Member Since: 1/11/2006
Band Website: jilltracy.com
Band Members: Jill Tracy (piano, keyboards, and vocals). Performs solo or with members of The Malcontent Orchestra: including Randy Odell (drums/percussion/metals); Paul Mercer (violin); Alex Nahas (Chapman Stick, electric bass, FX); Daniel Fabricant (contrabass); Ralph Carney (horns); Tony Cross (violin, viola, harmonium); Daniel Baer (violin); Alexander Kort (violoncello, contrabass); Erica Mulkey (violoncello); Nadine Whitfield (bassoon); Kenny Annis (sarod); and special guest eccentrics.
Sounds Like: ...that sordid past life you wish you were still living.
"Jill Tracy creates an elegant netherworld both seductive and terrifying."
CLIVE BARKER
"an elegant and mysterious siren."
VILLAGE VOICE
"If there is any justice in this life, the world will discover Jill Tracy."
RAGE
"San Francisco's First Lady of Melancholia."
BAY GUARDIAN
"One must be careful of Jill Tracy. The pale and shadowy chanteuse quickly draws you in with her noirish compositions; her songs are eerie and enticing, clever and clawing, and replete with gothic glamour. The San Francisco-based New York émigré likes her fare dark and bloody, sprinkled with cabaret charm, old-time chamber chops and an almost overpowering sense of seductive gloom."
PACIFIC SUN
"Jill Tracy-- I thank you for your deliriously sweet and evil musical beauty, your unique talent and independent strength in these, the days of not only the Dumbing Down Of America, but the profoundly redundant state of music in general."
LYDIA LUNCH
"Very distinctive and exciting..Jill Tracy sings with the kind of breathy intimacy that will fulfill your dreams of being tortured by beautiful women."
LA WEEKLY
"beautiful, striking work"
CHICAGO READER
"one clever vamp"
USA TODAY
"A siren of the dark side...combining the intellectual eroticism of Baudelaire, and the cheerful ghoulishness of illustrator Ed Gorey, Jill Tracy spins intoxicating tales of mayhem. Plus, theres -that VOICE!"
ARTE SIX
"When you hear Jill Tracy's lush, sultry voice and experience the spooky melancholy of her lyrics, youre hooked...you cant escape the haunting and seductive powers of her macabre torch songs. As you listen, your will is no longer your own."
ELECTRONIC MUSICIAN
"Jill Tracy is utterly intriguing. She transports you into a magical world solely of her creation."
NPRs ALL THINGS CONSIDERED
"Like a film noir femme fatale, Jill Tracy is gorgeous; ballerina thin and Victorian porcelain pale.....a stunningly hypnotic performer."
BAY GUARDIAN
"There’s something otherworldly about Jill Tracy. She has a poise, finesse and enigmatic quality rarely seen in live performance--she effortlessly floats above the fray."
SANTA CRUZ METRO
"There are only so many albums that come hurtling at you like a freight train and completely knock the breath out of you. Diabolical Streak is one of those albums... absolutely brilliant...It's seductive, it's creepy, and at the end you'll wish you had someone to lure into your own trap, because Jill Tracy makes it sound so perfect."
AMAZON.COM
"Ironically, it seems like the grunting, hamfisted fury (and its oppostie, the teenybopper bubblegum) that rules MTV and the pop airwaves is driving more and more listeners toward a new, subterranean vision of sophistication. They're learning what Jill Tracy has known all along--that depravity is most delicious when it's dressed up, and a sharp, elegant dagger can be deadlier than a big dumb chainsaw."
SHIFT MAGAZINE
"Equal parts performance artist, evil MC, filmmaker, musician, and bad-ass icon...Fear not, Jill Tracy is here to deliver us."
SAN FRANCISCO
"Stephen King once referred to Shirley Jackson as "the woman who never needed to raise her voice." And this perfectly describes Jill Tracy as well. Through haunting cabaret-style songs with clever and spooky lyrics, Diabolical Streak puts a chill down your spine that the most obscene words and heaviest amounts of gore can never achieve. Jill Tracy's soft and seductive voice is a dark and wonderful gem. Im quite convinced that if Jackson were alive today, this would be her favorite album!"
iTUNES
"It's an evocative sound, all right --and Jill Tracy has pretty much cornered the market on the genre. As a friend of mine described it, very Weltschmerz -- and I agreed with him, responding to the onomatopoeic quality of the word. Ultimately, I had to look it up in the dictionary and he was right. Next to the entry Weltschmerz in the dictionary there was a picture of Jill Tracy."
CONTRA COSTA TIMES
"eerie, sophisticated and cinematic, Jill Tracy is a gorgeous siren whose voice is filled with menace and mystery."
SF METROPOLITAN
"Jill Tracy is unique - a soul out of its time; intriguing, intelligent, sensual, and just diabolical enough to make you wonder. She enchants and tempts with a delicious sense of danger. Whatever I say, doesn't even come close to describing this music and its creator properly- it is THAT GOOD! It's unfathomable to me that some major label hasn't picked her up yet and kissed her feet... or why a big film maker like David Lynch hasn't contracted her to do film scores."
STARVOX MAGAZINE
"Jill Tracy has created a timeless collection of songs that ushers the listener into a dark and magical realm. It's not safe here, but you won't be in any hurry to leave. This is a strangely alluring and subtly disturbing album that sneaks up on you, captures you with its unique style and mordant wit, and never quite turns you loose. Jill Tracy finds a compelling sensuality in everything, from the promise of one wicked night to the fiery end of the world. Beneath the breathy vocals and the force and filigree of Tracy's original piano lines lurks cold steel -- the woman has guts to spare, creating something so distinctive amidst the corporate musical mediocrity that's poisoning the culture. Jill Tracy is a wonderful antidote to that poison. Play this one late at night. See if you can find your way out alive."
CD BABY editor's pick
"Like latter-day Marianne Faithfull and Marlene Dietrich, Jill Tracy knows her ouevre and her audience- it would appear she lives the life of which she sings and isn't just playing dress up (her wan visage would fit nicely onto one of Tim Burton's storyboards). Though it's been suggested she hints at everything from Eric Satie to the Cure, with her dark parlour piano and a voice that slays as soon as it soothes, Tracy doesn't really sound like anyone but herself- though she might just be who Marilyn Manson turns into when he grows up."
ALL-MUSIC GUIDE
Discography: click CD cover to purchase
Into the Land of Phantoms
selections from the Nosferatu score.
Diabolical Streak
Quintessentially Unreal