Will Haas

Will Haas is a Recording/Mastering Engineer, Mixer and Producer from London, Ontario, Canada. Will has owned and operated Willyboy Recordings, a professional Recording Studio in London, since 1998. Will has accumulated credits for Recording, Mixing and/or Producing for dozens of professionally manufactured releases from Canada. Genres include: Pop/Rock, Roots/Country/Folk, Blues and Jazz. Selected credits include: The Rizdales, Jason Hakin, Howl, Ruth’s Hat and The Bastid Sonz. When it comes to the fidelity of recorded music, Will Haas strives to produce the most vibrant and colorful sounds; a no compromise approach to achieve world-class results has been his fundamental goal. Will’s Recording/Mixing style and the sounds he creates pay tribute to his knowledge, skill and willingness to experiment. Viewing sound quality of recorded music as an art form has been a major influence in his personal style and approach, and paves the way for a strong foundation for a career in our music industry.For Will, Recording Music is a passion rather than just an elaborate hobby or job. Developing and striving for the highest achievements in quality and uniqueness have always been Will’s goals. But meeting these expectations are only accomplishments when the production meets the vision of the music itself. To realize this vision, an immense amount of devotion is required. In a very competitive industry that demands an ever-evolving palate of sound, there has to be the willingness to go the extra distance and not settle until you have achieved your own definitive style. Will Haas’ philosophy is based upon the realization that sometimes less is more, and using technology to suit the music’s individual nature—by finding the tradeoff between pushing the boundaries of sound too much or too little— is an art in itself.STUDIOWillyboy Recordings accommodates a broad range of styles and genres of music and production. From modern, in your face pop and rock sounds, to mic and room sounds of yesteryear, all recorded music benefits from the vibe, feel and unique atmosphere this recording studio offers. Willyboy Recordings offers audiophile sound, an intimate atmosphere and a workspace available to clients who are working with a linear budget.The studio atmosphere is truly an artists’ domain, comprising all of the right tools and amenities required for comfortable, world-class music production. The architectural, acoustic and electronic layout, have all been designed with special pride and attention to influence the sonic character of music, all the while retaining an intimate setting. Within every aspect of creating this facility and selecting gear, there has been a real-world approach to music production and awareness of our ever evolving and fast paced music industry. Because of this evolving industry, today’s successful recording studios must be evermore creative and intelligent in planning and executing to be able to offer a facility that has what it takes in the sense of being comfortable, affordable, unique and sonically a cut above the average recording studio. This is Willyboy Recordings.INDUSTRY CREDITS RECORDING ENGINEER = REC MIXING ENGINEER = MIX MASTERING ENGINEER = MAS PRODUCER = PRODUCERFULL LENGTH RELEASES· Jason Hakin ‘Writing Home’ SAT-001 ã2007 – REC, MIX, MAS, PRODUCER· The Rizdales ‘Radio Country’ TNT-004 ã2007 – REC, MIX, MAS· King Lucius ‘Self Titled’ ã2007 – MAS· El Kady & Sami ‘Organico’ ã2007- MAS· Derek Martin ‘The Family Album’ ã2007- MAS· Tyler Hawkins ‘Self Titled’ ã2007 – MAS· Metalian ‘Self Titled’ ã2007 – MAS· The BasTiD SonZ ‘Round Two’ BS2006 ã2006 - REC· Frank Ridsdale and Slugfest ‘The Port’ WSPNCD3280 ã2006 - REC, MIX, PRODUCER· Tim Woodcock and the Thunder Kings ‘Self Titled’ TW2006 ã2006 - REC, MIX, MAS· Leah Morise ‘Take Me Anywhere’ ALOT047 ã2006 – MAS· John Hollohan ‘Island To Island’ JHIT102 ã2006 – MAS· Thaneah ‘Self Titled’ ã2006 – MAS· Dr. Wily ‘Self Titled’ ã2006 – MAS· The Rizdales ‘Pay What You Can’ WRCD-003 ã2005 – MIX, MAS· The Rizdales ‘Bar and Lounge’ WRCD-002 ã2004 – REC, MIX· Frank Ridsdale ‘Mod World · Old World’ WSPNCD1280 ã2003 – REC, MIX, PRODUCER· The Rizdales ‘Another Payday Night’ WRCD-001 ã2003 – MIX, MAS· Angry Agency ‘The End Of An Era’ CORE-UPT 009 ã2003 –MIX· Angry Agency ‘This Is What Democracy Looks Like’ CORE-UPT 008 ã2001 – REC, MIX, MAS · Reverend Freddie and the Distillers ‘Bigger Than Your Daddy’s’ Little Hands Records ã2001 – REC, MIX, MAS, PRODUCER· The Rezonators ‘Delta Man’ ã2000 – REC, MIX, MAS, PRODUCERINDUSTRY CREDITS EP’S AND SINGLES· HOWL! ‘Don’t’ ã2007 – REC, MIX, MAS· Big Monday ‘Self Titled E.P.’ ã2007 – REC, MIX, MAS· One Way Trip ‘Self Titled E.P.’ ã2007 – REC, MIX, MAS· Maxim Budnick ‘Self Titled E.P.’ ã2007 – REC, MIX, MAS· Don Kilpatrick ‘Self Titled E.P.’ ã2007 – REC, MIX, MAS, PRODUCER· Giggle Switch ‘DRIVE’ ã2007 – REC, MIX, MAS PRODUCER· Michael Weston King ‘Reserved For Me And You’ (Performed by The Rizdales) ã2006 – REC, MIX, MAS· Jason Hakin ‘Self Titled E.P.’ ã2006 – REC· The Four Elements ‘Bottled’ ã2006 – MAS· Mike Bowers ‘Self Titled E.P.’ ã2006 – REC· Life O’ Riley ‘3 SONG E.P.’ ã2006 – REC, MIX, MAS· Chris Hart ‘The Sunburns’ ã2006 – REC, MIX· A Block Of Yellow ‘Grow Up Or Grow Out’ E.P. ARS 101 ã2005 – REC, MIX· Ruth’s Hat ‘Everyday’ (Hardin-Perry) ã2005 – REC, MIX, MAS, PRODUCER· Middle Class Response ‘Self Titled E.P.’ ã2005 – REC, MIX, MAS· Carol Maquarrie ‘3 Song Demo E.P.’ ã2005 – REC, MIX, MAS· P.J. Sloan ‘Two Songs E.P.’ ã2005 – REC, MIX, MAS· Ruth’s Hat ‘Big **%$@!! Party’ ã2003 – REC, MIX, MAS· First Time Fallen ‘Single’ ã2002 – REC, MIX, MAS· The Strap-ons ‘Three Song E.P.’ ã2001 – REC, MIX, MAS, PRODUCER· Jeff Morgan ‘Four Song Demo’ E.P. ã2000 – REC, MIX, MAS, PRODUCER· Ruth’s Hat and the Collisions ‘It’s The Spook’s Night Out’ E.P. HEAD-003 ã2000 – REC· Ruth’s Hat ‘Surf’s Down’ E.P. ã2000 – REC, MIX, MASThe Collisions ‘Boy What An Idiot’ E.P. ã2000 – REC, MIX, MAS