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JEAN ROLLIN SOCIETY

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About Me

Jean Michel Rollin Le Gentil (born November 3, 1938 in Neuilly-sur-Seine, Paris, France) is a French auteur (filmmaker), actor, and novelist best known for his films in the fantastique genre. Rollin is credited as having made the first French vampire film (Le Viol du vampire, 1968) as well as the first French gore film (Les Raisins de la mort, 1978). He is also one of the early pioneers of French X-rated cinema.His father was an actor who had the stage name Claude Martin. Rollin's brother Olivier is also an actor and had appeared in a number of his films under the pseudonym "Olivier Martin". His mother Denise Rollin-Le Gentil was a lover of Georges Bataille.Influenced by traditional French and German expressionist cinema, classic American horror, early serials, comics, fantastic literature and surrealist art, Rollin's fantastique films have been rightfully compared to a sort of visual poetry, juxtaposing the macabre with the sensual and the beautiful with the bizarre. His poetic images are often accompanied by minimal dialogue and simple but haunting musical scores, and the pacing is generally slow and deliberate. All of these qualities contribute to an atmosphere which is commonly described as surreal and dream-like.Despite the limited budget of his productions, Rollin has been able to film in some spectacular locations: a rocky beach at Dieppe, Seine-Maritime, grand castles (châteaux), rolling countrysides, and cemeteries thick with gothic atmosphere. Like F.W. Murnau before him, Rollin typically employs the conventions of the horror genre, especially vampires, as a framing device for his unusual images. As a result, plot, dialogue, and narrative tend to be secondary to the visual art for which his films are known.In the beginning, Rollin's films were generally not well received by his audience or critics. His first feature, Le viol du vampire, caused such a scandal that audiences booed, shouted, and threw trash at the screen. The reaction to the film was so hostile that Rollin considered quitting the film business. His next few films also failed to generate much praise. Harsh French film critics coined the derogatory term "Rollinade" (forged on Bérézinade) to describe his particular style of cinema, which they felt was cheap, amateurish, and nonsensical. Later on, fans would embrace the term and use it proudly.While Rollin's peculiar combination of high-art and erotic horror camp failed to generate much financial or critical success, his ability to incorporate eroticism into his films earned him steady work as a director of adult films during the early years of French X-rated cinema. Rollin (under various pseudonyms such as Michel Gentil, Michel Gand, and Robert Xavier) directed a number of adult features from 1973 to the late 1980s, ranging from light-hearted softcore/comedy hybrids to hardcore pornography. 1975's Phantasmes was Rollin's attempt at making an X-rated feature with a real story and decent actors, but the average viewer was not interested in such a thing. At the request of his producers, Rollin also made X-rated versions of some of his serious films (Lèvres de sang; La Nuit des traquées) to help fund the productions.While making Vibrations sensuelles, Rollin saw acting potential in French adult star Brigitte Lahaie and wanted her to act in his next horror film, 1978's Les Raisins de la mort. Lahaie was perfect for the role and she began a working relationship with Rollin that continues to this day. Lahaie's leading role in 1979's Fascination helped the film garner widespread acclaim, even among critics who had ridiculed Rollin's earlier films.Jean Rollin frequently collaborated with Jean-Pierre Bouyxou, editor in chief of French magazines Fascination and Sex Stars System.With most of his films now available on DVD worldwide, Rollin has gained a new generation of fans, as well as attracting further critical and academic attention. He currently resides in Paris and is working on his last film, La Nuit transfigurée.

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My Interests

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I'd like to meet:

THE DEMONIACS 1974 . . . . . . FASCINATION 1979 . . . GRAPES OF DEATH 1978 . . . LIPS OF BLOOD 1975 . .NIGHT OF THE HUNTED 1980 . .THE NUDE VAMPIRE 1970 .RAPE OF THE VAMPIRE 1968 . .SIDEWALKS OF BANGKOK 1984 . .SHIVER OF THE VAMPIRES 1970 . . . TWO ORPHAN VAMPIRES 1997 . . A listing of Rollin's film titles hints at the strange images on display in his movies--but it only hints. Within the films themselves, a bounty of exotic, sadistic perversities awaits: lovers are sealed in a coffin that drifts out to sea, a marriage ceremony weds a pair of vampires, a female vampire frantically slices open her arm and drinks her own blood, a coven of vampires chain women victims to the walls of a dungeon, a crew of pirates tortures the survivors of a shipwreck, upper-class women convene at a chateau for ritualistic blood drinking, and that's just for starters. Rollin's movies frequently tell conventional horror stories. The Shiver of the Vampires, for example, gives us one of the most familiar of all horror plots: a newlywed couple spends an evening at a castle and discovers it is crawling with vampires. But Rollin tells his stories in the most unconventional of ways. In Shiver, the vampires become intellectual hippies who spout bizarre theories about the history of religion in Europe. His movies contain elements of horror cinema, but Rollin insists he does not make horror films. Not surprisingly, because his movies tend to defy the expectations of audiences, reactions to his movies can be volatile. His first full-length film, The Rape of the Vampire, was greeted with violent protests in Paris. And throughout his career, his movies have encountered hostile critical reactions. The French Board of Control (which certified movies for release in France) described Rollin's The Demoniacs as "a complete stupidity."Compounding the problem, Rollin frequently solicits expressionistic, extravagant performances from his (largely inexperienced) actors. Or he allows the actresses to remain virtually immobile--like cold, beautiful sphinxes. It's no coincidence the Rollin movie that arguably received the best reception from audiences and critics--Fascination (1979)--also features the most naturalistic performances of any Rollin movie to date.Rollin's movies did not achieve widespread cult status because of their acting. Audiences, instead, have reacted to Rollin's images. While the performances frequently have the same effect as fingernails on a chalkboard, the images themselves tend to stick in your mind for long after the final fadeout. Cathal Tohill and Pete Tombs described Rollin's cinema this way: "[Rollin's movies] look back to a romantic, doom laden past, filled with displaced vampires and uncanny beauty…His best films have a bleached out intensity, a unique mood all of their own."His movies combine pulp imagery with the plot mechanics of serials. You'll find American models, such as The Perils of Nyoka (remember the scene where the native tribe strings up Nyoka over a fire pit?), combined with the classic French serial tradition of Louis Feuillade, as epitomized by Les Vampires and Fantomas. In contrast to his enticingly hyperactive subject matter, Rollin's approaches storytelling with a cool, dispassionate eye. Whereas directors such as Jose Larraz (Vampyres) and Jess Franco (Succubus) indulged in intensely emotional subject matter and images, Rollin preferred languid, morbid contemplation. So while his subject matter involved comic book aesthetics, Rollin filtered his storytelling through a high art sensibility.These contrasts in style and subject matter tend to elicit confusion and consternation from audiences; however, for those people who can appreciate Rollin's wildly idiosyncratic and non-conformist vision, his movies are filled with morbid delights.

