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REYNOLDS ROBINSON ON SALE NOW

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REYNOLDS ROBINSON Biography “‘The Side Effects of Dying’ is a must have for any true music fan’s collection”, Larry Timko, Down Home Cooking, Clear Channel Worldwide. With roots that stretch from the Mississippi Delta to Carnegie Hall in New York City, The Side Effects of Dying, the new CD from Pam Reynolds and Rob Robinson, is as authentic as it is well crafted. Among other things, The Side Effects of Dying offers a very tongue-in-cheek look at Pam Reynolds benchmark Clinical Death Experience case, which continues to rattle the foundations of science worldwide. Since 1991, the name of Atlanta-based Pam Reynolds has been synonymous with consciousness research. Television, print media and radio, both here and abroad, have detailed Pam Reynolds and her groundbreaking brain-aneurysm case. Before her clinical death experience, Pam was a classically trained multi-instrumentalist, orchestrator and songwriter. On The Side Effects of Dying, Pam has partnered with critically acclaimed singer/songwriter Rob Robinson. A Mississippi native now based in Nashville, Rob wrote and produced three CD’s with his jazz/rock band, Fearless Freap, which The Nashville Banner called “one of Nashville’s best rock bands” and was also featured on EMI’s “Best of Nashville” compilation. He next formed Whirlybird, and released the CD, Black Eye, in 2001, which charted at college radio and Modern A/C, as the band toured from Boston to Los Angeles until the summer of 2003. Pam and Rob began writing together shortly thereafter. The Side Effects of Dying was mixed by Rodney Mills (Atlanta Rhythm Section, Sheryl Crow). Among its many highlights are the first track, “If I Live Through This,” a humorous, cautionary tale about why you should never pick up women at the state fair; “Young Avenue” welcomes you to your independence with reckless abandon (Crank it up!); “The Crying Fields” is an introspective look at the search for forgiveness; and “What Are We Waiting For?” challenges every fear that ever held you back. Two of the songs on the CD, “Coming Back To Life” and the title track, focus on Pam’s experience. This collaboration offers a rare insight into these two unique talents. In The Side Effects of Dying, they take the listener on a journey to the edge of consciousness and back again. Reynolds Robinson is published by Bill Lowery Music. Internationally, they are associated with Ray Williams Crumbs Music, Inc., in London. The Side Effects of Dying – Southern Tracks Records – Distributed by Select-O-Hits Release Date: October 25, 2005 Publicity Contact: Mark Pucci Media (770) 804-9555 / [email protected]

