Sista Stroke profile picture

Sista Stroke

Music. The Drug of Champions.

About Me

Blessed with natural musical talent and the uncanny ability to nurture her gift through a relentless pursuit of inspiration, Sista Stroke is an emerging force in modern underground music.  Her musical roots grow deep and span across the boundaries of genre and geography.  She is a child of the b-boy generation whose journey though life has included living in Houston, San Antonio, Panama, McLean (VA), most recently Chicago, and now Los Angeles.  The rich cultural textures of these cities reverberate in her music.  Sista Stroke came up musically as a member of the legendary Rebel Crew , a musical family founded in Houston in the mid 80s by Joe B. and Rick Partida.  As part of the Rebel Crew she played styles ranging from Hip Hop to Dance Hall, Jungle to Jazz, and Breaks to House always remaining anchored in soulful music.  Her skills did not go unnoticed and she soon developed a following which called her to the road.  In virtually no time Sista Stroke developed a hardcore fan base in cities around the United States, U.K., Europe and Mexico.  She is known for beatin it hard, yet strokin’ the soul with an incredibly moving blend of deep, funky, chunky, and spiritual house music (however, she has more than just house in her arsenal).She has often been booked to open for various acts, ranging from house to hip-hop, such as Afrika Bambaattaa, The Executioners, Tortured Soul, King Britt, Derrick Carter, Joey Beltram, Donald Glaude, DJ Dan, Method Man, Boo Williams, Mark Farina, Kaskade, and Super Jane (Lady D, Colette, Dayhota, and DJ Heather).  However, she has now become a headliner herself through consistency in her DJing and a growing discography. As a producer, Sista Stroke has found a place musically where she can truly explore the depths of her creativity.  In 2004 she became the preeminent in-house producer/remixer for Mother Tongue and Innuendo Records. Over the past eight years she has released records on Mother Tongue, D’Lectable Rec, Dusttrax, and Hook-Up Tunes to name a few, along with some of the most sought after white labels in the industry.  Through her original creations and remix work, Sista Stroke has made a name for herself in underground music.  She is now poised to make her mark on the industry with projects on Revolutionary Music as well as several other lucky labels. Her releases on Revolutionary Music range from House to Hip Hop to down-tempo id=jlez align=centerWe understand that with this twelve year veteran, there can’t be any rules. You just have to let her play, put your hands in the air, and yell "Stroke This!".  For more music to preview from Sista Stroke, go to  www.Revolutionary Music.com .

Enjoy Music.   

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How I made my profile:
I used Dave & Jay’s amazing myspace profile editor .



I made this music player at MyFlashFetish .com.

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My Interests

Music:

Member Since: 12/22/2004
Band Website: RevolutionaryMusic.com
Band Members: Sista Stroke (Ms. Oktober Davila)
Influences:

My mother’s taste in Latin Jazz influenced me greatly. The Orchestra Big Bands from the 1930 s-1970, especially the ones from Cuba and Panama. Jazz and Blues greats: Miles Davis, Tito Puente, Sarah Vaughn, Coleman Hawkins, Dizzy Gillespie, Ms. Ella Fitzgerald, Gene Krupa, Billie Holiday, Thelonious Monk; and there’s no forgetting my favorite all-time vocalist, Nina Simon - her voice was my light on so many occasions. Though I would have given a weeks wages to have been able to see JUST ONE Count Bassi show ... *sigh*.

Hip-hop: Public Enemy, Guru, Roots, Beastie Boys (have a sit-down w/ me one day on music and I’ll break that one down for you..), Hieroglyphics, Sunspot Jones, Aesop Alone, Kool Keith (Black Elvis fu**in’ rocks!), KRS 1 and Boogie Down Prod., NWA, Run DMC, and Aceyalone - just to name some; Funk, Soul, most of the late 60’s rock and soul like The Whispers and Cream; 70’s music from Rock to Al Green to Led Zepplin and Kiss to the Delfonics, ... I love that West coast lazy-funk that saturated the airwaves through the late 70’s. Artists like Randy Crawford and Bloodstone to Stevie Wonder, Bobby Womack and Donny Hathaway heavily influenced the way I heard music. It was always about what was going on in-between the rhythms for me, and artists like Stevie really brought that out.

Dig - they were the ones that let me know that it was OK to color outside the lines.

