Dixie Lullaby profile picture

Dixie Lullaby

'Si no hay café para todos, no habrá para nadie...' - Che Guevara

About Me

I'm a music journalist who's written a book on Southern rock and the culture of the South entitled "Dixie Lullaby: A Story of Music, Race and New Beginnings in a New South" (Free Press/Simon & Schuster, 2004; The University of Georgia Press, 2006). I've served as music editor of Rolling Stone magazine and vice president of music editorial for MTV Networks. In 1997 I was thrilled to receive a Grammy nomination for my liner notes to the album 'Farewells and Fantasies,' a retrospective of music by one of my 1960s heroes, protest singer Phil Ochs. Today I live in Charlotte, North Carolina." --------- I began my career in the early 1980s as a newspaper reporter in my home state of North Carolina, then moved to New York City where I covered the punk rock and hip-hop of the mid- to late-'80s. Some of my earliest stories were on hot-button issues of the day, such as digital sampling, and the rise of bands like Meat Puppets, Sonic Youth, Nirvana, Public Enemy and Eric B. & Rakim. When I was editor of the Los Angeles-based alt.music and alt.culture magazine Option in the early '90s, we put acts ranging from Fugazi and PJ Harvey to the Orb and Meat Beat Manifesto on the cover and were one of the first English-language music magazines to do a major feature story on Rock en Español. It was a heady time to be in the music industry and the success of bands like the Black Crowes and later, the Drive-By Truckers ultimately led me to think about my own culture and its music. --------- "Dixie Lullaby" is a sort of narrative snapshot of the South taken just after desegregation, in which I weave in the story of a kid (me) who grew up in a small town during that era and found solace in rock & roll. The story is not a whole lot different from other peoples' stories, it's just that I wrote a book about mine. But "Dixie Lullaby" is not just about me -- it's about a place and time in transition; it's about music in transition. How did we get from Jimmy Carter to Bill Clinton, from Otis Redding and Little Richard to OutKast and Little Brother, from Lynyrd Skynyrd and the Allman Brothers to Kings of Leon and the Drive-By Truckers? Shoot, I don't know. I just give the journey a little drama and context. I hope you'll check it out. "Dixie Lullaby" is available in hardback from Simon & Schuster and in paperback from the University of Georgia Press. For more excerpts and info on the hardback edition, go to Dixie Lullaby's pages at Simon & Schuster and Amazon.com . ---------- Here's what the Jackson (Mississippi) Free Press had to say about "Dixie Lullaby": "A cathartic treatise on the author’s life in and with the music of his formative and adult years and the musicians who brought it to him ... For anyone who digs the music but never gave the politics a fleeting thought, this book is a must. It will open your eyes and your mind, whether you’re white or black, a Southerner or a recent immigrant to this land of paradoxes." (For full reivew, click here .) ------------ Now, here's how I describe myself, apart from the music business: I'm just a regular guy who loves his girl, his family, music, movies, books and art, and likes to engage in long-winded discussions with friends -- and friendly foes (hey Charlie!) -- about politics, popular culture, philosophy and other belief systems that get human beings all riled up. I'm particularly interested in issues affecting the U.S. South, Latin America, Africa and the Middle East. I like to swim, cycle, garden, attempt to play guitar and speak Spanish, and I love long walks on burning asphalt under the great ozone hole in the sky. ---------- What do I think about the future of music in the South? To me, some of the most interesting and passionate music today comes from other parts of the world and from other cultures living in the U.S. I gravitate to Spanish-language music because of my love of Latin culture and the importance of Latin influences in the development of this country. As the Spanish-language population continues to grow in the U.S., so will its impact on this country's popular music. If the convergence of black and white musical styles led to acts like the Allmans, who provided the soundtrack to MY youth, the soundtrack for kids beginning school today will be the convergence of Latin and U.S. styles -- the mainstream Rock en Español and Reggaeton of U.S.-born acts not yet known. mk on deadline

