Chantal Akerman profile picture

Chantal Akerman

Comparable in force and originality to Godard or Fassbinder, Chantal Akerman is arguably the most im

About Me

master belgian filmmaker who, although she denies it, is considered one of the major, if not the most important, feminist directors to ever have worked. experimental with commercial tendencies, her movies are often extremely personal accounts of women in relation to cities, men, society, etc.

My Interests

I'd like to meet:

you in my classroom at harvard.

Movies:

# Là-bas (2006) # Demain on déménage (2004) ... aka Tomorrow We Move (International: English title) # De l'autre côté (2002) ... aka From the Other Side (International: English title) # Captive, La (2000) ... aka The Captive (International: English title)# Sud (1999) ... aka South (Europe: English title) # "Cinéma, de notre temps" (1 episode, 1997) - Chantal Akerman par Chantal Akerman (1997) TV Episode # Un divan à New York (1996) ... aka A Couch in New York ... aka Couch in New York, Eine (Germany) # "Tous les garçons et les filles de leur âge..." (1 episode, 1994) - Portrait d'une jeune fille de la fin des années 60 à Bruxelles (1994) TV Episode # D'Est (1993) ... aka From the East # "Monologues" (1 episode, 1993) - Le déménagement (1993) TV Episode # Nuit et jour (1991) ... aka Night and Day # Contre l'oubli (1991) (segment "Pour Febe Elisabeth Velasquez, El Salvador") ... aka Écrire contre l'oubli ... aka Against Oblivion ... aka Lest We Forget# Trois dernières sonates de Franz Schubert, Les (1989) ... aka Franz Schubert's Last Three Sonatas # Trois strophes sur le nom de Sacher (1989) ... aka Three Stanzas on the Name Sacher # Histoires d'Amérique (1988) ... aka American Stories, Food, Family and Philosophy ... aka Family and Philosophy # Golden Eighties (1986) ... aka Window Shopping (USA: poster title) # Seven Women, Seven Sins (1986) (segment "Portrait d'une Paresseuse") ... aka Sieben Frauen - Sieben Todsünden (West Germany) # Marteau, Le (1986) ... aka The Hammer # Mallet-Stevens (1986) # Letters Home (1986) # Paresse, La (1986) ... aka Portrait d'une paresseuse (France) ... aka Sloth # Paris vu par... vingt ans après (1984) (segment 1 "J'ai faim, J'ai froid") ... aka Paris Seen By... 20 Years After # Family Business: Chantal Akerman Speaks About Film (1984) (TV) # New York, New York bis (1984) # J'ai faim, j'ai froid (1984) ... aka I'm Hungry, I'm Cold # Lettre d'un cinéaste: Chantal Akerman (1984) (TV) ... aka Letter from a Filmmaker # Années 80, Les (1983) ... aka The Eighties (USA: poster title) # Homme à la valise, L' (1983) (TV) ... aka The Man with the Suitcase # Un jour Pina m'a demandé (1983) (TV) ... aka On Tour with Pina Bausch (USA) ... aka One Day Pina Asked Me # Toute une nuit (1982) ... aka A Whole Night (International: English title) ... aka All Night Long (International: English title) # Dis-moi (1980) (TV) ... aka Tell Me# Rendez-vous d'Anna, Les (1978) ... aka Afspraken van Anna, De (Belgium: Flemish title) ... aka The Meetings of Anna # News from Home (1977) ... aka Briefe von zu Haus (West Germany) # Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1976) # Je, tu, il, elle (1974) ... aka I, You, She, He ... aka Ik, jij, hij, zij (Belgium: Flemish title) # 15/8, Le (1973) # Hanging Out Yonkers (1973) # Hôtel Monterey (1972) # Chambre, La (1972) # Enfant aimé ou je joue à être une femme mariée, L' (1971) ... aka The Beloved Child, or I Play at Being a Married Woman# Saute ma ville (1968) ... aka Blow Up My Town