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Sir Georg Solti

Never give up !...

About Me


Solti was born as György Stern October 21, 1912 in Budapest, Hungary, He died September 5, 1997 in Antibes, France. In Budapest he learned the piano and studied at the Franz Liszt Academy of Music. His father Germanized young György's given name to Georg, and changed his family name to Solti, to shield his son from anti-semitism. By 1935, he was gaining recognition as a conductor, and made his debut at the Budapest Opera in 1938 with The Marriage of Figaro. In 1939, with German invasion imminent, he fled Hungary, because of his Jewish ancestry, and moved to Switzerland, where he continued a career as a pianist, but had limited opportunities to develop his conducting.
After the war, Solti was music director of the Bavarian State Orchestra in Munich and the Frankfurt Opera. In 1951, he made his debut at the Salzburg Festival conducting Mozart's Idomeneo.
In 1961, he became music director at the Royal Opera House, Covent Garden, serving in that capacity until 1971. He thereafter spent much of his time in Britain and the United States.
His first marriage to Hedi Oechsli, in 1946, ended in divorce. His second marriage was to Valerie Pitts, a British television presenter, whom he met, when she was sent to interview him. They had two daughters, Gabrielle and Claudia. In 1972, he was naturalised as a United Kingdom citizen. He had been awarded an honorary Order of the British Empire (KBE) in 1971, and was known as Sir Georg Solti after his naturalisation.
He was a great supporter and mentor to many young musicians, including the Hungarian soprano Sylvia Sass, with whom he recorded Mozart's "Don Giovanni" and Bartók's "Bluebeard's Castle." In addition, in 1994, Solti directed the "Solti Orchestral Project" at Carnegie Hall, a training workshop for young American musicians.
He was music director of the Chicago Symphony Orchestra (CSO) from 1969 until 1991, when he was made the first and only Music Director Laureate in that orchestra's history. Before Solti took over as the CSO's music director, CSO's violinist Victor Aitay described Solti's work style as follows:
"Usually conductors are relaxed at rehearsals and tense at the concerts. Solti is the reverse. He is very tense at rehearsals, which makes us concentrate, but relaxed during the performance, which is a great asset to the orchestra."
In total, Solti conducted 999 performances with the CSO. His 1000th performance was scheduled to be in October 1997, around the time of his 85th birthday. The City of Chicago renamed the block of East Adams Street adjacent to Symphony Center as "Sir Georg Solti Place" in his memory.
He consolidated the reputation of the CSO as one of the great orchestras of the world, while never ceasing to remind people how much he owed to the pioneering work of Fritz Reiner, who never toured the orchestra abroad. Solti took the CSO on its first tour to Europe in 1971. Solti's recordings with the CSO included the complete symphonies of Beethoven, Johannes Brahms, Anton Bruckner, and Gustav Mahler. Solti recorded complete operas with the CSO as well, including:
Moses and Aron of Arnold Schoenberg
Otello of Giuseppe Verdi (also performed live at Carnegie Hall)
Die Meistersinger von Nürnberg of Richard Wagner.
He was an enthusiastic making music in the recording studio as in the opera house or concert hall. He developed a long and productive partnership with the legendary producer John Culshaw at Decca. Products of this partnership included the first ever complete studio recording of Wagner's Der Ring des Nibelungen with the Vienna Philharmonic (VPO) . No less distinguished and equally groundbreaking were his studio recordings of the operas of Richard Strauss, which like his Wagner have been remastered and released on CD where they are still praised for their musicianship and expert production values. His performances and recordings of works by Giuseppe Verdi, Gustav Mahler and Béla Bartók were also widely admired. In addition to his recordings with the CSO, Solti recorded other repertoire with orchestras such as the London Philharmonic Orchestra and the Vienna Philharmonic, such as the two symphonies of Edward Elgar, selected symphonies of Tchaikovsky, William Walton's Belshazzar's Feast, Michael Tippett's Symphony No. 4 and Byzantium, and the Da Ponte/Mozart operas.
In addition to his tenure in Chicago, Solti was music director of the Orchestra de Paris from 1972 until 1975. From 1979 until 1983, he was principal conductor of the London Philharmonic Orchestra. During this time with the London Philharmonic, he performed and recorded many works by Elgar including the two symphonies and the Violin Concerto with Kyung Wha Chung. For the 50th anniversary of the United Nations, Solti formed the World Orchestra for Peace, which consisted of musicians from 47 orchestras around the world.
Solti continued to add new works to his repertoire in the later days of his career, voicing particular enthusiasm for the music of Dmitri Shostakovich, whom he admitted he failed to appreciate fully during the composer's lifetime. His commercial recordings of Shostakovich symphonies included Nos.1 (Concertgebouw Orchestra), 5 (VPO), 8, 10. 13 and 15 (all CSO).
He never truly retired, and his sudden death in 1997, meant several years of planned performances and recording projects would never be realized. According to his last wish, Solti rests in Hungarian soil. After a state funeral, he was placed beside the remains of Bartók: his one-time tutor and mentor. After Solti's death, his widow and daughters began the Solti Foundation to assist young musicians. In 2002, a website dedicated to Solti was launched, under the instigation of Lady Solti.
Solti co-wrote his memoirs with Harvey Sachs, published in the UK under the title, "Solti on Solti", "Memoirs" in the USA, and "Emlékeim" in Hungary. The book appeared in the month after his death. His life has also been documented in a film by Peter Maniura entitled "Sir Georg Solti: The Making of a Maestro".
Sir Georg Solti holds the record for having received the most Grammy awards. He personally won 31 Grammys, including the Grammy Lifetime Achievement Award, and is listed for 38 Grammys (6 went to the engineer and 1 to a soloist); he was nominated an additional 74 times before his death.
(Courtesy of Wikipedia)
THE SOLTI FOUNDATION aims to continue the work carried out by Sir Georg Solti during his lifetime to help young musicians at the start of their professional careers. The Foundation will provide advice, support and interim funding for young artists of acknowledged talent from all over the world.
For general enquiries or to make a donation and become a friend of the Solti Foundation contact:
The Solti Foundation
PO Box 67
1410 Waterloo
Belgium
Email: [email protected]

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Member Since: 9/23/2007
Band Website: georgsolti.com
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"My life is the clearest proof that if you have talent, determination and luck, you will make it in the end. "

"Never give up!""



Print by British Artist, Norman Perryman. "Although I made sketches for this painting in the Concertgebouw a few months before the death of Sir Georg Solti in 1997, the musical inspiration also came from material collected earlier on video.

His recordings of Strauss's "Four Last Songs", with Kiri Te Kanawa, a wonderful performance of Bartok's Concert for Orchestra (a piece with which he was particularly associated), followed by the final scene from Beethoven's Fidelio, performed by the World Orchestra for Peace in Geneva in 1995.

The swirling atmosphere of strange colors is also the influence of Wagner's operas. Sir Georg had an extraordinarily free conducting technique, molding ideas in the air.

I have tried to portray his ability to communicate his powerful musical convictions through a variety of expressions and to depict his legendary, driving energy as he urges the singers on, his wonderful sense of humor expressed in those twinkling eyes."
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