Bart $impson Must Die! (((B.$.M.D.))) profile picture

Bart $impson Must Die! (((B.$.M.D.)))

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About Me

Melt away the candy-colored cartoon coating and you will find that The $impsons, in general, and Matt Groening, in particular, symbolize why America is despised. Think about it, as opposed to numbly dialing yet another deathless $impsons episode into your HighDeaf [sic] idiot box, complete with its shameless corporate synergy and hypocritical mockery of the very hand upon which it feeds, nay, engorges. But enough about them. And you. Let's talk about me.
I'm the real Robert Underdunk Terwilliger, and this is my manifesto, Bart $impson Must Die! (((B.$.M.D.))).
My plan is to eliminate Bart $impson. (I'm also hunting the lifesize Liver Fluke.) And I will begin by deconstructing a bitterly ironic quote, courtesy of a "sweetly laconic," bloated American icon who, in reality, is nothing more than the product of two decades' worth of crass, razor-honed, corporate marketing overkill:
"If there was any justice, my face would be on a bunch of crappy merchandise.” - Homer $impson
Is Matt Groening a genius, a claim repeatedly hammered home (literally) by his public relations handlers at Team Groening/Fox Network? That's subjective, of course. But what is a fact is that nobody in this world has their satirical cake and eats it, too, like Mr. Groening. (Rhymes with Reigning.) Granted, we're ALL hypocrites in this life in hell (the one character flaw Groening has yet to mine for gold, natch), but there's something to be said for knowing when to say when. And there's having your proverbial cake, and eating it, too. But then there's having it, eating it, regurgitating it, manipulating the dumbed-down-yet-supposedly-winking masses into lapping it up, and then having both parties puke it up again, chow down yet again, ad nauseam, if you will. And many of you, mind-boggling as it seemingly never will not be, will. And yet you remain ignorant enough to periodically gush (whenever it's convenient) in faux horror - nay, terror - as to why, exactly, America continues to be so utterly despised. But it's just so easy to do when The $impsons regulary jockey for your brain waves in between Fox News broadcasts, isn't it?
That particular hatred goes far deeper than crude oil lurking beneath foreign soil. In truth, it runs full-circle, right back to the floor under the chair in which your fat asses sit. Try tuning into the snake oil that is your beloved, animated sitcom (off-yellow skin and all) right there on that ridiculously oversized TV taking up half the space in your ultra-comfortable living room. (You should be able to do it in your sleep, sheep.) Then, you can talk to me about "dark comedy." In the meantime, what on earth is so damn funny about a never-ending shit-heap of cheap, plastic, overpriced-yet-sweat-shop-made tie-in merchandise (read: toys), designed, primarily (beyond thickening already absurdly bulging Hollywood wallets) to keep the terminally toddler-esque American pacified? Subversive? Absolutely. Genius? Why not? But genuinely funny?
The Telltale Head. Indeed.
And that, precisely, is why, after 20 long years of mainstream multi-media monopoly, Bart $impson must DIE!

WWGD?


Today's tooth-gnashing rant is brought to you by...the Bruxists: "Life's too short! Death's too long! Brux your teeth after every meme!" And by...the inner child in you!: "It's too late to grow up now, fucker!"
This page is another installment in an ongoing series. Tune in tomorrow - same Brux-time, same Brux-channel!

My Interests


Noel Tolentino Bunnyhop Magazine
Graphic, 1995
When Noel Tolentino finished the first issue of his zine Bunnyhop, he sent a copy to $impsons creator Matt Groening, along with a gushing fan letter. For the magazine's cover, Tolentino had used Binky from Groening's Life in Hell comic, and he assumed his hero would appreciate the homage. Shortly thereafter, Tolentino and co-publisher Seth Robson received a cease-and-desist letter from Groening's lawyers. Lacking the resources to fight, the Bunnyhop publishers were forced to destroy the covers on all remaining copies. Although Groening personally apologized to Tolentino for the suit, he later defended his actions in a Mother Jones interview (May 1999), saying, "If I don't vigorously pursue my copyright, then other people can steal it." Groening did not comment on The $impsons' habit of parodying everything from A Clockwork Orange to The Cosby Show.

Rozz Tox Manifesto
From Wikipedia, the free encyclopedia
Written by Gary Panter in the 1980s, the Rozz Tox Manifesto is an essay in which Panter rejects the notion of the artist as bohemian — instead, an artist is encouraged to work within capitalism to reach a larger market.
Selected Quotes:
"It is unfortunate and unacceptable what vile and lazy do-nothings are given unwarranted credence for mouthing such foul and mean clichés as 'rip-off' and 'sell-out.' They have no understanding of our economy and the time it takes society to go. Confess and shut up! Capitalism good or ill is the river in which we sink or swim. Inspiration has always been born of recombination."
"In a capitalistic society such as the one in which we live, aesthetics as an endeavor flows thorough a body which is built of free enterprise and various illnesses. In boom times art may be supported by wildcat speculation or by excess funds in form of grants from the state or patronship as a tax write-off. Currently we are suffering from a lean economy. By necessity we must infiltrate popular mediums. We are building a business-based art movement. This is not new. Admitting it is."
"Waiting for art talent scouts? There are no art talent scouts. Face it, no one will seek you out."
"Law: If you want better media, go make it."
Effects on Culture:
The essay influenced Panter's friend Matt Groening, who later went on to become the creator of The $impsons.
In Matt Howarth's comic Stalking Ralph, the musical group The Residents are portrayed as being created by a "Rozz Tox Virus," whose ultimate goal is to constantly mutate to avoid becoming part of mainstream culture. While the text of the manifesto does not appear in the comic, an alien creature declares, "The underground becomes the establishment," and that the reason The Residents change their band identity so often is to remain underground and to avoid becoming establishment.
Howarth's interpretation of Rozz Tox is different from Groening's. While Groening has worked within a capitalist system to create and to perpetuate successful merchandising, Howarth's characters are specifically avoiding "selling out" and avoiding popular acceptance.

I'd like to meet:

That honest rarity among human beings: somebody who actually hasn't kissed hypercritical/hypocritical Matt "Rupert Murdoch's #1 Employee" Groening's ass over the last 20 years, and/or someone who has, to paraphrase Bill Hicks, stopped putting a goddamn dollar sign on every fucking thing on this planet!
That would be the polar opposite of:

Music:


Movies:


Television:



Books:


Heroes: