cinema . jazz . chess . photography . astronomy . technology . science . NesCafe commercials . literature . Napoleon . and lots more...
Kubrick - "A Threat to Peace & Quiet"
Montage of Kubrick's Films
Add A Comment
MUSIC: Ludwig van Beethoven, Richard Strauss, Abigail Mead, Alex North, Gerald Fried, George Frideric Handel, Nelson Riddle, Wendy Carlos, Gyorgy Ligeti
His list of favorite directors included at various times Federico Fellini, David Lean, Ingmar Bergman, Vittorio De Sica, Francois Truffaut, Max Ophls, and Elia Kazan.As of 1963 Stanley's favorite films were, in order: Vitelloni, I (1953), Smultronstllet (1957) (Wild Strawberries), Citizen Kane (1941), The Treasure of the Sierra Madre (1948), City Lights (1931), _Chronicle History or King Henry the Fift with His Battell Fought at Agincourt in France, The (1944)_ (Henry V), Cette nuit-l (1958), The Bank Dick (1940), Roxie Hart (1942) and Hell's Angels (1930).
STANLEY'S FILMS:
*Warning*: Do NOT read the summaries below, if you have not seen the films yet. Plot points and endings are given away in them!
EYES WIDE SHUT (1999)
Present-time New York: Medical doctor Bill Harford and his wife Alice attend the Christmas party of his rich client Victor Ziegler. After that Bill learns from his wife that at one time she was ready to leave her family for a love affair with a naval officer. Bill is shocked and that night goes on an odyssey that first leads him to a deceased patient, next to a prostitute, and then to musician Nick Nightingale in a bar. Nick tells him about a strictly secret gathering for which a password, costume, and mask are needed. Bill secretly attends the gathering, which turns out to be a ritual orgy, but then he is exposed as an intruder and threatened. Afterwards some other guests of the ball meet with trouble and Bill starts to investigate but Victor Ziegler calls him and tries to calm him. Bill returns home and there finds the mask on his pillow. He breaks down crying and confesses to his wife all that has happened. They make up and declare their – real or imaginary – escapades to be over.
FULL METAL JACKET (1987)
In a training camp for US-Marines at the time of the Vietnam War: cruel Sergeant Hartman is training a new unit. He insults and degrades the recruits and especially abuses overweight Private Pyle. When Hartman punishes the entire unit for Private Pyle's failure the latter becomes the victim of a collective act of revenge. Even Private 'Joker', who has advanced to unit leader and has been helping Pyle until then, takes part in it. Now Pyle turns a killer and one night shortly before the end of their training he first shoots Sergeant Hartman and then himself in the bathroom. Change of scene: After taking their oath the unit is sent to Vietnam. Joker becomes war correspondent for Stars and Stripes. During the Tet-offensive he is sent, along with photographer Rafterman, to the frontlines in the city of Hué, which is under heavy attack. There they join the unit of Private 'Cowboy' whom Joker knows from boot camp. While on their mission they are ambushed by a sniper – who, as it turns out, is a young Vietnamese woman. When they overpower her Joker shows mercy and, against the will of the others, relieves the badly wounded girl by giving her the coup de grâce.
THE SHINING (1980)
Struggling writer Jack Torrance applies for a job as caretaker at the Overlook Hotel, which is closed for the winter season. The hotel is located in the remote mountains of Colorado and the writer is hoping to work here in peace. In the job interview he is told about the former caretaker Grady who killed his wife and two daughters. When Jack arrives with his wife Wendy and their son Danny they are shown around the hotel by the cook Dick Hallorann who notices that Danny, like himself, has the 'shining', a capacity for supernatural perception. He warns him of room 237. Soon Jack reacts increasingly aggressive to his family. In the ballroom he encounters an imaginary barkeeper whom he recognizes to be his predecessor Grady. He tells Jack to 'teach his wife a lesson'. Jack attacks Wendy and Danny with an axe and kills Hallorann who, prompted by dark presentiments, had returned to the Overlook to help. The writer then chases his son in the maze in front of the hotel but Danny and Wendy manage to escape while Jack freezes to death in the maze. The final scene shows a photo of Jack at a formal ball in the Overlook – in the year 1921.
BARRY LYNDON (1975)
The middle of the 18th century: Young Irishman Redmond Barry is in love with his cousin. After having shot a rival in a manipulated duel he flees and joins the British army that is fighting the Seven Years’ War on the side of Prussia. Eventually he deserts but is captured by the Prussian Captain Potzdorf. Gradually Barry wins Potzdorf's trust and after the war he is hired to spy on the gambler Chevalier de Balibari. Yet Barry does not want to betray his Irish kinsman and enters into his services instead. While gambling he meets his future wife, rich Baroness Lyndon. But the marriage of upstart Barry is unhappy. He makes an effort to rise to nobility but only acquires large debts. When he disciplines Lord Bullingdon, Lady Lyndon's son from her first marriage, in front of the assembled nobility, he looses the respect of all friends of the house. Finally, his own son dies after a riding accident and Lady Lyndon suffers from depression. Bullingdon challenges Barry to a duel where the latter looses a leg. He is offered a pension on condition that he leave England. Barry agrees and returns to Ireland. The last image is the final bill being drawn out to him – dated 1798.
