Carolyn Edwards

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HERE'S WHAT PEOPLE ARE SAYING: "On her self-titled solo debut, Carolyn turns in a set of sophisticated, keyboard-based tunes that draw upon elements of everything from sunshine pop to soundtracks for Western movies."
William Ruhlmann, Allmusic.com (full review at http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:lqf8zfd5 ehpk)
"Carolyn Edwards has a clear and pleasant voice and on many of her songs brings to mind singer / songwriters like the early Catherine Howe. . ."
- Paul Martin, Shindig Magazine (full review under "new reviews" at http://www.shindig-magazine.com)
". . . heady piano-based pop."
- Kevin Bronson, L.A. Times "Buzz Bands"
". . . a Silverlake-soaked Carole King for the 21st Century . . ."
- Greg DaPonte, KCRW 89.9 FM, Los Angeles
"On her self-titled 2005 solo debut on the True Classical label, Edwards makes a charming plea for redemption on behalf of a shamed presidential intern on the countrified waltz Monica and gets pinned to the floor by her boyfriend during the playfully romantic love song Wrestling Match. Themes of loneliness and agoraphobia flicker within the warm glow of Edwards elegantly restrained, 60s-flavored pop, especially on the yearning idyll Factory Moon and the spare hymnal Beauty Wasted, with its subdued, churchlike organ and downward-cycling piano chimes. Its all quite (and quietly) enchanting."
- Falling James, L.A. WEEKLY 8/3/06
"Carolyn Edwards has long proven herself as a jill-of-all trades: first with the bouncy, fun power pop of 3D Picnic, followed by the angular, melodic indie-rock of Spindle, and currently with her debut solo album. Carolyn Edwards is a beautiful disc from start to finish, a combination of instrumental arrangements and songwriting styles which make it a palpable modern day song cycle a la Van Dyke Parks. Edwards writes and sings mellifluous lyrics that sound free associated (but aren't), a technique that is put to particularly good use on cuts like "Lunacy," "Solace," and the taut, mysterious "The Argument." Others like "Monica" and "Lazy" are lilting slices of Americana, adding more credence to the song cycle, while both "Shrink" and "Leave" would make Burt Bacharach swell with pride. The production values, courtesy of Edwards and the ubiquitous Steve Stanley, create a kind of dark mood that still carries an undercurrent of optimism, something that's rather difficult to pull off. Carolyn Edwards boasts appearances by luminaries like Brian Wilson bandmates Nick Walusko, Probyn Gregory, and Nelson Bragg, along with Kristian Hoffman. Definitely file this one under: `not to be missed.'"
- David Bash, Amplifier Magazine
"Put away the pink Paxil pills and listen to the new self-titled album by piano princess Carolyn Edwards. Her therapeutic lyrics blended with 60s-style sounds will help the mildly depressed realize they are not alone. Song like Beauty Wasted and Solace are more effective than local support groups, and Lazy is perfect for a rainy spring day when getting off the couch seems like a daunting task. Dont let the cheesy, hippy image on the CD cover fool you. This Californian is thought-provoking and talented enough to collaborate with the Wondermints, Brian Wilsons band. SMILE."
- Deirdre Walsh, Highbias.com
"Interesting piano pop, with intelligent chord changes and melodies that manage to avoid intellectualism. Some of the lyrics are a bit arch, but that's part of the schtick here, I think. This is a really strong record that deserves to be listened to in its entirety. Check it out!"
- Pandora.com
"The first solo CD from Carolyn Edwards, best known as a member in the bands The Negro Problem, Spindle, and 3D Picnic. Ms. Edwards' seasoned efforts working with her previous bands has certainly helped her to refine and focus her sound. This is a short album clocking in at just over 37 minutes...but no time is wasted as Carolyn presents soft, soothing, pensive pop that is unique and immediately effective. Her unorthodox approach to songwriting may not be apparent at first. But upon closer inspection, the listener is likely to notice all kinds of subtle intricacies that make this music more substantial and effective than mere generic slop pop. Ms. Edwards music blends mature knowledge with childlike innocence...creating a soothing and intoxicating environment. Eleven killer tracks here including "Lunacy," "Lazy," "Wrestling Match," and "Beauty Wasted." Psychologically rewarding...and highly recommended." (Rating: 5+++)
- BABYSUE.COM
"Carolyn Edwards is a veteran of the indie scene; she has been in her fair share of bands in the past decade or so. Playing for such bands as 3D Picnic and Spindle, she has now advanced into a solo career. Her sound is quite an interesting one; combining a country twang with a hint of 60's psych-pop, her music is bound to turn heads".
- Indiechristophblogspot.com
"Carolyn Edwards has a past in the bands The Negro Problem, Spindle and 3D Picnic. This is her solo debut and it's multi-layered and gorgeous. `Monica' has her playing her piano in a honky tonk style. It's a charming country ditty with smart lyrics. `Solace' is a great ballad with lovely vocals. Edwards reminds me a little of Aimee Mann here. `Factory Moon' is another gem. It's old-fashioned sounding like an alternate universe Doris Day with a more realistic view on life. `Shrink' is a bossa about an obnoxious girl trying to befriend the narrator. Edwards' sense of humor really shines here. Her debut is a classy record."
- Anna Maria Starnell, Collectedsounds.com
"These are songs from the garden, but the very best kind of garden, more than just a bunch of pretty flowers, a place of shadow and mystery and warped American earth, thorny in its corners, not immune to poisonous growth, inhabited by creatures desperate for connection (for better or worse and often thwarted regardless) yet reveling in solitude, who sing in voices like Broadway and old-school AM radio pop and European cinema soundtrack and the contemporary art-song. Oh, and also of note: this garden is planted unmistakbly in the middle of Los Angeles, an oasis in the smog. But enough of the long-winded analogy. Simply put: this shit's exquisite!"
- Barry Smolin, KPFK 90.7 FM, Los Angeles
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