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Melvin Gibbs

melvingibbs

About Me

Melvin Gibbs has been called "the best bassist in the world" by Time Out New York magazine. A well-respected veteran of the New York music scene, he has contributed his singular talents to major artists in many diverse genres of music, appearing on close to 200 albums. Born in Brooklyn N.Y. his first musical studies were on the congas and Latin percussion, focused on the Afro-Diasporatic rhythms of Puerto Rico, Cuba and Brazil. He studied with Papo Dadiego, later to become known as the maker of Jopa Percussion instruments, who was his next-door neighbor.
After deciding to switch to bass he studied acoustic bass at The Muse is Brooklyn under former John Coltrane bassist Reggie Workman and electric bass privately with Vic Collucci. The first band he joined featured the late Alphonia Tims (Future Funk Now!, ROIR) on guitar, who would later become a formative influence in his musical life. A few months later at a practice room in Medgar Evers College in Brooklyn he would meet another guitarist and kindred spirit, Vernon Reid.
He soon joined "Point of View" a jazz-rock fusion band led by Reid as well as continuing to work as bassist-songwriter for a Brooklyn based production company specializing in funk and r&b.
He also freelanced extensively on the local N.Y. music scene with an emphasis on gaining as much hands on experience playing as many different types of music as possible. He placed a particular effort into gaining a strong working knowledge of all the musics of the peoples of the African Diaspora living in N.Y. concentrating first of Caribbean musics such as salsa, reggae, soca/calypso and compas then moving on to Brazilian musics and afro-beat than eventually later on African styles such as mbalax, and chimurunga.
He also worked "uptown" in the Harlem jazz clubs playing with Dr. Lonnie Smith and others as well as the alternative "loft jazz" concert scene. He first came to public notice as a member of the groups Defunkt and the Decoding Society who were mainstays of the in the early '80's downtown N.Y. scene.
(side note- Melvin was also the bassist for the Contortions/ James White and the Blacks/ Flaming Demonics and appears in the video of the Contortions show which features Debbie Harry and Chris Stein of Blondie) where he worked alongside his neighborhood pal Vernon Reid. He also re-connected musically with Alphonia Tims, had who become the protégé of Ornette Coleman and later became the protégé of the late Gil Evans, allowing Melvin the opportunity to be mentored by both of these jazz greats. He also worked with artists such as the seminal guitarist Sonny Sharrock, saxophonist/composer John Zorn and avant-pop group the Ambitious Lovers. A series of songwriting sessions with Andrew Hindes, keyboard player for the Waitresses, led to Melvin forming a rock band, Eye and I, with singer D.K. Dyson. A few months later the "B.R.C." – Black Rock Coalition - was formed. Melvin became a founding member of the B.R.C. and Eye and I became one of the original "B.R.C." bands.
As a member of the trio Power Tools with guitarist Bill Frizell and drummer Ronald Shannon Jackson he recorded the "Strange Meeting" album and toured Europe.
In 1990 Eye and I signed with Sony Music and in 1991 the bands' eponymous album was released. The band (which by this time included a young DJ Logic on turntables) toured the States, got a video into MTV rotation and had their album cited as one of the Top 10 albums of 1991 by Entertainment Weekly magazine before splintering in '92.In '93 he was invited to jam with the Rollins Band, who were between bass players. He initially declined the offer. The offer to jam was repeated and he reconsidered, joining the band after their first session.
(note to Rollins fans- the riffs that became the song "Civilized" come from that session and were the very first things Sim, Chris and Melvin played). He later found out he had been recommended to the band by both Vernon Reid and Red Hot Chili Peppers bassist Flea.
As a member of the Rollins Band he was nominated for a Grammy award as a songwriter, played to over 150,000 people at Woodstock (complete with pre-gig helicopter ride) toured the world and generally rocked out. During this time he formed Rage Records, releasing records by the rock-rap band A.D. and rap group People Without Shoes. He also reconnected with Arto Lindsay of the Ambitious Lovers, who he's known since the days of the early '80's downtown N.Y. scene.After the dissolution of the Sim/Chris/Melvin version of the Rollins Band his working relationship with Arto Lindsay evolved into collaboration and he has worked as songwriter, bassist and producer on Arto's latest series of records.
He also formed the band Harriet Tubman alongside guitarist/singer Brandon Ross (arranger on Cassandra Wilson's "Blue Lights Til Dawn" and "New Moon Daughter" and drummer J.T. Lewis (Herbie Hancock, Sting, Vanessa Willams) playing at major European jazz festivals and recording two albums. In addition he worked with DJ Logic as an original Project Logic member and as arranger/co-producer (with Scotty Hard) of Logic's first two records.As a bassist he's performed with wide variety of artists such including David Byrne, Brazilian stars Caetano Veloso and Marisa Monte, Vitamin C, Will Downing, Nigerian star Femi Kuti (son of Fela) and dead prez.
A short list of the jazz artists he's played bass with would include World Saxophone Quartet, John Scofield, Joshua Redman, Eddie Palmieri, Oliver Lake, Lester Bowie and David Murray among others.He formed the band Liberation Theology melding hip-hop, jazz and Afro-Cuban religious music into a new form of "spiritual jazz". It has featured musicians such as John Medeski, Mark Batson, Graham Haynes, DJ Logic, Tarreon Gully, Joe Lavano and Craig Taborn alongside a full Afro-Cuban religious singing/percussion group as well as Emilio Barretto, Pedrtio Martinez and Amayo, lead singer of afro-beat group Antibalas on vocals.Elevated Entity is the recorded evolution of the Liberation Theology project It features Afro-Brazilian vocals and percussion recorded "in the field" by Melvin at Salvador da Bahia Brazil, the singing of Amayo of Antibalas, grandson of a Shango priestess from Nigeria, as well as underground rappers from N.Y. and Brazil.
It also features legendary guitarist Pete Cosey of Miles Davis/ Chess Records fame who Melvin has been collaborating on projects with.He formed the Punk-Funk All-Stars which features himself, James Blood Ulmer, Joe Bowie, Vernon Reid, and Ronald Shannon Jackson. They have played major festivals throughout Europe..Melvin is currently in the process of producing a project called "Melvin Runs the Hoodoo Down". It takes the hip-hop recording technique known as "interpolation" and raises it up a level, using it as the basis of a new form of interactive improvisation, thereby bringing the concept known as jazz into the 21st century.He has also begun a collaboration with Jeff Parker (Tortoise, Chicago Underground Duo) and noted percussionist Francisco Mora Cattlet called the JFM Trio.

