Nick - Takrann Fantasy profile picture

Nick - Takrann Fantasy

I'm over there! Where there are no 'yes, buts'!

About Me

www.takrannfantasy.com

FINISHING MY NOVEL!

A day not written is a day not lived.
And the displacement tactics are nothing more than the scenic route towards my goal....
From: MAP OF SOULS.

One man killed, another mutilated and a whore beaten senseless. Sluk works its magic very quickly. Raeker cursed. Too many mistakes and the hunter soon became the prey. Standing there, pressed against the brickwork, eyes raised again in doomed hope of illumination from the lost moon, he felt Sluk’s pull and his spirits slumped.

The scourging drought of the last few months had been washed away by the onslaught of the rain and with it all traces of the Fibian-Krak’s flight. But after tracking the Krak buck all the way from the Mrkev Quarter and even following a trail that was two days old, it didn’t take a genius to know where the buck was headed. And for all its overwhelming power, the rain could not wash away memory. As his hearing filtered out the pained whimpers of a woman beyond the wall inside and the brute, breathy laughter of the man with her, Raeker remembered the young buck’s crime. And how Lord Mrkev, on giving him the commission, had made a point of showing him the body of the Mrkev House handmaiden, lying in state. What remained of it. The servants for all the horror still had time for some lively gossip. The Krak had fed on her flesh, violated her. A thorough job but for being disturbed before finishing it. The housemaiden had one gasp of breath left she had saved for death when they found her. Calling for her Lord. Like many a Silt-Mark mercenary Raeker had looked upon the handiwork of Fibian-Kraks before and had witnessed it in action; that they preferred live flesh to feast upon didn’t make for easy viewing. He had seen worse during his twenty-five years upon Takrann, but not, he would admit, by much.

Nor did it take a scholar from one of the Libraries of Lightening to figure out who had been hiring Kraks to cause disruption in the Mrkev Quarter; Raeker wouldn’t concern himself about it. He cared not for the rights and wrongs of such internecine niceties. Nor was he going to waste much time wondering why Lord Mrkev had been so clearly upset about that particular housemaiden, while his wife’s face was as stone looking down upon the mutilated body of the girl. He had been hired to do a job and he would make sure it would get done. Reputation was hard won and lost within a second. Only money could slip through a man’s fingers sooner. A trophy ear from the dead Krak would seal the bargain. Mrkev did indeed pay well. Even he, feared as he was, would expect to do so to persuade someone to follow a Krak into Sluk. Not for the first time, but once was more than enough, Raeker reminded himself. The shambolic facades and the names upon them shifted like a mutating beast, but the nature of the beast was always the same. He would make sure that when he got out again this night, this visit would be his last.

He had only one friend here. Before stalking the Krak further, Raeker hesitated, awaiting its arrival. Through the lashing sheets of rain and rumour of moving shadow it came. Along streets with a history of secrets darker than the shadows that masked them. It came to him, past the scurrying rats which recognized it too; unmistakeable, familiar for as long as he could remember having drawn breath, and as vital for life as breath itself. The vermin with the slashed ear knew it as friend also. The Silt-Marker admitted to himself they at least had that in common. Its presence running colder than the icy rain through vein and marrow. Pointing ahead. Into the darkness. Inviting him to follow. Fear. Raeker smiled his grim acknowledgement. Yes, he was afraid. Invitation accepted. Becoming one with the moving shadow Raeker glided through the pelting rain with an expert balance of intuition and skill, sure in intent, towards his target.

Some three hundred paces behind, in a gutter of garbage between the ends of two gambling dens with barely enough space for elbow room, Darl began to come to and sooner than the dagger hilt administered to him should have allowed. His rickety, street-worn bones were topped by a thick skull. He staggered up on one knee, eyes blurred by rainfall and a coming back to consciousness as his hands scraped against the wall. The rain stung his skin all over but for some reason his left ear stung even more and then he remembered the dagger cut and his brain registered the pain. His guts ached too. He retched and brought up what little food he had in his belly. “Teng dagger, teng dagger,” his tongue fumbled over the words. He tried to think. Fancy teng dagger it was. Fancy airs and graces? Money I say. Hodz was dead. Darl knew it. And they’d done this patch together for three years without a slip up. But Darl wasn’t about to go looking for him. Dead is as dead says. Dead. Dead and gone. Got in your way did he? You got in my way, Silt-Marker. Two Fingers? Think you'll get a chance to find the buck there, do you? I’ll have your two fingers in a bit of bread, blue-eyes. Darl dragged himself to his feet, wrapped his tattered scarf about his mouth and ears and with throbbing head and dazed vision, stumbled towards The Two Fingers alehouse...