My Interests

MONTY PYTHON'S ELECTION NIGHT SPECIAL

I'd like to meet:

The great Curtis Mayfield introduces the great Phil Ochs singing "Power and the Glory," the second-most patriotic American folk song behind "This Land is Your Land":Don't say they don't write 'em like that anymore. Here's The Night Watchman, a.k.a. Tom Morello of Rage Against the Machine, circa now, singing "The Road I Must Travel":A powerful reading of Mark Twain's poem "The War Prayer," from Willie Nelson and his friends and family members:

Music:


The play list above pretty much captures the essence of my musical tastes, but here's the testimony: I like gritty, rebellious music and I dislike posers. What is gritty, rebellious music to me? The dead legends: Hank Williams, Woody Guthrie, Robert Johnson, Elmore James, Muddy Waters, Billie Holiday, Jimmie Rodgers, the Carter Family, Lydia Mendoza, Louis Armstrong, Bird, Coltrane, Miles, Fela, Nusrat Fateh Ali Kahn, Lalo Guerrero, Antonio Carlos Jobim, Héctor Lavoe, Celia Cruz, Gram Parsons, Bob Marley, Otis Redding, Hendrix, Lennon, Phil Ochs, Johnny Cash, James Brown; The greats: Dylan, Aretha Franklin, the Stones, the Who, the Kinks, Emmylou Harris, Willie Nelson, Los Tigres del Norte, Leon Russell, the Allmans, Funkadelic, the Clash, the Ramones, Alejandro Escovedo, George Jones, Merle Haggard, Loretta Lynn, Tammy, Dolly, Vicente Fernández, Caetano Veloso, Sly and the Family Stone, Culture, Mahlathini, Thomas Mapfumo, Skynyrd, the Stooges, the MC5, Elvis Costello, Talking Heads, Joy Division, the Cure, the Smiths, U2, Manu Chao, R.E.M., Black Flag, Minutemen, Husker Du, Nirvana, Liz Phair, Beck, Radiohead, Wilco, Drive-By Truckers, Kings of Leon, the White Stripes, Neutral Milk Hotel, Bright Eyes, the Mars Volta, Interpol, Arcade Fire, the Dixie Chicks, Anthony Hamilton, TV on the Radio, Gnarls Barkley; The real alternatives and out-there experimentalists: Debussy, Schoenberg, Sun Ra, the Airplane, the Dead, Os Mutants, Can, the Velvet Underground, Nico, Yoko, Eno, Ornette Coleman, Television, Wire, the Fall, Sonic Youth, Yo La Tengo, My Bloody Valentine, the Orb, Jim O'Rourke; The Hip-Hop Nation: Run-DMC, the Beastie Boys, Eric B. and Rakim, Public Enemy, Stetsasonic, De La Soul, Tupac, Biggie, Mos Def, the Coup, Dead Prez, Immortal Technique, Goodie Mob, OutKast; artists on (or from) the Carolina music scene: Tift Merritt, Ryan Adams, Caitlin Cary, Little Brother, Cleo Jones, Roman Candle, the Old Ceremony, Alt-Ctrl-Sleep, Calabi Yau, Pyramid; and all the artists making great contemporary musica en espanol: Cafe Tacuba, Ely Guerra, Julieta Venegas and Molotov, from Mexico; Superaquello and Circo, from Puerto Rico; Andrea Echeverri, Héctor Buitrago and their band Aterciopelados, from Colombia; Los Amigos Invisibles, from Venezuela; Libido, from Peru; Charly Garcia, his legendary folk-rock band Sui Generis, and the more contemporary Babasonicos and Juana Molina, from Argentina; Enrique Bunbury and Bebe, from Spain; and all the domestic spanish-langue artists changing the U.S. musical landscape: the indie rock en espanol and trad-Latin sounds of Cordero and Pistolera, from New York; the funky Pepito and Los Super Elegantes, from L.A.; the norteno of Rey Norteno, from Raleigh, NC; the ska and rock of Bakalao Stars and Eva Fina, from Charlotte, NC ... and the list gets longer every day ...

