A talented former dancer and magician's assistant, voluptuous, blonde bombshell Carroll Baker came under the private tutelage of Lee Strasberg once in NYC, eventually becoming a member of the famed Actors Studio. She had appeared in a bit role in "Easy to Love" (1953), but it was her performance on Broadway in Robert Anderson's "All Summer Long" (1955) that led director Elia Kazan and playwright-screenwriter Tennessee Williams to chose her (over Marilyn Monroe) for their classic "Baby Doll" (1956). Although George Steven's "Giant", which opened two months earlier that same year, introduced Baker as a terrific screen presence, it did not prepare anyone for her sizzling portrayal as the underage and overly ripe wife of Karl Malden, whose erotic thumb-sucking and torrid "love scene" (without a single kiss) played with Eli Wallach on a swing outside the house somehow slipped past the Hays' censors, earning her a much-deserved Oscar nomination for Best Actress. Condemned by the Catholic Church's Legion of Decency because of its "carnal suggestiveness", "Baby Doll" established Baker solidly as an A-list actor.
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