WWW.TAKRANNFANTASY.COM

I'm currently updating my website so this link will only take you to cyber-limbo!


My Interests

Writing = Oxygen.Music - without it, life is a mistake. Ol' Friedrich was at least right about that one.Films. Watch them during the day and when you come out of the cinema you feel like you've successfully played truant on the cares of life!Good wine with good friends.Real Ale with real friends.Gaming - writing reviews of them to justify the inevitable boys with toys obsession was a smart move. All-time favourites are: Thief - all of 'em. Nerve-wracking, spine-tingling, atmospheric masterpieces. Morrowind - there's a whole world in there to cut a swathe through. Half-Life 1&2, Far Cry - FPSs almost beyond compare. Tomb Raider - there's a lorra Lara but you can never get enough (we'll forget about Angel of Darkness). Medieval Total War, a strategy masterpiece. Counter Strike, Call of Duty and Medal of Honor. These last three have most likely cost me a couple of novels while online. I've gone cold turkey now. General.Anything that's grist to the mill for fantasy: Archaeology, Ancient and Mediaeval history, Fortean stuff, etc., etc.The Fortean Times.The British Fantasy Society. The Cambridge Folk Festival.Coffee, Coffee, Coffee, Coffee Time. No instant mud. Tea, proper tea: Working Men's Tea and Japanese and Chinese Green tea. Not a herbalarian. Fantasy Art. You must check out: Les Edwards, Anne Sudworth and Dominic Harman.Truly inspiring stuff for the imagination. How do they do it!?


View my page on Wonderlands

I'd like to meet:

My agent, my editor, my publisher and my advance. Not necessarily in that order...

Music:

THE FIRST AGE: Beethoven.Bach, Telemann, Mozart, Mahler, Prokofiev, Shostakovich, Dvorak, Bartok, Rachmaninov, Brahms, Sibelius, Liszt, Wagner, Janacek, Weber, Haydn, Schubert, Schumann, Vaughan Williams - to name but a very few.THE SECOND AGE: Yes, Pink Floyd, Genesis (pre-three), Peter Gabriel, Led Zeppelin, Roy Harper, Nick Drake, Bowie, Rush, All About Eve, The Cocteau Twins, Suzanne Vega, Dead Can Dance, Loreena McKennitt, Dominic Miller, Steve Roach, Robert Rich, Sting (hurry up and get your act together again, man - Dowland was a step in the right direction), John Barry, Goran Bregovic, Jan Garbarek, Terje Rypdal, Marilyn Mazur, Eberhard Weber, Keith Jarrett, Frank Sinatra, Matt Monro, Anita O'Day, Karajan, Haitink, Sir Colin Davis, Abbado, Barenboim, Ashkenazy - to name but a very few.THE THIRD AGE: Steve Hackett, Magenta, Mostly Autumn, Anne-Marie Helder, The Reasoning, Lisa Gerrard, Diana Krall, Cowboy Junkies, The Waifs, Show of Hands, Viktoria Mullova, Helene Grimaud, Han-Na Chang, Mitsuko Uchida - to name but a very few.

MAGENTA: The White Witch

Movies:

