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KennethK

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About Me

Kenneth Charles Williams (22 February 1926 15 April 1988) was a British comic actor, star of twenty six Carry On... films and notable radio comedies with Tony Hancock and Kenneth Horne, as well as a witty raconteur on a wide range of subjects.
Life and career
Kenneth Williams was born in Bingley Street, King's Cross, the son of a hairdresser (Charles Williams). He was educated at Lyulph Stanley School. His relationship with his parents - that he adored his mother, Louisa Williams, but hated his father - was key to the development of his personality. Williams apprenticed as a draughtsman to a mapmaker and joined the army aged 18. He was part of the Royal Engineers survey section in Bombay when he had his first experience of going on stage with Combined Services Entertainment along with Stanley Baxter and Peter Nichols.
After the war, his career began with a number of roles in repertory theatre, but few serious parts were to lend themselves to his style of delivery. His failure to become established as a serious dramatic actor would disappoint him, but it was his potential as a comic performer that gave him his big break. He was spotted playing the Dauphin in George Bernard Shaw's St Joan in 1954 by the radio producer Dennis Main Wilson, who was casting Hancock's Half Hour. He would lend his distinctive voice and amazing vocal talent to the radio series to almost the end of its run, five years later.
When Hancock tired of him, Williams joined Kenneth Horne in the series Beyond Our Ken (19581963), and then consolidated this with its sequel Round the Horne (19641969). In the latter, his roles included Rambling Syd Rumpo, the eccentric folk singer, The Amazing Proudbasket, human cannonball, J Peasemould Gruntfuttock, professional telephone heavy breather and dirty old man, and Sandy of the extremely camp couple, Julian and Sandy (Julian was played by Hugh Paddick), notable for their double entendres and use of the underground gay slang, Polari.
He also worked in television and British films, most notably the Carry On... series. Particularly in the theatre, he was famous for breaking out of character and talking to the audience. He was a regular panellist on the BBC radio panel game Just a Minute from its second season in 1968 until his death and regularly presented the children's story-reading series Jackanory. He was also a "professional" talk-show guest, able to regale an audience with amusing anecdotes on every subject. He was extremely well read and occasionally used to stand in as host on the popular early evening Wogan (talk) show. He jointly holds the record (with Billy Connolly) as having made most appearances on Michael Parkinson's eponymous chat show, having been a guest on eight occasions.
Williams publicly insisted that he was celibate, but in private found his homosexuality difficult to deal with. His diaries contain many references to unconsummated or barely consummated relationships, described in code as "traditional matters" or "tradiola", probably because homosexuality was still a criminal offence in the United Kingdom for much of the period covered by the diaries. He befriended Joe Orton who wrote the role of Inspector Truscott in Loot (1966) for him and enjoyed holidays with Orton and Kenneth Halliwell in Morocco. In later years his health declined. Despite making a good living, he lived in a series of small flats in north London.
Kenneth Williams died on April 15, 1988 from an overdose of barbiturates. An inquest recorded an open verdict into his death as it was not possible to establish whether his death had been suicide or an accident (Williams's father had died in similarly unclear circumstances after drinking a bottle of disinfectant on 15 December 1962). However, the last sentence Williams wrote in his diary was:
"By 6.30 pain in the back was pulsating as it's never done before so this, plus the stomach trouble combines to torture me oh what's the bloody point?"
Friends continue to maintain that, because of Williams' devotion to Lou, his mother, for whom he bought the flat next to his, he would never in her lifetime have seriously contemplated suicide. The posthumous publication of his diaries and letters, both edited by Russell Davies, caused some controversy. His flat was later bought by Rob Brydon and Julia Davis for the writing of their dark comedy series, Human Remains.

PortrayalsWilliams has been portrayed in two separate made-for-television films. In 2000, Adam Godley played him in the story of Sid James and Barbara Windsor's love affair, Cor Blimey! Subsequently, in 2006, Michael Sheen gave an uncanny impression in Kenneth Williams: Fantabulosa!.