A CLOCKWORK ORANGE (1971)
Alex is the leader of the Droogs, a brutal youth gang in 21st century London. They get high on drug cocktails in the Korova milk bar and from there start their nightly tours of violence. One evening they break into the house of writer Alexander and rape his wife. Next they assault the 'Cat Lady' and Alex kills her with a phallic sculpture. He is arrested and in prison he is selected to participate in the 'Ludovico-Program' introduced by the new Home Secretary. This program conditions him to feel nauseous at the thought of violence and even at the sounds of his beloved Beethoven. After his release from prison he is unable to defend himself and – as if in a mirroring of the first half of the film – all his former victims now take their revenge on him. By chance he gets to the house of Mr. Alexander who recognizes his tormentor and drives him to attempt suicide. Thereupon, public opinion about the 'Ludovico-Program' turns around and Alex's personality change is reversed at the hospital. The Home Secretary offers him a job thereby having the state sanction Alex's reclaimed capacity for violence.
2001: A SPACE ODYSSEY (1968)
In the Prologue titled 'The Dawn of Man' after the mysterious appearance of a monolith a clan of apes learns how to use bones as weapons. Millions of years later near the American moonbase Clavius another monolith is being discovered. Scientist Dr. Floyd is called to the place where it was found in order to examine it. After he touches it there is a piercing sound. Change of scenes: The spaceship Discovery is on its way to Jupiter. On board are the astronauts Bowman and Poole and three scientists in a hibernaculum as well as HAL, an allegedly infallible computer. After HAL gives a wrong prognosis, Bowman and Poole consider turning him off. Upon this HAL kills the crew and locks Bowman out of the spaceship. Bowman however manages to survive in the emergency airlock of the ship and to pull out HAL's memory blocks. When Discovery is approaching Jupiter the monolith re-appears and Bowman is sucked into a tunnel of light until at last he finds himself in a brightly lit rococo chamber. Going through several metamorphoses he ages and eventually looks back on Earth as a newly born Starchild.
DR. STRANGELOVE (1964)
At the peak of the Cold War mentally disturbed General Jack D. Ripper locks himself up at his air force base and gives orders to implement „Plan R“. A bomber squadron starts for targets in the USSR. At an emergency session in the War Room of the Pentagon General Turgidson tries to persuade US-President Muffley to agree to a major offensive. Muffley however invites Russian ambassador De Sadesky and on the telephone even offers the Russian President to help shoot down the B-52 planes. But then they find out that the Russians have developed a “Doomsday Machine†that will be activated automatically in case of an attack; therefore all is lost. Yet even while the English exchange officer Mandrake manages to crack the recall code for the bombers Major Kong drops his missile riding on it down to earth. In the meantime the German born scientist Dr. Strangelove envisions fascistic theories for the time after the nuclear destruction, which is visualized at the end by exploding bombs 'dancing' to the tune 'We'll Meet Again'.
LOLITA (1962)
The British professor of literature Humbert Humbert rents a room from the widow Charlotte Haze and even accepts her proposal of marriage—only because he has fallen in love with her adolescent daughter Dolores (called Lolita) and wants to stay near her. When Charlotte finds out his real motives she runs out of the house in despair and is hit and killed by a car. Humbert picks up Lolita from the summer camp her mother had sent her to but initially does not tell her about her mother’s death. They spend the night at a hotel where Lolita seduces Humbert. Together they move to Beardsley where Humbert appears as her stepfather. After several scenes of jealousy Humbert asks her to go traveling with him. On the way she catches the flu and he takes her to a hospital. When he comes to visit he finds her gone. After two years he sees her again: by now she is married and pregnant. She tells him that even in Beardsley she already had a love affair with the writer Quilty whom Humbert had met on several earlier occasions without being aware of it. In desperation Humbert finds Quilty and shoots him dead.
SPARTACUS (1960)
Spartacus, a rebellious slave, is being trained at a gladiator school and falls in love with the slave Varinia. When she is bought by patrician Senator Crassus, Spartacus starts a revolt in which the gladiators win their freedom. They free many other slaves and defeat an army lead by Crassus’ minion Glabrus. After this they withdraw to the seaport of Brundisium in order to leave by pirate ships and return to their native countries. Crassus, trying to appear as the savior of Rome, leads the Roman Senate to vote to put down the revolt. Against the warnings of Senator Gracchus he is voted commander in chief and first consul. Now the slaves are badly defeated by the overwhelming Roman forces. All survivors are crucified for not having betrayed their leader. Meanwhile Crassus attempts in vain to win Varinia’s heart and she escapes with the help of Gracchus. Once more she sees Spartacus, now hanging on the cross, and she shows him his son whom she has given birth to and who, she says, will live as a free man.
