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With the release of his new album Let It Go, singer, songwriter and pianist Jon Regen demonstrates why he has been called the ‘Miracle Child From New York.’ His music is simply unforgettable.
Featuring Andy Summers of The Police, Martha Wainwright, and other renowned guests, Let It Go is a breakout masterpiece of jazz-influenced pop that effortlessly combines Regen’s pianistic prowess with his unmistakable voice as a singer and songwriter.
“I’ve been searching for a way to tell my own story, both as a singer/songwriter and as a piano player,†Regen says from his home in New York City. “I’ve made jazz records, and pop records, but never one that managed to meld the two into something that represents both sides of my split personality. On this one, everything just fell into place.â€
Produced by multi-instrumentalist Brad Albetta (Martha Wainwright, Teddy Thompson), and mixed by legendary British producer John Porter (Ryan Adams, BB King, The Smiths), Let It Go feels both resoundingly fresh and reassuringly familiar. The album features 12 newly-penned Regen originals, and guest appearances by some of today’s most innovative artists.
“I wanted each song to tell its own story,†Regen says. ‘Close To Me’ is about a girl that took my breath away – I was literally in physical pain over the break-up. Andy (Summers) came-in, and without a word, he played those haunting guitar lines that totally capture the longing in the song. Music is like that – it cuts to the chase.â€
On ‘I Come Undone,’ singer Martha Wainwright guests. “I wrote that song after losing a friend of mine,†Regen says. “Martha’s voice really brings-out the heartbreak – the emptiness that lingers. She is one in a million.â€
Other album cameos include cellist Julia Kent (Norah Jones, Antony & The Johnsons), drummer Matt Johnson (Jeff Buckley, Rufus Wainwright), guitarist Jimmy Vivino (Late Night with Conan O’Brien), and singer Kami Thompson, (daughter of famed songsmiths Richard and Linda Thompson, and sister of musician Teddy).
Almost as surprising as the roster of A-list guest artists, is the fact that Regen recorded Let It Go live in the studio, singing and playing piano in real-time. With the exception of backing vocals and a few instrumental overdubs, everything on the record was recorded in one pass.
“We cut the record live,’ Regen says. “I came-up playing jazz, where you didn’t have the time or the luxury to redo a vocal or bring in a different band. And so that mantra of getting it right the first time has always stuck with me.â€
“The other thing is,†Regen continues, “I was a piano player first, so it’s almost physically impossible for me to sing without sitting at the piano – my body just won’t do it! So it’s really out of necessity that I record everything live – I guess I’m old-school in that regard.â€
Regen will tour in-support of Let It Go during the remainder of 2007 and throughout 2008, with solo and band dates across the US, Europe, and Asia.
WHAT PEOPLE ARE SAYING ABOUT LET IT GO...
It’s Regen’s own writing and crooning that carry the day here: “Better Days,†“Disappear†and the title tune make the most impact with no “name†assistance whatsoever. Regen’s proven himself a master of jazz and pop...
HIGH BIAS
Tracks range from the Randy Newmanesque "It´s Alright By Me", which sounds like a strong contender for the next Pixar movie soundtrack, to a brace of tunes featuring guitarist Andy Summers - the hypnotic "Close To Me" and "Finding My Way Back to Me" (whose opening riff sounds like a very close relation of "Don´t Stand So Close To Me"). Regen displays an impressively wide pianistic touch, hitting the piano so hard in the title track you can almost feel the vibration of the strings, caressing the notes in the touching ballad "Better Days".
JAZZWISE
Radio-friendly pop tunes, featuring rich lyrics, cool and honest vocals, and grooving piano and organ playing...Like (Bruce) Hornsby, Regen has facility, hipness, and the confidence to pull it off.
KEYBOARD MAGAZINE
Regen comes out swinging with the album's title track and continues to impress with songs that include "Close to Me" and "Finding My Way Back to Me."
CHARLESTON POST & COURIER
Perfectly poised contemporary pop...Let It Go is another significant milestone in Regen’s burgeoning career, and represents a consolidation of his composing aptitude and an inspired indicator of his progressive pianistic skills.
MALAYSIAN STAR
BIOGRAPHY
Jon Regen was raised in Maplewood, New Jersey. Originally self-taught on his family’s aging grand piano at the age of five, Regen would lead his first professional group while still in his early teens.
He studied piano and music theory at The Eastman School of Music, and The University of Miami, eventually relocating back to his home state of New Jersey to apprentice world-renowned pianist Kenny Barron, at the Mason Gross School of The Arts at Rutgers University. Regen would graduate with a Bachelor of Music degree, and quickly move to New York City, where his strong melodic and rhythmic approach to the piano would not go unnoticed.
Regen was named Runner-Up in the Great American Jazz Piano Competition, and was also chosen as one of only 2,000 pianists worldwide to hold the title of Steinway Artist. Bassist Kyle Eastwood asked Regen to anchor his touring band, where Regen remained until 2001, leaving to accompany jazz icon Jimmy Scott. Regen spent nearly three years alongside Scott, touring, recording, and performing across the U.S., Europe, and Asia. The New York Sun would write of Regen’s work with Scott, ‘Although the British press has described Mr. (Jamie) Cullum as "Sinatra in sneakers," he is a long way from having a Sinatra or Nat Cole-level vocal instrument. Likewise, he has less technique as a pianist than, say, Jimmy Scott's prodigious accompanist, Jon Regen.’
Jon Regen Trio – Live at The Blue Note, Regen’s debut CD, was released on Half-Note Records to critical acclaim in 2000. JazzTimes called him ‘a gifted pianist-composer whose career merits tracking.’ His follow-up recording, Tel Aviv was greeted with the same industry-wide praise upon its release in 2001. High Bias proclaimed; ‘A protégé of jazz great Kenny Barron, Jon Regen is a pianist of great lyrical gifts, using his masterful technique to caress a melody like a lover strokes the object of his desire. The three-part 'Tel Aviv Suite' is a marvel of collective improvisation and jazz piano melodicism.’
In 2004, Regen released Almost Home, a seven-song EP of all-original material that showcased his previously hidden talents as a singer and songwriter. Critics around the globe heralded the new music with unanimous praise; All Music Guide awarded it Four Stars, and CD Baby proclaimed ‘Regen has woven a tapestry of adult contemporary pop and jazz that reflects on the integration of intelligent songwriting with the elemental and unbridled force of the human spirit.’ The Danube Courier dubbed Regen ‘the Miracle Child from New York, ’ and High Bias called the EP a collection of ‘solid tunes with instantly-appealing melodies and soulful vocals.’
Regen’s new album Let It Go will be released in late 2007.
JON REGEN - SELECTED DISCOGRAPHY
2007
Jon Regen
Let It Go
JRM 100089
2004
Jon Regen
Almost Home
HiTone 5851
2003
Jimmy Scott
All of Me - Live in Tokyo
Venus Records TKGV-1004
2003
Various Artists
Stormy Weather
Sony Classical SK87888
2001
Jon Regen
Tel Aviv
HiTone/Q&W 1004
2000
Jon Regen Trio
Live At The Blue Note
Half Note 4909
Jon Regen is a STEINWAY ARTIST.