My Interests

Quotes

  • From Kenneth
    The nice thing about quotes is that they give us a nodding acquaintance with the originator which is often socially impressive.
  • People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity.
  • Surely it's more fun to be outraged than bored.
  • I know the Carry On films were bad labelled as bad taste, but I defend them on the grounds of honest, wholesome vulgarity.
  • I'm thankful for my acting ability, and the fact that I make people laugh. But I have little self-awareness.
  • I came to value privacy enormously, if only for the thing of shutting the door and knowing you're safe. I do value it - and I wouldn't share a thing with anyone.
  • I'm very mean - I've got a burglar alarm on the dustbin.
  • I think that the broad stream of English humour, running from Chaucer through Shakespeare to, if you like, the McGill dirty postcard, is something which is very much a part of English culture
  • I no longer try to hide it. The fact that all my tendencies would definitely lie in the gay world is something I accepted a long time ago.
  • Middle age may be chivalrous but youth is invariably unkind.
  • The only people who say they are happy are mad. I don't think there is such a thing. The most one can hope for is a certain amount of contentment.
  • I'm a hill in a very flat country. There are some fine things in life and I happen to be one of them, and consequently I've done rather well at it.
  • I am sick and tired of wondering whether people are offended or not. My crimes are nothing compared with those of Genghis Kahn.
  • I don't belong to life: I belong to an artist's vision of life. It all comes back to what makes you tick.
  • Health warnings appear on everything these days...It's actually claimed that whisky kills more people than bullets. It's all quite ridiculous, as any child knows, bullets don't drink whisky.
  • When the atheist says, 'What if life's pointless, what if it's all a joke?' It has to be answered by the comedian, 'Well, if it is a joke, let's make it a good one'.
  • I can't go anywhere without some moron whispering or people in the street going 'Hello, you great twit!'. Most of it's just to get close to the phenomenon...I see the autographs lying there afterwards.
  • Every single joke has its point and purpose in an ultimate belief.
  • I'm sure that love affairs involve a great deal of sleeping around, and I have a horror of germs which you can pick up by going with people.
  • If I really had hindsight…I would at that school have done much, much more diligent studying and got myself into a university and then, hopefully, I would have been able to teach.
  • I would say that instinctively I'm a very different creature from what I am in the intellectual sense.
  • I certainly lack the capacity to physically share a relationship with anyone…every time I've got near to it, I've been overwhelmed by pity for the utter pathos of people.
  • I used arrogance in the way that most people with an inferiority complex do use it, as a form of defence.
  • I'd like to be remembered for being quite funny; if I'm going to be remembered I'd like it to be for giving people a laugh.
  • Good satire does expose what author's think of as bogus, pompous, the pretentious.
  • I'm not homosexual – I just help them out when they're busy.
  • The idea that there can be a minority that achieves total equality with the rest of society is rubbish.
  • I made myself a clown by choice. Clowns are not taken seriously, but in the end they get away with more than most.
  • Everything I've learnt has come through acting - it was the theatre that woke me up.
  • A fan club is a group of people who tell an actor he's not alone in the way he feels about himself.
  • Why does this generation have an obsession with living so long? I think to got at 65 or 70 is fine. Why hang about?
  • Theatre involves being a prisoner socially...no one wants to invite you for dinner at 11.30 at night!
  • What influenced me enormously was the collection of 78rpm's I had of Noel Coward speaking poetry.

