Charles Dickens profile picture

Charles Dickens

Vices are sometimes only virtues carried to excess.

About Me


My full name is Charles John Huffam Dickens. I was a better writer than you will ever be. I was born in Portsmouth, Hampshire, on 7 February, 1812. My family moved quite a lot when I was young. I spent a lot of time out of doors, and I also greatly enjoyed reading. I see those early times even now. I leave it to the scientists and philosophers to explain how such visions can be retained so clearly in my mind, yet remain they do, and do summon up remembrances of things past.
One of the great tragedies of my childhood was my father's financial incompetence. He was eventually imprisoned for debt, and I, at the age of twelve, was sent to work at a boot-blacking factory to help my family make ends meet. After a few months of this my father was able to leave the debtors' prison, yet I was made to continue my labor at the factory, and I have always resented this. When I was fifteen I began work as a law clerk, a junior office position with potential to become a lawyer. I found I did not like the law as a profession, however, and after a short time as a court stenographer I became a journalist, reporting parliamentary debate and travelling Britain by stagecoach to cover election campaigns. I found that writing gave me great satisfaction. It was from my journalism that I formed my first collection of pieces, Sketches by Boz. By my early twenties I had published my first novel, Pickwick Papers. I was proud of such early success, but admittedly the novel was no great work of literature. In 1836 I married Catherine Hogarth and we made our home in Bloomsbury. Catherine and I had ten children together: Charles (one must have a legacy), Mary, Kate, Walter, Francis, Alfred, Sydney, Henry, Dora and Edward. During the same year of my marriage to Catherine, I accepted the job of editor of Bentley's Miscellany, a position I would hold until 1839, when the owner and I had a falling out. My writing prospered, my books were very popular, and I was considered a tremendous literary talent.
By 1856 my success in writing allowed me the means to purchase Gad's Hill Place, a large house in Higham, Kent. I fell in love with the beautiful estate; I fell out of love, about this same time, with my uninspiring wife. Things between Catherine and I had gone downhill. My affair to the much younger actress Ellen Ternan did not, I suppose, help to ameliorate our floundering union. We separated in 1858. My weakness for feminine charms, coupled with my newfound fame as an author, made me a less than devoted husband. On 9 June, 1865, I was in a train accident. I was traveling back from France when, due to a scheduling error, our train went over a bridge that was under repair. The train partially derailed. I escaped unharmed (mine was the only first class carriage to remain on the track), yet the experience shook me to the core, and I believe my writing suffered. Nevertheless I kept very busy with my travels and public readings. On 2 December, 1867, I gave my first public reading in the United States at a New York City theatre. Precisely five years after the train accident, on 9 June, 1870, I passed away after suffering a stroke.
Despite this stroke and my apparent death, I intend to update this page with my favorite passages and my favorite characters from my writing, so that those perusing this public forum may benefit from the fruits of my abundant genius without having to actually plod through my gigantic, sprawling novels, and so that those who have already done such plodding may read the best parts over again, as if they were visiting old friends.

My Interests

I enjoy writing, attending theatre, traveling, giving public readings from my novels, and being with my lovely Ellen.

I'd like to meet:


William Shakespeare, Fyodor Dostoevsky, Tobias Smollet, Henry Fielding

Books:

