born from audiovisual experiments under the demoscene culture, the sound hacking started in early 2000 inspired by the talented moomin family , later with the founding of enoughrecords netlabel it became a more serious music project aswell.
purpose:
audiovisual insurection of continuous experimental projects, often following the dark and long, minimalistic and abstract pseudo-generative representations of the human psyche. analysing the culprit of errorism in digitally expressed emotions.
hatred:
against claustrophobic pop formulas that entwine the creative process of most contemporary digital artforms.
time wasted beeing creative:
- demoscene artyfaggotism
- portuguese netlabel activism
- audiovisual collaborations
- dotkraz