  • From Others:
    Williams was a wounded man who, like all comedians, made a myth of his brokenness. Behind his manic chatter was a terror that belied his brashness. John Lahr
  • Kenneth, of course, was a natural performer, but as a person I think he was probably happiest without an audience, one-to-one with one of the two or three amiable chums..who gave him time. Gyles Brandreth
  • Kenneth isn't able to have sex properly with man or woman. His only outlet is his extremely funny personality in front of an audience and when he isn't doing this he's a very sad man indeed. Joe Orton
  • His career, and his life, were both curiously unfulfilled. He was by temperament both ascetic intellectual and instant clown, and the two never sat easily together. Jack Tinker
  • When he could combine his erudition with laughter, he was very happy. He was unique because he could develop a rapport with an audience in a way I have never seen anyone else do. Nicholas Parsons
  • He was a very unique person. I got to know the man behind the voices that people heard. When you saw Kenneth the real person he was very wonderful. Joan Sims
  • Kenneth taught me how to recognise the one word in a sentence which would turn it from a commonplace statement into something wildly funny. Maggie Smith
  • As an actor he mainly depended on "funny voices", but he did have some great success in the theatre - an early Dauphin in Saint Joan, a leading role in My Fat Friend. George Melly
  • His understanding of comedy made him an outstanding performer and a scriptwriter's joy. Barry Took
  • I still regard him as the funniest man I ever met. As a young BBC radio producer, I booked him as often as possible, and not just for the audience's sake. Victor Lewis-Smith
  • What distinguished him was the energy he always demonstrated. At his best, he was one of the funniest storytellers you ever heard. Peter Shaffer
  • I began to understand what Kenny Williams had meant when he told me once that he could get a non-physical orgasmic experience from listening to a marvellous piece of music. Barbara Windsor
  • He surely must have been the funniest man to have a conversation with; admittedly this would usually mean the conversation would quickly devolve into a one-sided affair. Michael Codron
  • I believe he thought the Carry Ons were beneath him but I suspect his excuse for accepting money "for old rope" was a reflection of his Methodist upbringing. Peter Wyngarde
  • There was a dark side to him, definitely, but he could be a tremendously good friend if there was anything wrong with you. A large section of the public adored him. Stanley Baxter
  • He was a sensitive scholar and yet a naughty schoolboy. I think, perhaps in another life he would have been happiest as a university don. Derek Nimmo


  • Music:

    Desert Island Discs
    Kenneth Williams, 1961

  • Recorded : 02-05-61 Broadcast : 22-05-61 1.10pm The Home Service Presenter: Roy Plomley
    Ovalle, 'Azulalao' - Gerald Souzay
  • Beethoven, Sonata No. 26 in E flat (Opus 81a) - Guimar Novaes, piano
  • hude, Prelude and Fugue in G minor - Fiss Videro, organ
  • My Love Is Like A Red, Red Rose - Kenneth McKellar
  • Bach, Brandenburg Concert No. 6 in B flat major - Yehuidi Menuhin, violin/ Bath Festival Chamber Orchestra
  • Schumann, 'Charisma' (from Carnival, Opus 9) - Geza Anda, piano
  • rahms, 'O how amiable are thy dwellings' (from a German Requiem) - St. Hedwigs' Cathedral Choir, Berlin/ Berlin Philharmonic Orchestra/ Kempe
  • Clear Bright Morning (from After The Ball) - Vanessa Lee
  • Luxury: Michelangelo's Apollo

  • Kenneth Williams, 1987
  • Recorded : 30-03-87 Broadcast : 26-07-87 12.15pm BBC Radio 4 Presenter: Michael Parkinson
    Faure, Barcarolle No. 1 in A minor (Opus 26) - Paul Crossley, piano
  • Quilter/Tennyson, Now Sleeps The Crimson Petal - Kathleen Ferrier
  • Beethoven, 1st movement Spring Sonata - Itzhak Perlman, piano & Vladimir Ashkenazy, violin
  • Ovalle, The Bluebird - Gerald Souzay, baritone & Dalton Baldwin, piano
  • Tchaikovsky, 1st movement Serenade For Strings - Academy of St Martin-in-the-Fields, directed by Neville Marriner
  • Tarrenga, Adelita from Three Mazurkas - Julian Bream, guitar
  • Schubert, Trio No. 1 in B flat major - David Oistrakh, violin, Sviatoslav Knushevitzky, cello & Lev Ovorin, piano
  • Brahms, Wenn Ich Mit Menschen - Und Mit Engelszungen Redete - Hermann Prey, piano & Martin Malzer, piano
  • Luxury: La Plus Belle Lavande cologne


  • "The castaway this week is Kenneth Williams who, for forty years, has occupied a unique place on stage, screen and radio. In conversation...he recalls his long career which has ranged from working on radio classics like Hancock's Half Hour and Round The Horne to being a regular member of the...Carry On films. He chooses the eight records he would take to the mythical island." The Radio Times

    Movies:


