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Click here to get Falling ObjectsPeter Green was considered by the likes of BB King and Dick Heckstall-Smith as being one of the greatest white blues-rock guitarists to appear in the 1960s. "I'm sorry, Peter Green is best" were BB King's words to a crowd at a Royal Albert Hall show with Fleetwood Mac in 1969 (among the audience members that night were contemporary guitarists Eric Clapton and his friend George Harrison, sitting in a private box watching the show). Although his playing was not as fast or flashy as his Bluesbreakers peers Clapton and Mick Taylor, it was marked with a distinctive keen vibrato and economy of style. He produced a unique sharp tone with a 1959 Gibson Les Paul Standard. The neck pickup on his guitar was magnetically out of phase to create this sound, which happened accidentally when Green took the guitar apart and put it together with the neck pickup inserted the wrong way round.Greenbaum (who called himself Peter Green by age fifteen) played bass in several amateur bands before being invited by keyboardist Peter Bardens to play lead in his band, Peter B's Looners in early 1966. After a three month stint, he had the opportunity to fill in for Eric Clapton in John Mayall's Bluesbreakers for three gigs. Upon Clapton's permanent departure not long after, he was hired full-time. Since Clapton already had a very good reputation, Green was under pressure to fill the vacuum that Clapton's departure created. But sceptical fans were soon won over to Green's unique haunting and melancholy style. In 1967, Green decided to form his own blues band, and left Mayall's Bluesbreakers after appearing on just one album (just as Clapton had done). The name of Green's new band was Peter Green´s Fleetwood Mac (the name came from the band's rhythm section, Mick Fleetwood and John McVie). In the late 1970's the re-organized band topped the charts with mainstream pop/rock albums, but initially it was a straight-up blues-rock band playing blues classics and some new material — just like Mayall's Bluesbreakers. Green was the leader of the group throughout their initial period of success in the late 1960s and early 1970s, when their hits included "Oh Well", "Man of the World" and "Albatross". He wrote the song "Black Magic Woman" that was eventually picked up by Santana.After the release of "Albatross" and consequent rise in fame, Green struggled spiritually with the band's success and being in the spotlight. While touring Europe, after a gig in Munich, Germany, Green went on a three day LSD fuelled binge. In his own words, he "went on a trip, and never came back". His use of LSD may have been a contributing factor to his mental illness, schizophrenia.He quit Fleetwood Mac in 1970, declaring money to be evil and giving it away to charity. He recorded an experimental and extremely uncommercial album The End Of The Game and faded into obscurity, taking on a succession of menial jobs.Green had a brief reunion with Fleetwood Mac when Jeremy Spencer left the group (Green flew to America to help them complete the tour), and he was also an uncredited guest on their 1973 Penguin album on the track "Night Watch".Urged by friends to resume playing, he resurfaced in the late 1970s and early 1980s with a series of albums, including In the Skies, Little Dreamer, and White Sky. Although of inconsistent quality, these albums nevertheless contained glimmers of Green's unique blues styling and signature sound. He was also an uncredited guest on Tusk's "Brown Eyes"; contributed to "Rattlesnake Shake" and "Super Brains" on Mick Fleetwood's solo album, The Visitor. A 1990's comeback saw Green form the Peter Green Splinter Group, with the assistance of fellow musicians including Cozy Powell. The Splinter Group released nine albums between 1997 and 2003.A tour was cancelled and recording of a new studio album stopped in early 2004, when Green left the band and moved to Sweden. Shortly thereafter he joined The British Blues All Stars, but their tour in 2005 was also cancelled. A possible reason for these changes could be a planned reunion of the original Fleetwood Mac, as announced by Mick Fleetwood on March 14th, 2005.
Gary Moore had been inspired by Peter Green throughout his career, and even today Moore still holds a high regard for Green. Gary Moore also bought Peter Green's distinctive, 1959 Gibson Les Paul Standard (mentioned above), and continues to use it occasionally, in the studio. In the sleeve notes for the album "Blues for Greeny" recorded on the same guitar, Gary Moore writes that he wanted to help Peter Green out at the time, so they actually swapped guitars, and Peter used Gary's guitar to sort out his situation, and Gary kept Peter's Les Paul because he hated the idea that Peter might have to sell it.Albums* The End Of The Game
* In the Skies
* Little Dreamer
* Whatcha Gonna Do?
* White Sky
* Kolors[edit]Solo Compilations* Blue Guitar
* Promised Land
* Legend
* Green And Guitar
* The Clown
* Alone With The Blues[edit]Splinter Group albums* Peter Green Splinter Group
* The Robert Johnson Songbook
* Soho Session
* Destiny Road
* Hot Foot Powder
* Time Traders
* Blues Don't Change
* Reaching The Cold 100[edit]Guest Contributions
A Hard Road
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A Hard RoadWith John Mayall* A Hard Road (1967 album)
* John Mayall's Bluesbreakers With Paul Butterfield (1967 EP -45)
* Blues From Laurel Canyon (1968 album)
* Thru the Years (collection)
* Looking Back (collection)
* Along For The Ride (2003 album)Eddie Boyd
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Eddie BoydWith Eddie Boyd* Eddie Boyd and His Blues Band featuring Peter Green (1967 album)
* 7936 South Rhodes (1968 album)With Duster Bennett* Smiling Like I'm Happy (1968 album)
* Bright Lights (1969 album)
* 12 Dbs (1970 album)
* Out in the Blue (1995 compilation)
* The Complete Blue Horizon Sessions (2005)With Gordon Smith* Long Overdue (1968 album)With Otis Spann* The Biggest Thing Since Colossus (1969 album)
* Blues For Hippies/Bloody Murder (1972 EP)With Brunning Sunflower Blues Band* Trackside Blues (1969 album)
* I Wish You Would (1970 album)With Clifford Davis* Come On Down And Follow Me/Homework (1969 single)
* Man Of The World/Before The Beginning (1970 single)With Jeremy Spencer* Jeremy Spencer (1970 album)With Peter Bardens* The Answer (1970 album)
* Write May Name In The Dust: The Anthology (2005 compilation)With Gass* Gass (1970 album)With Memphis Slim* Blue Memphis (1971 album)With B.B. King* B.B. King In London (1971 album)With Dave Kelly* Dave Kelly (1971 album)With Country Joe McDonald* Hold On It's Coming (1971 album)With Toe Fat* 2 (1971 album)With Richard Kerr* From Now Until Then (1973 album)With Fleetwood Mac* Penguin (1973 album)
* Tusk (1979 album)With Duffo* The Disappearing Boy (1980 album)With Mick Fleetwood* The Visitor (1981 album)With Brian Knight* A Dark Horse (1981 album)With SAS Band* SAS Band (1997 album)With Dick Heckstall-Smith* Blues And Beyond (2001 album)With Chris Coco* Next Wave (2002 album)With Peter Gabriel* Up (2003 album
