Jean-Marie Straub and Daniele Huillet profile picture

Jean-Marie Straub and Daniele Huillet

r.i.p. danielle

About Me

Huillet and Straub work as a co-scripting and co-directing team, their equal collaboration so close that it is scarcely meaningful to separate the roles (Huillet has, however, indicated that she tends to be in charge of sound and editing, while Straub does most of the camerawork). Huillet and Straub's work is modernist, oppositional, demanding - and rarely seen outside the film festival circuit. Their films have their roots in European (mostly German) high culture: literature (Brecht, Böll, Kafka) and music (Bach, Schoenberg) and are concerned with an exploration of history. They are politically committed, sometimes explicitly, as in Fortini / Cani (1976), which reworks material about the Israeli-Palestinian conflict, but more often in the approach to their material. It is a cinema which is, in Maureen Turim's terms, "theoretical, elliptical, innovative, and challenging."

My Interests

I'd like to meet:

those who like to think, to be challenged, and to contemplate. those who know who we are (haha).

Movies:

2001 Operai, Contadini; 1999 Sicilia!; 1997 Von Heute Auf Morgen; 1992 Antigone; 1989 Cezanne; 1987 La Mort d'Empedocle; 1984 Class Reunion; 1982 En Rachachant; 1981 Trop Tot, Trop Tard; 1977 Toute Revolution Est un Coup de Des Editor / Producer / Screenwriter / Director 1975 Moses and Aaron ; 1972 Geschichtsunterricht; 1969 Othon; 1968 The Bridegroom, the Comedienne and the Pimp ; 1968 Chronicle of Anna Magdalena Bach; 1965 Nicht Versohnt oder "Es Hilft Nur Gewalt, Wo Gewalt Herrscht"; 1963 Machorka-Muff

My Blog

Article on the cinema of Straub

Political formations in the cinema of Jean-Marie Straub by Martin Walsh from Jump Cut, no. 4, 1974, pp. 12-18 copyright Jump Cut: A Review of Contempo...
Posted by Jean-Marie Straub and Daniele Huillet on Fri, 30 Jun 2006 03:57:00 PST