      Trent's Last Case (1952) The Beggar's Opera (1953) Valley of Song (1953) Innocents in Paris (1953) The Seekers (1954) Carry On Sergeant (1958) Carry On Nurse (1958) Carry On Teacher (1959) Tommy the Toreador (1959) Make Mine Mink (1960) Carry On Constable (1960) His and Hers (1960) Raising the Wind (1961) Carry On Regardless (1961) Love Me, Love Me, Love Me (1961) Twice Round the Daffodils (1962) Carry On Cruising (1962) Carry On Jack (1963) Carry On Spying (1964) Carry On Cleo (1964) Carry On Cowboy (1965) Carry On Screaming (1966) Don't Lose Your Head (1966) Carry On... Follow That Camel (1967) Carry On Doctor (1967) Carry On Up the Khyber (1968) Carry On Camping (1968) Carry On Again, Doctor (1969) Carry On Loving (1970) Carry On Henry (1970) Carry On at Your Convenience (1971) Carry On Matron (1971) Carry On Abroad (1972) Carry On Dick (1974) Carry On Behind (1975) That's Carry On (1977) The Hound of the Baskervilles! (1978) Carry On Emmanuelle (1978)


    Television:

    Television

      The Wonderful Visit (1952-BC) Hancock's Half Hour(1957-BBC) Sword Of Freedom (1958 ITC) Time Out For Peggy (1958/9 ABC) ITV News 1959 ITN Catch As Catch Can 1964 BBC International Cabaret (1966-74 BBC) Acting In The Sixties (1967 BBC ) Dee Time (1967/8 BBC) Christmas Night With The Stars (1967/9 BBC) Frost On Sunday (1968/9 LWT) Jackanory (1968+ BBC) The Kenneth Williams Show (1970/6 BBC) Meanwhile On BBC2 (1971 BBC) Parkinson (1972+ BBC) Russell Harty Plus (1973 LWT) Good Afternoon (1974/7 Thames) Give Us A Clue (1979+ Thames) Whizzkid's Guide (1981 Southern) Willo The Wisp (1981 BBC) Countdown (1982+ Yorkshire) TV-am (1983+ TV-am) Comic Roots (1983 BBC) Audience With Kenneth Williams (1983 LWT) Carry On Laughing's Christmas.. (1983 Thames) Sunday Sunday(1983/4/6 LWT) Harty (1984 BBC) Wogan (1985+ BBC) Galloping Galaxies! (1985-6 BBC) Joan Rivers: Can We Talk? (1986 BBC) The South Bank Show (1994 LWT) A Life On The Box (1998 BBC) Reputations (1998 BBC) Heroes Of Comedy(2000-Thames) The Unforgettable Kenneth(2001-Watchmaker/ITV) Fantabulosa!(2006-BBC)

    Radio
      Hancock's Half Hour Beyond Our Ken Round the Horne Kenneth Williams Playhouse Oh Get On with It Stop Messing About Just a Minute The Wind in the Willows

    Tributes
      Several stage show retrospectives on the life and career of Kenneth Williams have been staged over the years, and are an ever-growing area since his death. The publication of his diaries (1993) provided writers and performers with much material to reassess and explore this unique personality. This section records the most acclaimed stage shows to have featured character studies and relevant portrayals of Kenneth.

      Think No Evil Of Us , first performed in 1996.David Benson's uncanny impersonation of Kenneth Williams unlocks the complex character of one of Britain's best-loved entertainers in this exhilarating semi-autobiographical, award winning show. This show was first staged in Edinburgh during August 1996 as part of the Fringe. It has since been performed all over the UK, including the West End. Cleo, Camping, Emmanuelle and Dick , first Performed: 1998. Terry Johnson's play premiered at the Royal National Theatre in September 1998. The production is set over fourteen years – between the making of Carry On Cleo (1964) and Carry On Emmanuelle (1978). The play reveals the laughter, unrequited love and the crises of identity that surrounded three of the most prominent stars of the phenomenon.# Round The Horne...Revisited#, first performed in 1993.Round the Horne…Revisited, is a riotous theatre version of the cult 60's radio show. It is faithfully adapted for the stage by Brian Cooke, the last remaining writer of the original shows. It first performed for three weeks at the White Bear in October 2003, before Michael Kingsbury and Brian Cooke's production was transferred to the West End in January 2004.

    Books:

    Books

      Acid Drops Back Drops Just Williams I Only Have To Close My eyes The Kenneth Williams Diaries The Kenneth Williams Letters

    Books Kenneth liked:
    The Collected Works of George Bernard Shaw Palgrave's Golden Treasury