Experimental moving image. Alternatives to the dominant and mainstream conventions. Risk-taking art, cutting-edge artists and the boundless potential of creative expression.
Suki o'Kane and Why?.
The Highwater Trilogy by Bill Morrison, L'Age D'Or by Luis Bunuel, La Coquille et le clergyman by Germaine Dulac, All water Has a Perfect Memory by Ntalia Almada, 25 Letters by Grahame Weinbren, Rate of Change by Bill Brand, Poetic Justice by Hollis Frampton, Mouse Heaven by Kenneth Anger, To The Beat by Thad Povey, Krypton is Doomed by Ken Jacobs, Pink, Swine by Lawrence Jordan, Sound Exposure 16/8 by r.fox, Trojan by Vanessa Renwick, The General Returns from One Place to Another by Michael Robinson, You Are Not from Here by Diane Bonder, Wave/Wake by Brook Hinton, Landscapes in Alphabetical Order by Katherin McInnis, Remote, Remote by Valie Export, The Act of Seeing With One's Own Eyes by Stan Brakhage, Zock-Exercises by Otto Muehl, Transit of Venus by Nicky Hamlyn, Blow Job by Andy Warhol, Rue Vaugirard, L'Amour Physique by Matthew Swiezynski, Zen of John Muir by Joshua Kanies, The Color of Love by Peggy Ahwesh, Ish and Vinnie by Dean Snider, Fake Fruit by Chick Strand and Mr. Hayashi by Bruce Baillie.
Big as Life, Cinematograph, Torture Taxi by Trevor Paglen, Millennium Film Journal, Evidence by Gunvor Nelson, and Divine Horseman by Maya Deren.
Canyon Cinema.