A vast list. If I were in a shipwreck and they were floating all around me - with that portable, solar powered DVD player and TV in one, a few I would grab in no particular order: The Lord of the Rings Trilogy, Indiana Jones Trilogy, Alien 1 and 2 (okay, I'll take the other two if they're in the set), Blade Runner, Three Days of the Condor, All the President's Men, Marathon Man. A whole batch of Westerns: the Dollars Trilogy to begin with, then Rio Bravo, The Searchers, El Dorado. Across the Channel: Un Coeur en Hiver, Jean de Florette, Manon des Sources, Rendezvous d'Anna (those late night train journey scenes are among the greatest statements of human loneliness/existential isolation in all cinema - only the late night cab scenes in Taxi Driver come close - another on the list and those latter scenes a perfect marrying of image and music). Woody Allen - especially Sleeper, Play It Again, Sam, Love and Death, Annie Hall, Manhattan (my favourite), Hannah and Her Sisters and a few more - sadly the heyday seems long, long gone. Don't Look Now (just thinking of it the chills resonate in the marrow of my bones - a masterpiece on that level of multi-dimensional foreshadowing and subtle connectivity at which a literate narrative should function). Far From the Madding Crowd, Women In Love - flawed but something quintessentially English about them. A batch of war films, among them: The Great Escape, The Guns of Navarone, Where Eagles Dare - "This is preposterous!" - The Deer Hunter; recently, Saving Private Ryan (a perfect piece of narrative cinema if only that sentimental framing at the beginning and end wasn't there). Jaws! Close Encounters before E.T. The Romero Zombies Trilogy, especially 'Dawn'. Never seen anything like it at the time, shocked me to the core. (I think the two 28-days takes are vastly overrated, they are not homages, they are ham-fisted steals and the plot devices in the second one are simply an insult to the intelligence. I haven't been so annoyed by a film in ages!). Original Star Wars Trilogy (well, perhaps only half of the third one). Enter the Dragon - Bruce Lee was a force of nature. That cavern battle with the guards is still one of the greatest choreographed fight scenes in all cinema. Crouching Tiger, Hidden Dragon - Michelle Yeoh strutting her stuff - only ever a good thing! Bond films. (Predictable, but yes! My 'yoof'.) Gladiator (but Spartacus is the better film). Recently, two stand out films for me: Pan's Labyrinth and The Host. But there are just too many films to mention and that is why I had originally refrained from filling in this section!

Television:

Alias. The X Files, The Avengers, Hill St. Blues, Sharpe, Morse, Frasier, Seinfeld, Curb Your Enthusiasm, Saxondale, Ray Mears, Coast, Discovery Channel, Civilization Channel...

Books:

Fantasy foremost. As with so many, yes, it began with Lord of the Rings. Yes it doesn't have this and it doesn't have that; yes it was written by a man who does not possess in many respects a contemporary sensibility and is open more than most - because there is so much to him - to erroneous revisionism, but for all that (for all art is flawed, even Mozart) it's a literary masterpiece. Deal with it! Fantasy I like in general, either writers who are genuine stylists or can tell a rollicking good yarn with real literary competence. I do not ascribe to the almost fascistic mindset that insists upon 'clear pane of glass prose' fiction. Very often less is not more, less is just less! J.V. Jones, Janny Wurts, George R R Martin, Tad Williams, Greg Keyes. They write, I mean, they really write, engage with story and word, and sometimes, gloriously, these words draw attention to themselves - this is part of the difference between literature and life. If the language gets in the way of the story then there is something wrong with it? No. In literature language is part of the story. Then a couple of prolific writers who always maintain a gold standard for their own stuff. David Gemmell. Holly Lisle. And are vital - in the way they have gone about their business - as examples for anyone wanting to make it as a professional writer. New stuff: Alison L R Davies - this girl can write! A born storyteller. Mark Chadbourn - manages a thematic synthesis between old worlds and new, where the old world through historical depth, the fantastic and the recognisable present day all merge into a genuinely involving literary melting pot. James Barclay - can write breakneck action fantasy and with his present major duology, Cry of the Newborn and Shout for the Dead, does, after six romping action fantasy Raven books, what every writer worth his or her salt must do: develop, expand to pastures and plateaux new. It's easy to spot those who never do.

I'm not sure I write like any of these writers, which on one major level is a very good thing. But I am learning from all of them.