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Crossing Over Business owner Pam Reynolds is dying to tell about her trip to the other side...and back, featured in Atlanta Woman Magazine.Pam Reynolds comes from four generations of writers and musicians. Her family owns a record company and a publishing business. She has a Masters degree from Julliard in classical composition and is a published author and former editor and chief of Songwriter magazine. She?s a well-educated and talented professional—and she?s careful whom she talks to about the time she was dead. That?s right, dead.Pam was dead on the table for an hour.In August of 1991, this young mother of five was diagnosed with a basilar arterial aneurysm in her brain. Surgery is her case would be risky, yet not having the operation could be fatal since the aneurysm could spontaneously rupture.Dr. Robert F. Spetzler at the Barrow Neurological Institute in Phoenix recommended a specialized operation known as hypothermic cardiac arrest. Also called “standstill.” In this groundbreaking surgery, Reynolds body temperature was lowered, her heartbeat and breathing were stopped, the blood was drained from her head and her brainwaves were flattened. Clinically she was dead. “They took my life in order to save my life,” Reynolds says.“The noise was awful!” she remembers. “Irritating ? like the drill in a dentists office. I felt a tickling at the top of my head before I popped out, like the popping of a suction cup. Then I was above the operating table.” Reynolds describes seeing the doctors around the operating table; in Dr. Spetzler?s hand was the instrument making the offensive noise.“I began to sense a presence that was aware of me. I turned and saw a tiny pinpoint of bright light,” she says. “It got bigger and bigger and started to pull me. I had a physical sensation, like going over a hill very fast or a roller coaster. Then I heard my grandmother calling me.” Reynolds describes seeing her late grandmother and uncle and being surrounded by a thousand or more other people, all looking as though they were clothed in light. She felt intimately connected to them. She felt safe, as if she?d gone home.“Then I thought, ?I hope I deserve to be here. I?m not a perfect person.? There was great laughter.” She says her late Grandmama compared to a child who?d been sent away to school and had made mistakes, but she had cleaned them up, too. “That was a huge lesson for me, that mistakes are different than calculated wrongdoing.”Sharing the details of her experience, Reynolds finds it difficult to order the sequence of events. It seems to her everything was happening simultaneously, and communication was done with the whole body. “Everyone had a tone,” says Reynolds. “I?m a musician, and I know that if you put certain tones together it causes discord. These tones were close together, yet unique and individual, playing all at the same time… It was beautifully harmonic.”Reynolds says that her uncle escorted her back to her body and told her that getting back in was like jumping into a swimming pool. “I didn?t want to go back. My uncle pushed me. I wasn?t kicked out of heaven, I was pushed,” she says, laughing.Reynolds would tell doctors, relatives and friends about the wonderfully vivid “hallucination” she had while in surgery, thinking it nothing more than that. Two years later, however, one of her doctors in Atlanta recommended she speak with Dr. Michael Sabom, a local cardiologist studying Near Death Experiences (NDEs). Reynolds then realized the impact of what had happened.Like many medical professionals, Sabom was skeptical when he first read of NDEs years earlier. Nonetheless, he began talking to his patients in hopes of discovering a medical explanation for the occurrences. The Atlanta research project was his second in-depth study of NDEs, and he now is convinced that these experiences are real.“Near Death Experiences are very common,” says Janice Holden, Ed.D., president of the International Association for Near Death Studies (IANDS). According to a 1982 Gallup study, an estimated eight million people in America have had NDEs. The IANDS Web site reports that as many as 35 to 40 percent of people who?ve come close to death say they?ve had an NDE.Reynolds has the only case that occurred while the EEG was recording brain waves, says Sabom. “It is the best documented case on record.” During his research, Sabom pulled records, interviewed the surgeon and compared what Reynolds reportedly “saw” with actual medical records. She mentioned seeing and hearing things impossible for her to know.During the operation, Reynolds? ears were plugged in order to check brain stem activity, her eyes were taped shut and she was deeply anesthetized; yet Reynolds affirms that she witnessed a tool resembling an electric toothbrush. It turned out to be the “bone saw” used in the surgery. Secondly, she describes a box that looked like her father?s socket wrench case-this was where the attachments to the saw were kept. In addition, Reynolds says she heard a conversation between the cardiovascular surgeon and the neurosurgeon in reference to her small arteries. “These three things were details supporting the fact that she perceived what was happening when she physically could not have seen or heard this,” Sabom says.When asked if he believes the reports of Near Death Experiences, Spetzler says he prefers to stay neutral. He says that although he has no reason to doubt patients? accounts, he isn?t comfortable without scientific data. “I don?t think we have all the answers,” he says.Reynolds says the experience has changed her positively in several ways. Like most people who report NDEs, she now has absolutely no fear of death. She also has a clear perception that life is about learning. “I used to enjoy doing the things that I did best,” she says. “Now it?s more pleasant to work on my weaknesses than to revel in my strengths.”The most significant difference is that Reynolds is more reclusive now, spending her time with family and friends rather than going out because of a heightened sensitivity; she describes it as communication beyond language.” This sensitivity means that she literally feels the sadness and pain of the people around her. “I?m more concerned about how people feel because it impacts me directly, their pain is my pain and their joy is my joy,” she says. When she?s in a public place, feeling these emotions can be overwhelming. But now, Reynolds says, she feels more compassion and understanding for others. “I live life more carefully now,” she reflects. “I?m slow to anger and have the patience of Job. LISTEN TO MP3 SAMPLES IF I LIVE THROUGH THISYOUNG AVENUECRYING FIELDSWHAT ARE WE WAITING FOR?COMING BACK TO LIFEPLASTIC PEOPLEYOU'RE FREESHUT UP AND SINGBRAND NEW KIND OF LOVESIDE EFFECTS OF DYINGDRAGON (IRVING'S THEME)Powered By MonsterCommerce Shopping Cart Software

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By Lee Zimmerman Music ColumnistListening with Lee Zimmerman Reynolds Robinson: The Side Effects of Dying (Southern Tracks) It’s rare that you find an album where one of the participants had a near-death experience and actually lived to sing about it. But that’s the case here with this Southern duo, Reynolds Robinson, AKA singer/songwriters Pam Reynolds and Rob Robinson. It was Reynolds who apparently won headlines and perplexed doctors after being declared clinically dead from a brain aneurysm, and while the reflective title track and the tension-driven “Coming Back To Life” recount that episode, it’s merely a passing thought in an album that’s full of commentary, whimsical and otherwise. “If I Live Through This” might have been a measure of mortality, but, in fact, it’s about meeting a stranger at the State Fair. “Young Avenue” is about coming to grips with new-found independence while “The Crying Fields” muses about forgiveness. These are life issues indeed, but life and death? Not exactly. While “If I Live Through This” starts things off on a Southern spin that reflects their roots, Reynolds Robinson isn’t exactly the breezy country combo the cover photo seems to suggest. Most of the tracks rock mightily, particularly the aforementioned “Young Avenue,” “What are We Waiting For,” “Brand New Kind of Love” and “Dragon (Irving’s Theme).” Their sound suggests a cross between Bob Seger and The Allman Brothers, a regal, resolute sound that’s compelling throughout. If facing one’s mortality makes one more inspired, Reynolds Robinson has indeed reaped those rewards. The Side Effects of Dying shows there are ample benefits after all.-------------------------------------------------------- ------------------------

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Last November

Last November just rocked Atlanta. Check 'em out in "my friends" and give them a rock'n listen. I'll keep you posted about their cd distribution.
Posted by Pam on Mon, 24 Jul 2006 08:57:00 PST

Reynolds Robinson cd

The cd "The Side Effects of Dying" is available @ amazon.com cd universe Tower records and can be downloaded from itunes. For more info on me, Rob the whole enchilada...check out nderecords.com...
Posted by Pam on Mon, 24 Jul 2006 07:54:00 PST