Sketches by Boz (1836)
One of the women has agreed to stand a glass round, jocularly observing that "as good people's wery scarce, what I says is, make the most on 'em."
Minerva House ... was "a finishing establishment for young ladies," where some twenty girls of the ages from thirteen to nineteen inclusive, acquired a smattering of everything and a knowledge of nothing.
The dignity of his office is never impaired by the absence of efforts on his part to maintain it.
The Pickwick Papers (1837)
"Poetry's unnat'ral; no man ever talked poetry 'cept a beadle on boxin' day, or Warren's blackin' or Rowland's oil, or some o' them low fellows; never you let yourself down to talk poetry, my boy."
"Ven you're a married man, Samivel, you'll understand a good many things as you don't understand now; but vether it's worthwhile, goin' through so much, to learn so little, as the charity-boy said ven he got to the end of the alphabet, is a matter o' taste."
It is an old prerogative of kings to govern everything but their passions.
"We know, Mr. Weller - we, who are men of the world - that a good uniform must work its way with the women, sooner or later."
Oliver Twist (1838)
". . . there are books of which the backs and covers are by far the best parts."
Nicholas Nickleby (1838)
"All I say is, remember what I say now, and when I say I said so, don't say I didn't."
The dinner was as remarkable for the splendour and completeness of its appointments as the mansion itself, and the company were remarkable for doing it ample justice, in which respect Messrs Pyke and Pluck particularly signalised themselves; these two gentlemen eating of every dish, and drinking of every bottle, with a capacity and perseverance truly astonishing. They were remarkably fresh, too, notwithstanding their great exertions: for, on the appearance of the dessert, they broke out again, as if nothing serious had taken place since breakfast.
Love, however, is very materially assisted by a warm and active imagination: which has a long memory, and will thrive, for a considerable time, on very slight and sparing food.
Barnaby Rudge (1841)
Indeed the worthy housewife was of such a capricious nature, that she not only attained a higher pitch of genius than Macbeth, in respect of her ability to be wise, amazed, temperate and furious, loyal and neutral in an instant, but would sometimes ring the changes backwards and forwards on all possible moods and flights in one short quarter of an hour; performing, as it were, a kind of triple bob major on the peal of instruments in the female belfry, with a skilfulness and rapidity of execution that astonished all who heard her.
Master Humphrey's Clock (1841)
For who can wonder that man should feel a vague belief in tales of disembodied spirits wandering through those places which they once dearly affected, when he himself, scarcely less separated from his old world than they, is for ever lingering upon past emotions and bygone times, and hovering, the ghost of his former self, about the places and people that warmed his heart of old?
We are men of secluded habits, with something of a cloud upon our early fortunes, whose enthusiasm, nevertheless, has not cooled with age, whose spirit of romance is not yet quenched, who are content to ramble through the world in a pleasant dream, rather than ever waken again to its harsh realities. We are alchemists who would extract the essence of perpetual youth from dust and ashes, tempt coy Truth in many light and airy forms from the bottom of her well, and discover one crumb of comfort or one grain of good in the commonest and least-regarded matter that passes through our crucible. Spirits of past times, creatures of imagination, and people of to-day are alike the objects of our seeking, and, unlike the objects of search with most philosophers, we can insure their coming at our command.
A Christmas Carol (1843)
"Bah!" said Scrooge. "Humbug!"
"If I could work my will," said Scrooge indignantly, "every idiot who goes about with 'Merry Christmas' on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!"
It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good-humour.
Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did not die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him.
Martin Chuzzlewit (1844)
"A man can well afford to be bold as brass, my good fellow, when he gets gold in exchange."
All the knives and forks were working away at a rate that was quite alarming; very few words were spoken; and everybody seemed to eat his utmost in self-defence, as if a famine were expected to set in before breakfast time to-morrow morning, and it had become high time to assert the first law of nature.
The Chimes (1844)