Movies:

Dr. Strangelove, In the Heat of the Night, Raging Bull, The Last Waltz, Monty Python's Life of Brian, This is Spinal Tap, Giulietta Degli Spiriti, Bananas, Wings of Desire, Do the Right Thing, Mujeres al Borde de un Ataque de Nervios, Memento, Sling Blade, The Apostle, Magnolia, Y Tu Mamá También, Lost in Translation, Life is Beautiful, Donnie Darko, Napoleon Dynamite, The Station Agent, City of God, Diarios de Motocicleta...

Television:

I admit it, I love TV. I watch too much mindless brain candy (though I do manage to get out of the house most days): Law and Order, Monk (the early seasons), Seinfeld (though I struggle watching Michael Richards now), The Simpsons, King of the Hill, South Park, The Boondocks, American Dreams, The Office, The Sopranos, Six Feet Under, Chappelle's Show, Project Runway, The Daily Show with Jon Stewart, The Colbert Report, Real Time with Bill Maher, Countdown with Keith Olbermann, The McLaughlin Group, Anderson Cooper 360... TV cancer: The O'Reilly Factor, Lou Dobbs Tonight, The Glenn Beck Program

Books:

These titles immediately come to mind. (I'm sure I've left out many others that have helped me along my way.) Nonfiction: The Varieties of Religious Experience, by William James; Why We Can't Wait, by Dr. Martin Luther King Jr.; The Autobiography of Malcolm X, by Alex Haley and Malcolm X; Soul on Ice, by Eldridge Cleaver; The Mind of the South, by W.J. Cash; The Burdon of Southern History, by C. Van Woodward; The Civil War, by Shelby Foote; Bury My Heart at Wounded Knee, by Dee Brown; Che Guevara: A Revolutionary Life, by Jon Lee Anderson; Occupied America: A History of Chicanos, by Rodolfo Acuna; A People's History of the United States, by Howard Zinn; Mystery Train, by Greil Marcus; The Latin Tinge, by John Storm Roberts; The Electric Kool-Aid Acid Tests, by Tom Wolfe; Zen and the Art of Motorcycle Maintenance, by Robert Pirsig; Be Here Now, by Ram Dass; Bird by Bird, by Anne Lamott... A few novels that have inspired me: One Hundred Years of Solitude, by Gabriel García Márquez; Naguib Mahfouz' "Cairo" trilogy; A Room of One's Own, by Virginia Wolf; Chicano: A Novel, by Richard Vasquez ... A handful of unclassifiable titles that merge fiction and nonfiction with fantasy and myth: Fear and Loathing in Las Vegas, by Hunter S. Thompson; On the Road, by Jack Kerouac; The Teachings of Don Juan: A Yaqui Way of Knowledge, by Carlos Castaneda; The Holy Bible; the Holy Qur'an...

Heroes:

Jesus, Kennedy, King, Ghandi, Cesar Chavez, Mother Teresa, Hank and Peggy Hill, Marge and Homer Simpson, and Richard and Joan Kemp (my parents)...............

My Blog

DIXIE LULLABY: Blurbs, stories, reviews and audio interviews with author Mark Kemp

"Kemp's anecdotal and affectionate remembrance of Southern rock provides a solid panoramic view of an important chapter in the history of rock and roll."Publishers Weekly"A cathartic treatise on the ...
Posted by Dixie Lullaby on Sat, 06 Jan 2007 08:29:00 PST

Signed copies of DIXIE LULLABY available in Charlotte at PURA VIDA WORLDLY ART!

For more information, go to:Pura Vida Worldly Art!1521 Central AvenueCharlotte, NC 28205(704) 335-8587...
Posted by Dixie Lullaby on Wed, 09 Apr 2008 10:14:00 PST