with her band for six years during the university years. She operates her own engineering company dealing with advanced engineering and seismic technologies acting as the representative of FIP INDUSTRIALE S.p.A based in Italy. Directed several important international engineering projects. Trained on advanced engineering and seismic technologies in France, Italy, and Jordan as well as her main land Turkey.
While she was studying ethnic music, she really enjoyed Bosnian and Georgian music, so she performed songs in those languages on her second album, Kül, together with Anatolian folk songs. Mircan wrote the music and most of the words on her next album, Sâlâ, which is a musical journey that fuses east and west, transposing dominant culture with minority elements and reconciling them in a musical synthesis of emotions.
She carved out a niche for herself on the music scene with the albums Bizim Ninniler and Kül, which she put out in 2005. She was also invited to contribute an improvisational dirge and lullaby for Bir Beyaz Ölüm, an album produced by the Ministry of Culture in commemoration of the soldiers who died at Sarikamis. That album features accomplished traditional musicians and closes with an improvisational dirge and lullaby recorded by cellist, Ugur Isik.
In 2006, she expanded the operational scope of her company which operates in advanced engineering and earthquake technologies and founded UCM (UnCatalogued Music Production), which implements an idealistic philosophy of working with independent culture and art projects.
She still has many music projects up her sleeve which she is determined to bring to life.
Discography:
To be released in April 2008
Online CD sales

http://cdbaby.com/cd/mircan
Online CD sales
http://cdbaby.com/cd/mircan2
Online CD sales
http://cdbaby.com/cd/mircan

Personal Web Site:
www.mircan.net
Label's web site:
www.ucmproduction.com
Online CD sales
http://cdbaby.com/cd/mircan
http://www.amazon.com/Kül-Ashes-Mircan/dp/B000Z3CHRG


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My Interests

Music:

Member Since: 10/30/2006
Band Website: mircan.net
Influences: Silence, environmental sounds, languages, Ottoman music, Anatolian folk music, jazz, classical music, blues, country, opera, improvisation, everything related to music
Sounds Like:FROOTS Magazine Review Category: Music

Singer and composer Mircan has created a Pre-Raphaelite tapestry of a CD. It’s construction includes Turkish materials but the design is highly original and eclectic, owing less to tradition than to the work of innovative singer songwriters like Kate Bush and Tom Waits.

The title is a reference to a Muslim prayer for the dead and is the keynote for the CD. Lyrically, the songs are explorations of melancholy that includes Sala itself, the original Seed Of A Denial (in English), settings of English and Turkish poetry and a Black Sea lament, Bgara.

The melodies make extensive use of Turkish modes and are harmonised intelligently with a good dose of jazz. Mircan has a confident and disciplined voice, daring to go places many singers would avoid and successfully investing the words with requisite gravitas. Mircan’s band includes piano, clarinet, trumpet, guitar and bass. The standout instrumentalist, thoough, is cellist Ugur Isik, who prefaces many of the songs with gloriously original miniatures. His technique, inherited from the kemence, evokes the human voice and in his jazzy context evokes the baritone sax ( it occurs to me that a jazz band fronted by cello played with this technique would be a very fine thing indeed).

Another instrumental highpoint is Muammer Ketencoglu’s accordeon-he has a distinctive style, and contributes a lightness that leavens these songs. Lastly there is the unexpected but highly successful use of the didgeridoo, played by Serdar Ayvaz.

The recordings were made in Istanbul but the CD was mixed and edited to a high creative standard by Roger Mills in the UK: sala is very much a comlete artefact rather than an anthology of disparate songs. This is romantic, original and deeply-felt work full of fascinating juxtapositions. It will not be to everyone’s taste but those who do like it will love it.

Chris Williams

Record Label: UCM - UnCatalogued Music Production -
Type of Label: Major

My Blog

NUMINOSUM- Review by Today's Zaman

..TR>..TR>..TR>..TR> ..TR> 'Numinosum' reflects the color of Mircan Kaya's dreams ..TR>..TR>..TR>..TR>..TR> ..TR> ..TABLE>How many singer-songwriters are there in Turkey? Not many. Now the quest...
Posted by Mircan on Sun, 27 Apr 2008 03:15:00 PST

REVIEW of New Internationalist Magazine

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Posted by Mircan on Sun, 30 Mar 2008 04:19:00 PST

MIRCAN performs with the English improvised jazz group Limbo

MIRCAN NUMINOSUM An imaginative musical journey in the warm spring rains with MIRCAN. MIRCAN performs with the English improvised jazz group Limbo MIRCAN intertwined with poetry, philosophy, mysticism...
Posted by Mircan on Fri, 28 Mar 2008 09:08:00 PST

FROOTS Magazine Review

FROOTS Magazine Review Category: Music  Singer and composer Mircan has created a Pre-Raphaelite tapestry of a CD. It's construction includes Turkish materials but the design is highly original...
Posted by Mircan on Sat, 17 Mar 2007 03:41:00 PST

Dreamy And Ethereal - Music From The Black Sea

Mircan - Sala Dreamy and ethereal - music from the Black Sea If Mircan were a boy, she would have been thought autistic. The shy child was thought dumb when instead she was listening to the voic...
Posted by Mircan on Sat, 17 Mar 2007 03:39:00 PST

BLACK SEA JAZZ AND MIRCAN

Article from CUMHURIYET NEWSPAPER   BLACK SEA JAZZ AND MIRCAN   "Music is the reason for my existence" ,  says MIRCAN. She is a successful civil engineer but the passion for music insi...
Posted by Mircan on Mon, 05 Mar 2007 06:12:00 PST

Songs from Neverland

Article of TEMPO Magazine   MIRCAN KAYA Songs from Neverland Actually trained as an earthquake engineer, Mircan Kaya's close relationship with music goes back a long way, all the way back to h...
Posted by Mircan on Mon, 05 Mar 2007 05:38:00 PST

REVIEW OF EVRENSEL NEWSPAPER ON "SALA"

Death dirge: Sâlâ"Whenever someone has a loved one that dies, they think this is the first and only death in the world" (Özdemir Asaf) Is there any melody which defines the concept of death while one...
Posted by Mircan on Sat, 03 Mar 2007 03:57:00 PST

INTERVIEW OF MILLIYET NEWSPAPER WITH MIRCAN

* The Sâlâ in English, jazz in Laz. In her new album, MIRCAN sings Sâlâ in Turkish, English and Laz.   This is why she is called the Loreena McKennit or Eleni Karaindrou of Turkey. Born in a vill...
Posted by Mircan on Fri, 02 Mar 2007 04:29:00 PST

INTERVIEWS WITH MIRCAN

INTERVIEW OF SABAH NEWSPAPER WITH MIRCAN * This song is the cry of a woman whose lover has died! A woman who introduces herself as part Laz and part Georgian but mostly as a citizen of the world,...
Posted by Mircan on Fri, 02 Mar 2007 04:12:00 PST