REVIVE DA LIVE consists of REVIVE DA LIVE PRODUCTIONS AND REVIVE DA LIVE MANAGEMENT/BOOKING but what it represents is much more than a company. It's a movement, a vision already represented by many commercial and non commercial artists, musicians and bands.
Revive Da Live is a movement forming within our industry today. We strive to bring back all of the underrated elements in relation to live music within our commercialized industry. With our dedication to creating a larger awareness and appreciation to Jazz music. We also strive to expose all of the underground aspects of live Hip-Hop and how both are substantially influential in our music industry today.
This vision is based on two goals: to enrich the soul of hip-hop and to redefine jazz as a genre relevant to the hip-hop generation. Revive Da Live aims to spark a jazz renaissance by revamping the formula of popular music through a Jazz/Hip-Hop union that some call a Nu-Jazz movement. Through live performance and collaboration, Revive Da Live Productions produces and organizes events that fuse soulful jazz roots with the fresh, youthful energy of hip-hop to inspire jazz and hip hop enthusiasts alike. The result is a mind-blowing musical experience.
Revive's management and booking counterparts focus on exposing musicians that exemplify this vision. Revive Da Live Records is in the works – an independent label that discovers innovative and progressive musical talent to showcase to the world. Ultimately, Revive Da Live is currently working on launching its first festival that tours globally, setting the world ablaze.
THE TEAM MEGHAN STABILE Promoter, manager and founder, Meghan Stabile, formed this concept while still attending Berklee College of Music and launched the first Revive Da Live event in April 2006. She has since created a buzz all over the New England area and the boroughs of New York City. She currently manages Chris "Daddy" Dave, The Real Live Show, and Igmar Thomas & The Cypher. She has also worked with other artists including Roy Hargrove, Robert Glasper's The Experiment, Bilal, Q-Tip, Wu-Tang, Pretty Ricky, HEAVy, Sam Kininger Band, Adam Deitch Project, Illspokinn, Spokinn Movement, and Javier.
Click below to view Meghan's LinkedIn profile. LILAN KANE and JESS WOLFE are Berklee alumni as well. Each is an accredited manager and booking agent with their own rosters. They have joined forces with Meghan to help Revive Da Live become a premier source of live entertainment in NYC. You can find them in the Top Friends section.
Click below to view Lilan's LinkedIn profile. Click below to view Jess's LinkedIn profile. Roland Nicol is the genius behind our visual branding. He illustrates the music, the concept, and the vision of Revive Da Live. Contact info: Roland Nicol for Sweden10:
[email protected] or call 603.339.2042
REVIVE DA LIVE (RETOUR AU LIVE) IS FEATURED IN JAZZMAN MAG- PARIS, FRANCE
TRANSLATION
“Back to Liveâ€â€œRevive Da Liveâ€: it’s under this name in form of a slogan that in New York, jazzmen are attempting to share the stage with rappers. In the heart of the Big Apple, for almost two years now, we know that there’s a party not to be missed: the Real Live Show. Behind this name, a movement, “Revive Da Liveâ€. On a Thursday night, one of these sessions kicks off at Nublu, a small club in the heart of the East Village on Avenue C. The atmosphere is festive, a young crowd and a not-so-young crowd dance to the rap, jazz, and funk fusion. Hard to tell if it’s a block party or a jam session. Young artists such as trumpeter Maurice Brown, pianist Robert Glasper, drummer Chris Dave, Joe Blaxx or even Chris Rob on the keyboard who have shared the stage with legendary hip-hop figures like KRS-One and Rakim. The excitement is tangible, the music grooves. Is this the start of a movement? For Meghan Stabile, one of the people responsible for this phenomenon, the goal is to finally give a name to a full-fledged trend: “It’s time to give a “home†to this style and its musicians. Before, jazz and hip-hop were separate, but today, they’re one. Look at Robert Glasper, who signed to a renowned jazz label. He also joined the hip-hop scene with his group, The Experiment, and plays for such artists as Q-Tip, Talib Kweli, Bilal and Mos Def.†If the question of identity is fundamental, it’s also vital, according to Meghan, for the future of jazz: “Most of the youth that grew up listening to hip-hop don’t know how much jazz influenced it. By means of the Revive Da Live and groups like The Experiment, The Real Live Show etc…, we want to put across how they coexist. Hip-hop is much more than the industry has chosen to display, “it’s not just rapping over a beat†she explains. For Maurice Brown, who has signed on to an album entitled “Hip to Bopâ€, it’s also where ambition lies: “As a jazz musician, I always thought that the hip-hop culture was missing something: instruments. With Revive Da Live, we bring that. When a saxophonist or a trumpeter improvises, speaking in a closer-to-hip-hop jargon, we say that he is freestyling and flowing. I am a jazzman but I live hip-hop.†Fati Khaldi Checkout: myspace.com/revivedalive
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