Lina Cavalieri

Lina Cavalieri (December 25, 1874 - February 7, 1944) was an Italian operatic soprano known for her great beauty.Born Natalina Cavalieri in Viterbo, Latium, Italy, she lost her parents at the age of fifteen and became a ward of the state, sent to live in a Roman Catholic orphanage. The vivacious young girl learned at a young age to fight for what she wanted. Extremely unhappy under the strict raising of the nuns, at the first opportunity she ran away with a touring theatrical group.Blessed with a good singing voice, a young Cavalieri made her way to Paris, France where her stunning good looks opened doors and she obtained work as a singer at one of the city's café-concerts. From there she performed at a variety of music halls and other such venues around Europe while still working to develop her voice for the opera. A soprano, Cavalieri took voice lessons and made her opera debut in Lisbon, Portugal in 1900, the same year she married her first husband, the Russian "Prince" Bariatonsky. Eventually she followed in the footsteps of Ericlea Darclée as one of the first stars of Puccini's Tosca. In 1904 she sang at the Opéra de Monte-Carlo then in 1905, at the Sarah Bernhardt Theatre in Paris, Cavalieri starred opposite Enrico Caruso in the Umberto Giordano opera, Fedora. From there, she and Caruso took the show to New York City, debuting with it at the Metropolitan Opera on December 5, 1906.Cavalieri remained with the Metropolitan Opera for the next two seasons performing again with Caruso in 1907 in Puccini's Manon Lescaut. Renowned as much for her great beauty as for her singing voice, she became one of the most photographed stars of her time. Frequently referred to as the "world's most beautiful woman," she was part of the tightlacing tradition that saw women use corsetry to create an "hourglass" figure. During the 1909-1910 season she sang with Oscar Hammerstein's Manhattan Opera Company. Her first marriage long over, she had a whirlwind romance and marriage with Robert Winthrop Chanler (1872-1930), a member of New York's prominent Astor family. However, this marriage lasted only a very short time and Cavalieri returned to Europe where she became a much-loved star in pre-Revolutionary St. Petersburg, Russia and in the Ukraine.During her career, Cavalieri sang with other opera greats such as the Italian baritone Titta Ruffo and the French tenor Lucien Muratore, whom she married in 1913. After retiring from the stage, Cavalieri ran a cosmetic salon in Paris. In 1914, on the eve of her fortieth birthday, and still a very youthful looking and beautiful woman, she wrote an advice column on make up for women in Femina magazine and published a book, "My Secrets of Beauty." In 1915 she returned to her native Italy to make motion pictures. When that country became involved in World War I she went to the United States where she made four more silent films. The last three of her films were the product of her friend, the Belgian film director Edward José.Married for the fourth time to Paolo d’Arvanni, Cavalieri returned to live with her husband in Italy. Well into her sixties when World War II broke out, she nevertheless worked as a volunteer nurse. Cavalieri was killed in 1944 during an Allied bombing raid that destroyed her home in the outskirts of Florence, Italy.Today, there are more Lina Cavalieri postcards (with great diversities of design) than of any other opera singer, as this is one beauty queen who will forever rein as the Queen of beauty.Lina Cavalieri (24 dicembre 1875 - 7 febbraio 1944) fu una cantante ed attrice cinematografica italiana.Dal 1887 alla fine del XIX secolo, si affermò clamorosamente prima a Roma, poi nel resto d'Italia ed in Europa, come canzonettista di caffè-concerto, rivaleggiando perfino con la Otero. La Belle Epoque fu affascinata dalla sua bellezza e dalla sua grazia. Nonostante le sue origini modeste (era stata fioraia e piegatrice di giornali), aveva il portamento ed i modi della gran dama.Gabriele d'Annunzio le dedicò una copia del romanzo Il piacere (1899) definendola la massima testimonianza di Venere in Terra.Giunta al culmine della popolarità, la Cavalieri si trasformò in cantante lirica, debuttando nel 1900, ne La Bohème di Giacomo Puccini al Teatro San Carlo di Napoli. Ebbe ancora enorme successo e da allora si dedicò alla nuova carriera.Cantò in quasi tutti i maggiori teatri d'opera del mondo. I suoi mezzi canori come soprano lirico erano piuttosto limitati, ma al pubblico interessava più vederla che udirla, per la splendida bellezza, l'eleganza del portamento, le acconciature sontuose. Nel puritanesimo della scena lirica, la Cavalieri portava una eccitante atmosfera di raffinata sensualità.Famoso per audacia restò il bacio appassionato che essa diede al Enrico Caruso, sul palcoscenico del Metropolitan Museum di New York, al termine del gran duetto d'amore della Fedora.Da allora la Cavalieri fu soprannominata negli Stati Uniti the kissing primadonna (la primadonna che bacia in inglese).Nel 1914 esordì anche nel cinema con Manon Lescaut e fino al 1920 interpretò altri sette film; ma sullo schermo era deludente.Nel 1920 diede il suo addio alle scene dicendo: "mi ritiro dall'arte senza chiasso dopo una carriera forse troppo clamorosa."Morì sotto un bombardamento aereo.La sua vita fu rievocata da Gina Lollobrigida nel film La donna più bella del mondo (1955).