For the night-wind has a dismal trick of wandering round and round a building of that sort, and moaning as it goes; and of trying, with its unseen hand, the windows and the doors; and seeking out some crevices by which to enter. And when it has got in; as one not finding what it seeks, whatever that may be, it wails and howls to issue forth again: and not content with stalking through the aisles, and gliding round and round the pillars, and tempting the deep organ, soars up to the roof, and strives to rend the rafters: then flings itself despairingly upon the stones below, and passes, muttering, into the vaults.
The Cricket on the Hearth (1845)
The Battle of Life (1846)
"Why, on this day, the great battle was fought on this ground. On this ground where we now sit, where I saw my two girls dance this morning, where the fruit has just been gathered for our eating from these trees, the roots of which are struck in Men, not earth, - so many lives were lost, that within my recollection, generations afterwards, a churchyard full of bones, and dust of bones, and chips of cloven skulls, has been dug up from underneath our feet here. Yet not a hundred people in that battle knew for what they fought, or why; not a hundred of the inconsiderate rejoicers in the victory, why they rejoiced. Not half a hundred people were the better for the gain or loss. Not half-a-dozen men agree to this hour on the cause or merits; and nobody, in short, ever knew anything distinct about it, but the mourners of the slain."
Dombey and Son (1848)
Vices are sometimes only virtues carried to excess!
"Mine ain't a selfish affection, you know," said Mr. Toots, in the confidence engendered by his having been a witness of the Captain's tenderness. "It's the sort of thing with me, Captain Gills, that if I could be run over - or - or trampled upon - or - or thrown off a very high place -or anything of that sort - for Miss Dombey's sake, it would be the most delightful thing that could happen to me."
The Haunted Man (1848)
" . . . I have read in your face, as plain as if it was a book, that but for some trouble and sorrow we should never know half the good there is about us."
David Copperfield (1850)
"Well," said my aunt, "this is his boy - his son. He would be as like his father as it's possible to be, if he was not so like his mother, too."
My father had left a small collection of books in a little room upstairs, to which I had access (for it adjoined my own) and which nobody else in our house ever troubled. From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, the Vicar of Wakefield, Don Quixote, Gil Blas, and Robinson Crusoe, came out, a glorious host, to keep me company. They kept alive my fancy, and my hope of something beyond that place and time . . .
" . . . what such people miscall their religion, is a vent for their bad humours and arrogance."
"People can't die, along the coast," said Mr. Peggotty, "except when the tide's pretty nigh out. They can't be born, unless it's pretty nigh in - not properly born, till flood. He's a going out with the tide. It's ebb at half-arter three, slack water half an hour. If he lives till it turns, he'll hold his own till past the flood, and go out with the next tide."
. . . trifles make the sum of life.
I have been very fortunate in worldly matters; many men have worked much harder, and not succeeded half so well; but I never could have done what I have done, without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one object at a time, no matter how quickly its successor should come upon its heels, which I then formed.
I remarked in the original Preface to this Book, that I did not find it easy to get sufficiently far away from it, in the first sensations of having finished it, to refer to it with the composure which this formal heading would seem to require. My interest in it was so recent and strong, and my mind was so divided between pleasure and regret-pleasure in the achievement of a long design, regret in the separation from many companions-that I was in danger of wearying the reader with personal confidences and private emotions. Besides which, all that I could have said of the Story to any purpose, I had endeavoured to say in it. It would concern the reader little, perhaps, to know how sorrowfully the pen is laid down at the close of a two-years' imaginative task; or how an Author feels as if he were dismissing some portion of himself into the shadowy world, when a crowd of the creatures of his brain are going from him for ever. Yet, I had nothing else to tell; unless, indeed, I were to confess (which might be of less moment still), that no one can ever believe this Narrative, in the reading, more than I believed it in the writing. So true are these avowals at the present day, that I can now only take the reader into one confidence more. Of all my books, I like this the best. It will be easily believed that I am a fond parent to every child of my fancy, and that no one can ever love that family as dearly as I love them. But, like many fond parents, I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD.
Bleak House (1853)
