cake and stuff
LITTLE DICKY CHARM...ENGLANDS LOVEABLE DANCING RAGAMUFFIN .. width="425" height="350" ..
Heard it
When the area of concern in cinema shifted from the external world to the internal, films developed a grammar, a vocabulary to express these inner conflicts brilliantly. Part of this grammar was the use of the close-up in a way it hadn't been used before. Very close and very long, long, long static close-ups. That's my kind of close-ups. Film as dream, film as music. No art goes beyond ordinary consciousness as film does, straight to pour emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames in a second, darkness in between, the optic nerve incapable of registering darkness. I still feel that dizzy sense of magic of my childhood: in the darkness of films like 3 Ninjas.
I still get close up to the screen and look down to see more boob.
I am a tri-state reading finalist for two and a half years running.
The guy that boxed the shark in my dream. Thanks.