PATHS OF GLORY (1957)
In 1916, along the trenches of the WWI front line between the German and French troops: Commanding General Broulard orders General Mireau to take over a position held by the Germans. Colonel Dax is cautious and greatly worried about this but bows to the pressure from his superior. The operation ends in a fiasco because the first wave of attack entirely misses the German barrage. In order to chase the soldiers from the trenches for the second attack Mireau orders fire on his own troops. The commander of the artillery refuses to obey. After the battle is lost Mireau, as a deterrent, has three soldiers court-martialed. Dax takes over the hopeless defense of these men. They are sentenced to death and executed for cowardice. After Broulard finds out about Mireau’s order to shoot at their own troops, he offers Dax Mireau’s post, but Dax declines. Because of this Mireau sends him and his men back to the frontline. In the final scene, a captive German woman sings in front of the soldiers, who first hoot and then sadly join in, the song about the faithful hussar (Es war einmal ein treuer Husar).
THE KILLING (1956)
After having just been released from prison gangster Johnny Clay is already planning his next crime. He wants to rob the racetrack ticket office – with the help of four accomplices, among them the horse-race cashier George Patty, who hopes to be able to please his greedy wife Sherry. Clay also hires catcher Maurice and sniper Nikki Arrane who are supposed to distract attention from the robbery by staging two incidents. Initially everything works according to plan but then Nikki is killed by the police. Moreover, Sherry who knew the details of the robbery from her husband tells her lover Val Cannon all about it. The latter wants to keep the money for himself and starts a shooting in which almost all of the robbers are killed. Clay wants to escape with the booty and meets his girlfriend Fay at the airport. But because of a ridiculous accident everything turns out differently: The baggage cart swerves so as to avoid hitting a small dog. Clay's suitcase falls to the ground and opens. The bills of money fly in the propeller wind of a starting airplane.
KILLER'S KISS (1955)
Through the rear window of his New York apartment boxer Davy Gordon is watching his neighbor Gloria Price who works in the dancing bar Pleasureland. Davy is facing his most important fight yet that evening but he is defeated. To cheer him up his uncle by telephone invites him to his ranch near Seattle. That night Gordon wakes from a nightmare when he hears screams and hurries to help Gloria who is being molested by her boss Rapallo. Gordon and Gloria spend the next day together and decide to both leave for Seattle. Jealous Rapallo hires two killers to get rid of Gordon but by mistake they kill his manager Albert instead. They abduct Gloria. When Gordon finds her there follows a chase across the roofs of New York and a final confrontation in a warehouse for shop window mannequins. Gordon kills Rapallo. He is shown waiting for the train by himself but at the last minute Gloria joins him and they start their new life together.
FEAR AND DESIRE (1953)
In a fictitious war, the four soldiers Lieutenant Corby, Mac, Fletcher, and Sidney find themselves behind enemy lines after their plane has crashed. They make their way through a forest to a river where they build a raft hoping to escape the danger zone. On their way they take a young woman hostage. Sidney whose nerves are slowly failing since the plane crash is supposed to watch her. When he attempts to rape her she tries to escape and Sidney shoots and kills her. He panics and disappears into the forest. The other three use the raft to cross the river and on the other side sneak up to the camp of an enemy general. Mac talks Corby and Fletcher into launching an attack: they kill the general and his attendant but these two suddenly appear as mirror images of Corby and Fletcher. They make their escape by plane while Mac, who was wounded in the attack, picks up the now insane Sidney and travels downstream with him on the raft.
THE SEAFARERS (1953)
Kubrick was commissioned by Seafarers International Union (SIU) to shoot this 30-minute promotional film on the lives of sailors. He documented the workdays of men aboard ships and on the docks emphasizing the importance of union membership in view of the restlessness of their job.
FLYING PADRE (1951)
Padre Fred Stadtmueller is only able to visit the members of his widespread parish in New Mexico with his small plane. Kubrick accompanied him for two days documenting, among other things, the funeral of a farmhand as well as the lifesaving transfer of a mother and her sick child to a doctor.
DAY OF THE FIGHT (1951)
In his first documentary short film, Kubrick focuses on middleweight champion Walter Cartier whom he had already portrayed in a photo series for Look magazine. Kubrick shows him on the day of the fight ritually preparing himself with the help of his twin brother and manager Vince and finally defeating his opponent by knockout.
BOOKS: Lionel White (Clean Break), Humphrey Cobb (Paths of Glory), Howard Fast (Spartacus), Vladimir Nabokov (Lolita), Peter George (Red Alert), Arthur C. Clarke (The Sentinel), Anthony Burgess (A Clockwork Orange), William Makepeace Thackeray (The Memoirs of Barry Lyndon, Esq.), Stephen King (The Shining), Gustav Hasford (The Short Timers), Arthur Schnitzler (Traumnovelle)