There is something indefinably keen and wan about her anatomy, and she has a watchful way of looking out of the corners of her eyes without turning her head which could be pleasantly dispensed with, especially when she is in an ill humour and near knives. Through all the good taste of her dress and little adornments, these objections so express themselves that she seems to go about like a very neat she-wolf imperfectly tamed.
He appeared to enjoy beyond everything the sound of his own voice. I couldn't wonder at that, for it was mellow and full and gave great importance to every word he uttered. He listened to himself with obvious satisfaction and sometimes gently beat time to his own music with his head or rounded a sentence with his hand.
Jarndyce and Jarndyce drones on. This scarecrow of a suit has, in course of time, become so complicated that no man alive knows what it means. The parties to it understand it least, but it has been observed that no two Chancery lawyers can talk about it for five minutes without coming to a total disagreement as to all the premises. Innumerable children have been born into the cause; innumerable young people have married into it; innumerable old people have died out of it. Scores of persons have deliriously found themselves made parties in Jarndyce and Jarndyce without knowing how or why; whole families have inherited legendary hatreds with the suit. The little plaintiff or defendant who was promised a new rocking-horse when Jarndyce and Jarndyce should be settled has grown up, possessed himself of a real horse, and trotted away into the other world. Fair wards of court have faded into mothers and grandmothers; a long procession of Chancellors has come in and gone out; the legion of bills in the suit have been transformed into mere bills of mortality; there are not three Jarndyces left upon the earth perhaps since old Tom Jarndyce in despair blew his brains out at a coffee-house in Chancery Lane; but Jarndyce and Jarndyce still drags its dreary length before the court, perennially hopeless.
Hard Times (1854)
Herein lay the spring of the mechanical art and mystery of educating the reason without stooping to the cultivation of the sentiments and affections. Never wonder. By means of addition, subtraction, multiplication, and division, settle everything somehow, and never wonder.
Little Dorrit (1857)
"Rattle me out of bed early, set me going, give me as short a time as you like to bolt my meals in, and keep me at it. Keep me always at it, and I'll keep you always at it, you keep somebody else always at it. There you are with the Whole Duty of Man in a commercial country."
It came like magic in a pint bottle; it was not ecstasy but it was comfort.
He had a certain air of being a handsome man--which he was not; and a certain air of being a well-bred man--which he was not. It was mere swagger and challenge; but in this particular, as in many others, blustering assertion goes for proof, half over the world.
A Tale of Two Cities (1859)
"It is a far, far, better thing that I do, than I have ever done; it is a far, far, better rest that I go to, than I have ever known."
Cramped in all kinds of dim cupboards and hutches at Tellson's, the oldest of men carried on the business gravely. When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment.
The Uncommercial Traveller (1860)
Great Expectations (1861)
I was always treated as if I had insisted on being born, in opposition to the dictates of reason, religion, and morality, and against the dissuading arguments of my best friends.
"It was understood that nothing of a tender nature could possibly be confided to old Barley, by reason of his being totally unequal to the consideration of any subject more psychological than gout, rum, and purser's stores."
Our Mutual Friend (1865)
"I have made up my mind that I must have money, Pa. I feel that I can't beg it, borrow it, or steal it; and so I have resolved that I must marry it."
"No one is useless in this world," retorted the Secretary, "who lightens the burden of it for any one else."
"I know quite enough of myself," said Bella, with a charming air of being inclined to give herself up as a bad job, "and I don't improve upon acquaintance . . . "
The Mystery of Edwin Drood (1870)
. . . still his philanthropy was of that gunpowderous sort that the difference between it and animosity was hard to determine.
But Rosa soon made the discovery that Miss Twinkleton didn't read fairly. She cut the love-scenes, interpolated passages in praise of female celibacy, and was guilty of other glaring pious frauds.

Heroes:

Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.

My Blog

On Drunkenness

This is quite a fun excerpt, I think, from the twenty-fourth chapter of David Copperfield.I began, by being singularly cheerful and light-hearted; all sorts of half-forgotten things to talk about, cam...
Posted by Charles Dickens on Mon, 13 Nov 2006 04:38:00 PST

On Fisticuffs and Courtship

Hello, dear friends. I am posting here a favorite chapter of mine: A Retrospect, which I wrote as the eighteenth chapter of David Copperfield. In this excerpt you will find no mention of poor orphan...
Posted by Charles Dickens on Thu, 02 Nov 2006 10:34:00 PST