All Rock: Rush (John Bonham and Neil Pert are the reasons I wanted to play drums), Police (Stuart Copeland is the reason I still can), Fleetwood Mac, and Chicago.. And then you got bands like Living Color (Vernon Reid was a genius!) to Metallica and Black Sabbath - though in the last ten years, one of my all-time favorite bands has become (wait for it ...) the Foo Fighters. Dave Grohl is a drummer-hero to me .. but its his songwriting, playing, and ability to just "say that shit" that really kills me!!! I WILL work with these boys .. and I WILL get Dave G into a studio, into sound booth, and into one of my songs. Watch me. ...Can’t forget the Punk years and all the music we were listening to while we were out on our boards! Damn, I miss those days at times, and the flexibility of my knees ;). But when the late 80’s came around and I discovered Dub (Skatalites, Marley, Lee Perry, DubPhonic ...), break beat, and this other shit that no one could seem to find a name for - the way I heard music was over for me. It was right after hearing a Beasties cd that was nothing but their instru[mental]s. I couldn’t take it off repeat for months because I’d fallen in love. They were the first "band" - be it rock or hip-hop - with the balls to release an instrumental album. And it was sic! It fueled my relentless drive to seek out more music like this (I found Omi Trio, Krust, DJ Krush, DJ Shadow, and J-Boogie respectively), which I think is what brought me into this whole music-makin’ sh*t in the first place. Down-Tempo and Acid Jazz really pressed my impressionable mind; however, when I discovered everything else under the dance music umbrella - it was over! The DJs that influenced me are none that youd (unless you were from San Antonio) ever heard of.. DJs like DJ Jesse and DJ Rise (first man to ever play Lil’ Louis "French Kiss" - to my ears) and DeepFeel. Places like the Cameo Theatre was the only place we could get house music, and even then it was mostly NY/east coast house that we were being spoon-fed. Still - it was some of the best stuff I’d heard. Tony Humphries and Larry Heard still do it for me to this day, dig?

Damn, there’s so many others but, hell, that should give you SOME sort of clue about my tastes and influences!!!

Comin’ from where I’m from, where I’m at and where I’ve been.


Sounds Like: You tell me ..I start after the cd fuck-up (hee hee) - you'll hear it! Dont' judge though ..lol!
Record Label: Revolutionary Music Records
Type of Label: Indie

My Blog

Colette | Lady D | Sista Stroke @Smartbar | Chicago, IL

Wicked if you all could make it!!! Celebrating Colette's Birthday, Lady D. and myself will be along for the ride this evening. I truly hope to see you ALL there! I can't wait to come home to the Ch...
Posted by Sista Stroke on Thu, 17 Apr 2008 11:49:00 PST

*** CLASSIC OF THE WEEK ***

Hi Everyone ...Very sorry I haven’t been up on the Classics here recently; but who the f*ck do I think I’m foolin’?? *sighs* .... I’ve been mad busy writing some music, handli...
Posted by Sista Stroke on Sun, 06 Apr 2008 10:07:00 PST

24 yrs. later Im Remembering Marvin Gaye - R.I.P.

I made this music player at MyFlashFetish.com. ..Marvin Gaye once said, "I felt the strong urge to write music and to write lyrics that would touch the souls of men". ...
Posted by Sista Stroke on Sun, 06 Apr 2008 02:21:00 PST

*** CLASSIC OF THE WEEK ***

Thanks to an incredibly gifted friend of mine, Alvaro, I was reminded this week of just how far along I've come in my love for music. I've gone from being a listener, to a regular-on-the-dance-floor ...
Posted by Sista Stroke on Wed, 12 Mar 2008 04:19:00 PST

*** CLASSIC OF THE WEEK ***

Without sounding to crazy in-love with the past of music, let's just be super-real with each other, yea? 1975 was one hell of a fucking crazy year in the world. Everywhere you looked in the world th...
Posted by Sista Stroke on Tue, 19 Feb 2008 02:14:00 PST

Foreign Exchange - "Connected"

Occasionaly an album comes along that changes the way you think, the way you perceive "somethiing" to be, and the way you look at music.  "Connected" did just that for me ... I've kept this...
Posted by Sista Stroke on Thu, 07 Feb 2008 06:51:00 PST

*** CLASSIC OF THE WEEK ***

No Classic of the week would be complete without this tune right here!!!In I977 there was a shit going on poilitcally all over the world. Musically, Rock and the easy-way West coast Funk was making i...
Posted by Sista Stroke on Wed, 06 Feb 2008 09:14:00 PST

*** CLASSIC OF THE WEEK ***

This song hit in the early 80's, and I remember hearing it for the first time while I was hanging with my brother and his friends in the front yard. They were playing basketball and I was chillin' on...
Posted by Sista Stroke on Wed, 30 Jan 2008 09:43:00 PST

*** SPECIAL BIRTHDAY CLASSIC OF THE WEEK EDITION ***

LET'S GO BACK ... Waaaaaaaaaaaaaaaaaaaaaaaay back ... back when I was a shorty, rockin' the two ponytail-curls on each side of my dome, cords' and the tee's with the 'barefoot' on the left side, and t...
Posted by Sista Stroke on Thu, 24 Jan 2008 10:37:00 PST

*** CLASSIC OF THE WEEK ***

Mmmmmmmm ... now this one here brings back some serious memories for me. It's nothing about love, or even a man ... this memory is one that I hold closer than most.When I hear this song it takes me b...
Posted by Sista Stroke on Wed, 09 Jan 2008 07:04:00 PST