My Interests

Music:

Member Since: 3/10/2006
Band Website: tagworld.com/melvingibbs/
Band Members: Melvin Runs the Hoodoo Down is: Pete Cosey - guitar
John Medeski - keyboards
Onaje Allan Gumbs - keyboards
Alex Harding - bass clarinet
Casey Benjamin - EWI, keyboards, flute
J.T. Lewis - drums
Napolean Solo - beatbox
DJ Logic - turntables
Melvin Gibbs - bass, programming
featured track: Pete's Mojo Pot JFM Trio is: Jeff Parker - guitar
Francisco Mora Catlett - drums, percussion
Melvin Gibbs - bass featured track: snake's fanfare Elevated Entity is: Chason Walker, Ruben - rap
Amayo - Vocals
Filhos do Korin Efan - vocals, percussion
James Hurt, Mark Batson - keyboards
Pete Cosey - guitar
J.T. Lewis - drums
Melvin Gibbs - drum programming, bass, keyboards
featured tracks: Sometimes and Odudua the Punk- Funk All- Stars are: Joe Bowie- trombone, vocals
James "Blood" Ulmer - guitar, vocals
Vernon Reid - guitar
Ronald Shannon Jackson - drums
Melvin Gibbs - bass
Harriet Tubman is: Brandon Ross - guitar, vocals
J.T. Lewis - drums
Melvin Gibbs - bass

Type of Label: None

My Blog

the "Out On A Limb" solo show

This is blogger Audiologo's take on the Melvin Gibbs solo show.To see pics from the show and read Audiologo's take on in its' entirety go here.This show also featured opera singer (and Rose Live owner...
Posted by Melvin Gibbs on Sat, 06 Oct 2007 09:27:00 PST

Lance Carter Memorial Concert review

from JazzTimes:originally hereconcert date: May 31 3007Lance Carter Memorial for the Jazz Foundation of AmericaVenue/Location: Knitting Factory New York, NY USADate(s): May 31, 2007Written By: Bill ...
Posted by Melvin Gibbs on Wed, 13 Jun 2007 04:00:00 PST

Musician of the Day: Jean-Paul Bourelly

...I got caught out there on this oneAND I haven't been keepin' my blog up so I couldn't even make an addendumWhen thinking about my personal favorites among the records I've played on I always flash ...
Posted by Melvin Gibbs on Fri, 02 Feb 2007 09:17:00 PST

pattin' Juba

after 2 days of practice I got the Juba Pat...I have now reached the level of rhythmic sophisticaion of a Gullah 8 year olda lillte bit behind schedule, lifewise, but I got itone
Posted by Melvin Gibbs on Thu, 25 May 2006 07:10:00 PST

Drumfolk: article by David Pleasant

This article originally appeared in The Brooklyn RailDrumfolkby David PleasantJuly 2004The heritage of jazz is filled with African-derived sensibilities that often challenge the expectations of genre ...
Posted by Melvin Gibbs on Wed, 24 May 2006 03:58:00 PST

Gullah rhythmic concepts: Juba

Had the 1st rehearsal with David Pleasant today for the Geechee Seminoles show on May 27th. We started off by working on one of his compositions; which has him "rhappin" with ring play recontextualize...
Posted by Melvin Gibbs on Wed, 24 May 2006 10:03:00 PST

Punk-Funk All-Stars setlist- first thoughts

I've started thinking about what songs the Punk-Funk All-Stars are going to play...we're gonna remix and rework stuff, no doubtWhen I saw Sly play (yes, I'm old enough to have actually seen Sly and th...
Posted by Melvin Gibbs on Sun, 21 May 2006 10:00:00 PST

Melvin's drummer of the day: Tony Willams (M.G. and the final Lifetime)

During the Rollins Band era (I guess I should say the first of my Rollins Band eras) I had the singular honor of playing with Tony Williams in a project which would've been the last version of Tony Wi...
Posted by Melvin Gibbs on Fri, 19 May 2006 07:22:00 PST

Melvin goes culture slumming

a couple of weeks back I got from what some people's perspective would be high culture- I went to see Richard Move's piece "Achilles" at the Kitchenwhich featured a guy named Rasta (he wasn't) as the ...
Posted by Melvin Gibbs on Wed, 17 May 2006 09:11:00 PST

Geechee Seminoles at Tonic May 27th 8:00PM

I decieded to get into a Gecchee groove for my next gig- at Tonic 107 Norfolk St. N.Y.Cph. 212 358-7501That's what Gullah/Sea Islands people used to call themselves if you don't know-I'll have David P...
Posted by Melvin Gibbs on Mon, 15 May 2006 02:10:00 PST