Music:

JEAN ROLLIN, PRIOR TO BE PRESENTED WITH THE LIFE TIME ACHIEVMENT AWARD AT MONTREAL'S FANTASIA FILM FESTIVAL. JULY 15 2007 . JEAN ROLLIN, AT HOME IN PARIS . JEAN ROLLIN AT THE MANCHESTER FILM FESTIVAL

Movies:

SELECTED FILMOGRAPHY . La Nuit transfigurée / La Nuit des horloges (The Transfigurated Night / The Night of the Clocks) (2007) (pre-release) La Fiancée de Dracula (The Fiancee of Dracula) (2002) Les Deux orphelines vampires (Two Orphan Vampires) (1995) La Femme dangereuse (a.k.a. Killing Car) (1993) Perdues dans New York (Lost in New York) (1989) Les Trottoirs de Bangkok (The Sidewalks of Bangkok) (1984) La Morte vivante (The Living Dead Girl) (1982) Lac des Morts Vivants, Le (Zombie Lake) (1981) Les Échapées (The Runaways) (1981) La Nuit des traquées (The Night of the Hunted) (1980) Fascination (1979) Les Raisins de la mort (The Grapes of Death) (1978) Vibrations sensuelles (1977) (as Michel Gentil) Phantasmes (a.k.a. Seduction of Amy) (1975) Lèvres de sang (Lips of Blood) (1974) Tout le monde il en a deux (a.k.a. Fly Me the French Way) (1974) (as Michel Gentil) Les Démoniaques (The Demoniacs) (1973) Jeunes filles impudiques (a.k.a. Schoolgirl Hitchhikers) (1973) (as Michel Gentil) La Rose de fer (The Iron Rose) (1972) Requiem pour un vampire (Requiem for a Vampire) (1971) Le Frisson des vampires (Shiver of the Vampires) (1970) La Vampire nue (The Nude Vampire) (1969) Le Viol du vampire (The Rape of the Vampire) (1968) JEAN ROLLIN, THE AUTHOR . . . .

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Heroes:

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My Blog

GOTHIC HORROR CINEMA

  The genre of Gothic horror film has existed almost as long as the cinema itself, and it has always fascinated me. As the definition above suggests, the word can be loosely used to define any ho...
Posted by JEAN ROLLIN SOCIETY on Fri, 13 Jun 2008 04:29:00 PST

LA NUIT DES HORLOGES

aka the night of the clocks. premiered at montreal's fantasia film festival in 2007, in a question and answer session after the movie screening, mr rollin stated that this would be his final film! i d...
Posted by JEAN ROLLIN SOCIETY on Wed, 11 Jun 2008 03:42:00 PST

HARDCORE

While Rollin's peculiar combination of high-art and erotic horror camp failed to generate much financial or critical success, his ability to incorporate eroticism into his films earned him steady work...
Posted by JEAN ROLLIN SOCIETY on Fri, 30 May 2008 06:07:00 PST

ESSENTIAL READING..

Virgins & Vampires by Jean Rollin & Peter Bluemenstock (Crippled Dick, P.O. Box 3864, 78027 VS-Schwenningen, Germany). Jean Rollin certainly has his share of detractors. They often complain hi...
Posted by JEAN ROLLIN SOCIETY on Thu, 29 May 2008 06:28:00 PST

VIRGINS AND VAMPIRES

this is essential viewing for those that want to find out more about the great man.   just follow the external link: http://tracker.zaerc.com/torrents-details.php?id=12983...
Posted by JEAN ROLLIN SOCIETY on Thu, 29 May 2008 04:54:00 PST

INTERVIEW WITH JEAN ROLLIN

here are extracts from one of my favourite interviews with jean rollin, courtesy of penny blood magazine.. Virgins, Vampires and Clown Suits:An Interview with Jean Rollin by Louis Paul French director...
Posted by JEAN ROLLIN SOCIETY on Sun, 25 May 2008 06:05:00 PST