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Creative Review

Communication arts - advertising, music video, photography, graphic design, illustration...

About Me

April 2008 issue
Last year, Creative Review staff were lucky enough to attend conferences in Cannes, Havana, Monterrey and Goa. A few weeks ago, I was at the Design Indaba in Cape Town. Just before Xmas I met someone who organises a conference in Mar Del Plata, Argentina that is attended by 2000 designers. Every year, more and more talks and conferences are added to the creative calendar, but what are they for?
I have fond memories of many conferences and count myself very fortunate to be able to attend events in some beautiful parts of the world. But, every so often, as yet another designer launches into his (it usually is his not her) hour of show and tell, I start to wonder whether audiences shouldn’t be demanding a little more from the platform. OK, so it’s always interesting to hear great people talk about great work, but there aren’t many who can do themselves justice in front of a crowd (those that can quickly become regular fixtures on the circuit carving out almost a second career as public speakers). Too often it’s just an hour of good-natured, slightly bumbling description about this project or that one followed by a couple of questions along the lines of “how come you’re so great?” or, inevitably, “where do you get your ideas?”
Often audiences come away from these sessions saying “wow, wasn’t so-and-so amazing!” but what they really mean is that the work is amazing – so-and-so was really a bit dull, trotted out the same old work we’d already seen ad nauseum in magazines and overran his time-slot so there was no time for questions, no matter how dull.
And yet still they come, from Tijuana to Tokyo, Singapore to Spain. In the advertising world, confer­ences tend to run on a different model. We organise some ourselves – they’re shorter and certainly more expensive than design conferences with £500 being a typical ticket price. But for that you get a highly targeted, very thoroughly researched event where speakers are explicitly briefed and subject matter explored in depth.
Some design conferences are like that, but not many. Too few, as Rick Poynor discusses on page 57, take ticket-holders beyond bland exposition. At least with Design Indaba, however, attendees know that some of their ticket money is going towards funding a very worthwhile project: 10 × 10 (see page 60). The Indaba organisers have tapped in to their enviable contact list to engage ten teams of architects to build ten streets of houses in South Africa’s townships.
On their own, these 100 houses are a drop in the vast ocean of South Africa’s housing crisis, but the combined talents of some of the world’s leading architects will hopefully throw up better and more sustainable solutions that can be replicated throughout not just South Africa but the world
Patrick Burgoyne, Editor.
:::::::STUFF TO DO RIGHT NOW:::::::
CHECK OUT OUR REDESIGN
:::::::STUFF WE LIKE RIGHT NOW:::::::
ABCDEFGHIJKLMNOPQRSTUVWXYZ FILM BY ROEL WOUTERS
Well, we would like this... This is the piece of work Roel created in response to being named one of our Creative Futures, earlier this year. Enjoy!
NOMIS DAMN BOOTS FILM
So, you're a new player in the football boots market. You're up against the likes of Nike, Adidas, Reebok, Umbro and you need to make a promotional film that will stand out. Step in director Woof Wan-Bau at Nexus. We love this film created by new agency Johannes Leonardo. “The web film format of the spot allowed me to make something that didn't have to be squeezed into the normal 30-60 seconds," says Woof Wan-Bau which meant that we didn't have to rush the sequences along and that we could try something a little different. Pretty much everything was achieved in camera for aesthetic reasons, so it was a huge job for the art department and wardrobe to have everything ready and working on time”.
JUSTICE PROMO: DVNO
Not 100% sure but we think this video is by SoMe, the Parisian illustrator/designer responsible for all artwork on releases from the Ed Banger label. The idea is simple: lyrics as logos with a 70s disco flavour.
MeekFM Typographic Synthesizer
This was posted up on the Creative Review Facebook page recently. To be honest, it's beyond our comprehension - but we like it all the same!

My Interests

New music videos, short films, ad campaigns, animations, illustration, photography, packaging design, record sleeves, websites, interactive projects...
Creative Review is the world's leading monthly magazine for visual communication. For over 25 years, we have brought our readers the best new work, most exciting new talent and most important new trends in graphic design, advertising, new media, photography, illustration, typography and more. We are based in the UK but have subscribers in 80 countries around the world.
In addition to the magazine, all subscribers can access a PDF version of the magazine, E-CR and read through it on-screen. Embedded in the PDF are video clips of the ads and music videos that we cover and clickable links to relevant .. destinations. You can subscribe just to this electronic version of the magazine too if you like for just half of the full subscription cost.
The Creative Review Annual Published each May, The Annual is the definitive collection of the best work in visual communication produced each year. The 2005 Annual brought together over 100 pieces of work from all over the world in a special issue of the magazine. Full details of how to enter next year's Annual will appear on this website.
For details on how to subscribe to Creative Review, please go to the Subscribe section of our website , or email [email protected]

APRIL ISSUE – out now

The front cover – showing an image of HRH the Queen by Chris Levine

What's On this month: The Art of Collecting - an exhibition by Mark Pawson; Previous Arrangements - Tim Gutt & Shona Heath's current b Store show and ; Stanley Donwood's exhibition at the Tokyo Gallery + BTAP...

New Books: Muji, Bob Gill and 100 Graphic Designers plus the Tate Modern's top ten best selling titles...

We reveal the winners of our latest E4 e-stings competition

One To Watch: director Ray Tintori

Work: 12 pages of hot new advertising and design projects

This image shows visitors to exhibition Magnetic Guanghzou using an Electroprobe to listen in on the electromagnetic sounds created by the objects exhibited. This is just one of the projects described in our feature on London-based art and design collective, Troika, which looks at how the group marry interesting ideas with appropriate technology

Eliza Williams checks out the work of artist Felici Varini

AMV BBDO creative director, Paul Cohen, discusses the lack of understanding of the importance of the role of an advertising art director

Rick Poynor wonders if most of the world's design conferences are a waste of time

Crit: Tony Brook of design studio Spin, Simon Piehl from design consultancy Bureau for Visual Affairs and Mark Holmes from furniture design and manufacturing company Established &?Sons discuss the Design Museum's Designs of the Year Show

Gallery: win three limited edition Giclée prints from the rather wonderful Peepshow collective of designers and illustrators (part of a range of prints and more available at peepshow.org.uk). These special edition posters, by Jenny Bowers, Lucy Vigrass and Miles Donovan, are each signed and printed on heavyweight 255gsm Somerset paper, 429mm × 594mm, from an edition of 30.
THE APRIL ISSUE – on sale NOW!

I'd like to meet:

Graphic designers, photographers, illustrators, animators, new media designers, directors, ad creatives, anyone involved in the visual / communication arts...
GET IN TOUCH / SHOW US YOUR NEW WORK - IF WE HAVEN'T SEEN IT, WE CAN'T INCLUDE IT IN THE MAGAZINE!!