Member Since: 7/10/2005
Band Website: headlesshorses.co.uk
Band Members: Daniel O'Sullivan: Guitars, Harmonium, Autoharp
Orlando Harrison: Piano, Organ
Sara Hubrich: Violin, Viola
Leo Smee: Bass
David Smith: Drums, Percussion
Influences: Musica: Art Bears, Coil, Alfred Schnittke, Kate Bush, Black Sabbath, Magma, Antioch Arrow, Nino Rota, King Crimson, Univers Zero, Roxy Music, Shirley and Dolly Collins, Richard Wagner, Oum Kalsoum, Darkthrone, Charlemagne Palestine, Goblin, Raymond Scott, Johann Sebastian Bach, Harry Partch, Soft Machine, Piero Piccioni, Alain Goraguer, Bathory, Nico, Gracious, Moving Gelatin Plates, Toru Takemitsu, Jean-Claude Vannier, Don Cherry, Pink Floyd, Ennio Morricone, Olivier Messiaen, Hermann Nitsch, Iannis Xenakis, Les Baxter, Andre Popp, High Tide, Swans, Heldon, Bernard Herrmann, Bo Hansson, David Axelrod, Tiny Tim, Martin Denny
Miscellanea: Alejandro Jodorowsky, Athanasius Kircher, Dario Argento, G.I Gurdjieff, Henry Corbin, Lucio Fulci, Herschell Gordon Lewis, Michael Reeves, Bela Tarr, Akira Kurosawa, David Lynch, Julius Evola, Andrei Tarkovsky, Thomas Malory, Crispin Glover, Edward Gorey, Austin Osman Spare, Aleister Crowley, Masaki Kobayashi, Henry Darger, Donald Pass, William Blake, Claude Cahun, Hans Bellmer, Joscelyn Godwin, Fritz Lang, Philip K. Dick, Robert Weiner, Todd Browning, Francis Bacon, Soren Kierkegaard, Marqius de Sade, Friedrich Nietzsche, Marchesa Casati, Joseph Beuys, Yazujiro Ozu, The Horse Hospital, Scottie Wilson, Stan Brakhage, Stanislaw Lem, Boethius, Luis Bunuel, Luchino Visconti, Ed Wood, Pier Paolo Pasolini, Immanuel Swedenborg, Plotinus, Katherine Dunne, Grimms, Joel Peter Witkin, Transgressive Cinema, Art Brut, Outsider Art, Graveyards, Fairgrounds, Circus, Megalith, Cryptozoology, Asatru, Chainmail
Sounds Like: On the Perils recordings, with their harmoniums, autoharps, violins, violas, pianos, organs and glockenspiels added to a top of the line rhythm section, the band very deliberately adheres to a Faustian melodrama of the angelic. Their dark, harrowing visions of some dense hellish musico-psychological dystopia shapeshift frequently before your eyes (ears), and become a very capable and Elizabethan sounding prog-baroque meteorite at the drop of a hat. Armed with these anachronistic tendencies the Miasmic vision never deviates, deriving its vocabulary exclusively from alchemically lined volumes in their arcane library of musical ideas. It's instrumental music that would perhaps find a happy home in a Jan Svankmajer or Fritz Lang film, and will find a prominent place on the shelf of any connoisseur of occultist highbrow, right next to his/her John Dee volumes. (sigh) Yes, dear to our hearts.
Trey Spruance, Mimicry Recordings
Miasma & the Carousel of Headless Horses are a British instrumental quintet that plays dark, antiquated sounding music encompassing elements of Eastern European folk, avant-rock, broken-down calliope music, and neo-classical film composition. More a trip to an anachronistic world of neo-baroque psychedelia than a simple study in diced-up ecclecticism, the music on Perils sways between lush chamber orientated melancholia, apocalyptic bombast, and epic ghost train high-drama. Featuring members of Guapo, Aethenor, Chrome Hoof and Cathedral.
Record Label: Mimicry / Rise Above / Latitudes
Type of Label: Indie