Jo Jones profile picture

Jo Jones

1911 - 1985

About Me

JO JONES
drummer born in chicago october 7th 1911, i went to alabama at the age of 13 and began there as a musician and a dancer.
In 1935 he joined count basie's orchestra in kansas city, and became famous when he came to new york with this orchestra on the late 1936.
he played with basie since 1944, when he entered the american army. In early 1946 he went back to civil life and went back to play with count basie, since 1947 when he left the orchestra go on tour with the " Jazz at the philarmonic "and with Illinois jacquet's orchestra. Then he fixed his life in new york city, playing with groups like Lester Young's, and joe bushkin's, and with his own trio also.
He came to europe several times with" Jazz at the philarmonic " and since 1969 with Milt buckner.
Jo Jones is the major influence for so many jazz drummerssince 1938 with his great technics and awesome hi hat swing.he was also a master with the brushes, and had the most inventive breaks ever...
( extrait du Dictionnaire du Jazz by H.panassié )


By way of his work with Count Basie's band from 1936 to 1944 and 1946 to 1948, Jones redefined the concept of a drummer. He lightened up on the four-beats-to-the-bar standard of bass drum playing, was possibly the first to use the ride cymbal as the main timekeeping accessory, and did things with the hi-hats that are still being studied today. Jones' ability as a melodic and humorous soloist reminds one of a virtuoso tap dancer who makes everything look easy. Jones continues to be a major influence on everyone who played--and plays--drums.
(drummerworld )

My Interests

Music:

Member Since: 6/20/2006
Band Members:

JO JONES TRIO :
jO JONES : DRUMS
RAY BRYANT : PIANO
TOMMY BRYANT : BASS

ON "I FOUND A NEW SET OF DRUMS" :
JO JONES : DRUMS
GERRY WIGGINS : PIANO
MAJOR HOLLEY : DOUBLE BASS

On " CARAVAN" :
jO JONES: DRUMS
MILT BUCKNER : ORGAN

Get Your Own! | View Slideshow
Influences:.. width="425" height="350" .... width="425" height="350" ..
Sounds Like:

the best drummer ever
Jo Jones shifted the timekeeping role of the drums from the bass drum to the hi-hat cymbal, greatly influencing all swing and bop drummers. Buddy Rich and Louie Bellson were just two who learned from his light but forceful playing, as Jones swung the Count Basie Orchestra with just the right accents and sounds.

After growing up in Alabama, Jones worked as a drummer and tap-dancer with carnival shows. He joined Walter Page's Blue Devils in Oklahoma City in the late '20s. After a period with Lloyd Hunter's band in Nebraska, Jones moved to Kansas City in 1933, joining Count Basie's band the following year. He went with Basie to New York in 1936 and with Count, Freddie Green and Walter Page he formed one of the great rhythm sections. Jones was with the Basie band (other than 1944-46 when he was in the military) until 1948 and in later years he participated in many reunions with Basie alumni. He was on some Jazz at the Philharmonic tours and recorded in the 1950s with Illinois Jacquet, Billie Holiday, Teddy Wilson, Lester Young, Art Tatum and Duke Ellington among others; Jones appeared at the 1957 Newport Jazz Festival with both Basie and the Coleman Hawkins-Roy Eldridge Sextet.

Jo Jones led sessions for Vanguard (1955 and 1959) and Everest (1959-60), a date for Jazz Odyssey on which he reminisced and played drum solos (1970) and mid-'70s sessions for Pablo and Denon. In later years he was known as "Papa" Jo Jones and thought of as a wise if brutally frank elder statesman.



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