Horror. More psychological slasher fiction than gallons of verbal gore. There is more fear in the gestation of the very idea than in the literal display of it in action. Science Fiction. More partial to invented worlds than particles of invented words. Stuff with as much heart as it has head. General. Conrad. One of the greatest prose stylists in any language of any age. Where style is integral to content, for words on the page as fiction are not real life, they are a reflection of real life but something other in themselves. Literature should contain the intricacy in the moment, the clarity of the detail. But people have busy lives, the work must be instantly accessible, the cry goes up. Then we are fast entering the realm of 'text literature' because folk don't have time and then before we know it we have dumbed down in content and aspiration and abbreviated experience to a virtual nothing rather than the virtual something it should be, and literature is dead! The Russians: mainly Tolstoy, Dostoyevsky, Lermontov, Pushkin, Turgenev. The Brontes not Austen. Austen is the more accomplished writer, but there is so much more going on in the Brontes. Dickens. Frightening, gargantuan sprawling imagination. Poetry. Keats. Living within 10 minutes by Tube from his home in Hampstead is a pilgrimage. Died in his mid-twenties and one of the greatest of English poets. Shelley, Browning, Byron, Blake, Wordsworth, Coleridge. Mandelstam. Rilke. Archaic Torso of Apollo is a philosophy for life. Seamus Heaney, Ted Hughes, Sylvia Plath, Derek Walcott. Breathtakingly accomplished and beautiful their gold mined. Contemporary 'serious literature' - hah! I turned my back on most of it after university. Emperor's new clothes a huge amount of it, read and reviewed by those of the same mindset among the broadsheet literati who also wear the same clothes. Among them all and a maverick on the periphery of that world - because he can out-write most of them into oblivion, and they know it, particularly the Booker judges - another superb stylist and very, very funny: Howard Jacobson. Shakespeare. Herodotus. Two of the greatest fantasy writers of all time! Just a small sample among many of the stuff that goes into making up my writing, bookish world.

My Blog

Is The Fantasy Community Just That? A Mere Fantasy?

Last year, with the sad passing of Heroic Fantasy author David Gemmell   - a man who in writing terms was as grizzled but as seasoned and resilient as perhaps his greatest creation, Druss th...
Posted by Nick - Takrann Fantasy on Sun, 28 Oct 2007 09:04:00 PST

Blood Market...

I've reworked this. But I'm done with tinkering with my website any more for now. I must now be like McWhirr in Conrad's Typhoon, in Seamus Heaney's words: 'head on, one track, ignorant of manoeuvre' ...
Posted by Nick - Takrann Fantasy on Mon, 22 Oct 2007 02:52:00 PST

An Outcast of the Islands...

...It's only those who do nothing that make no mistakes, I suppose. (Conrad, An Outcast of the Islands)Any author who begins his second novel with the sentence:When he stepped off the straight and na...
Posted by Nick - Takrann Fantasy on Sat, 27 Oct 2007 03:01:00 PST

"Bellspound..."

Which is what my mum said she was - with an apt slip of the tongue - by the old films, after reading a write up for the Bogart Big Sleep in the TV listings. My interest was more towards being reacqua...
Posted by Nick - Takrann Fantasy on Sun, 21 Oct 2007 12:08:00 PST

Blood from a Stone...

"If poetry comes not as naturally as the leaves to a tree, it had better not come at all". Keats said that. And as one of the greatest poets in the English language, even though he died at the age of ...
Posted by Nick - Takrann Fantasy on Sun, 21 Oct 2007 12:02:00 PST

Drinking Cappuccino at a Public Beheading

There are fewer wittier and more insightful literary and social commentators than Howard Jacobson in the land. His regular Saturday Independent column is the highlight of my literary week and his fic...
Posted by Nick - Takrann Fantasy on Sat, 06 Oct 2007 03:25:00 PST

The Trouble With Your Ologies.

There is well known and fondly remembered commercial in which the actress Maureen Lipman speaks anxiously to her grandson over the telephone about his exam results. The lad didn't do well, he only pa...
Posted by Nick - Takrann Fantasy on Fri, 05 Oct 2007 03:57:00 PST

The Rantings of a Village Idiot...

My first Live Journal Post - yet another Blog manifestation!It seems fitting that this first entry should involve recognition of Robert Jordan's passing recently, at the age of 58, young for our time...
Posted by Nick - Takrann Fantasy on Sat, 29 Sep 2007 05:13:00 PST

Current Trends in Fantasy in the UK

I've posted some rambling musings about my perception of current trends in fantasy in the UK.Now while I for one am aware of the varied if confusing variety of fantasy among the independent and small...
Posted by Nick - Takrann Fantasy on Wed, 20 Jun 2007 05:19:00 PST

Epiphanies 'n' Stuff

EPIPHANIES 'N' STUFF1) Doing a bit of a SWOP on MySpace (Surfing WithOut Purpose) I did find myself quite deliberately washed up on The Waifs' page, just to see if any new music had been posted. Not ...
Posted by Nick - Takrann Fantasy on Sun, 17 Jun 2007 02:16:00 PST