Music:
Member Since: 6/22/2005
Band Website: gravitytree.com
Band Members:
Linc mostly on guitars and bass, Alan mostly on percussion and synths; sometimes we switch. There's just 2 of us making a big noise.
Influences:
The Beatles, Brand X, King's X, Laurie Anderson, Mike Oldfield, Peter Gabriel, Al Di Meola, Daniel Amos, Allan Holdsworth, Genesis, Be Bop Deluxe, Stevie Wonder, Franz Liszt, Gentle Giant, Django Reinhardt, Kitaro, Igor Stravinsky, Duncan Browne, Yes, Paco de Lucia, Maurice Ravel, Kate Bush, Camel, Frank Zappa, Bernard Herrmann, Jeff Beck, Earthworks, Bela Bartok, Queen, Gustav Mahler, Thin Lizzy, Jerry Goldsmith, Joe Walsh, Pat Metheny Group, Paul Hindemith, Derek & the Dominos, Sergei Rachmaninoff, Todd Rundgren's Utopia, Tony Williams Lifetime, Alex North, Jethro Tull, King Crimson, Astor Piazzolla, Dean Street, Roger Powell, Vangelis, Stanley Clarke, Billy Cobham, Led Zeppelin, Claude Debussy, PFM, Steely Dan, Fred Frith, Sergei Prokofiev, Michael Kamen, Larry Fast ( Synergy ), Virgil Thomson, UK, Elmer Bernstein, Kittyhawk, John McLaughlin, Carl Stalling.
Sounds Like: THIS...
...and THIS...
...and THIS...
The term progressive is ever more widely used to mean just about anything to catch your eye. it's one of the buzz words thrown around to hype nearly anyone, just to make them stand out. Even pop and hip-hop artists adopt it, as mainstream as those genres can be.
But we maintain it's early '70's definition and use the common abbreviation: prog rock (or is that prog-rock with a hyphen?...maybe to you it's just plain ol' progressive rock). Progressive music to us isn't about today's trends and musical fashion statements, but about exploration, experimentation. So we claim the right to swerve into alternative and experimental genres, dabbling in ambient music, swinging into the big guitar sound, and sometimes getting all the way out there into the avant-garde.
We're also not insulted by the term Art Rock, although it seems to have taken on an air of negativity; groups are afraid of being called pretentious, but isn't that what critics call bands they don't get? We're determined not to insult the intelligence of our audience by over-simplification.
Of course we're indie - isn't almost everyone these days (including some folks on rather big labels!)? We're not offended by whatever genre or category you call us, and any comparisons to famous bands are almost always complimentary.
There have to be comparisons, and we've had many. The Gravity Tree sound has been described by others as sounding like King Crimson, Frank Zappa, Furslide, Mastermind, Jethro Tull, Roger Chapman, Talking Heads, Peter Gabriel, Huffamoose, Flower Kings...and I'm sure you'll add something to that. We get comparisons to Primus and Rush and many other artists as well. We've also been called jazz or metal, which is flattering if not completely accurate to our ears. How those 2 genres get mixed in or confused might be an indicator that we're a bit hard to classify. Check out our music on this page and see what you think...with emphasis on that last word.
Here's what some of the critics - some of those who get what we're doing - have said:
"This is a very thought provoking album by a duo who definitely punches a hole through the more established forms of Prog and creates their own sound..."Conversing With The Dead" is a fantastic Prog classic." ( USA Progressive Music , on the CD ULTIMATE BACKWARD )
"...pure progressive music, with unquestionable originality and very pleasant sound; a group to be discovered." (Prog-Mania)
"...strong stuff, not heavy, but certainly progressive rock '70's style with a guitar rather than keyboard lead...Not for anyone of a nervous disposition, this is the rock of intense thinkers, driven by intense rhythms." (Wondrous Stories Magazine)
"Gravity Tree is progressive like Rush and King Crimson are progressive - truly free from the chains of modern pop standards and expectations - free to explore and let the creativity flow from within and not be channeled from the outside..." (Warren)
"No band other than a progressive-rock outfit would be so bold as to open its second CD with a song called “No Rest Part III"...This is dense, majestic stuff...Consider “Conversing With the Dead†Gravity Tree’s foray into progressive punk — albeit with a retro, British new-wave vibe and an acoustic-guitar break. It’s one of the coolest tracks... If you’re seeking modern, indie prog with traditional influences...you might want to set your ears underneath Gravity Tree and wait for something special to fall." (Michael P., Sea of Tranquility)
"Obviously incredibly talented players...“Motion Sickness†does exhibit some very hot playing during its instrumental sections. “Wind†offers up some nice Jethro Tull-like acoustic pastoral moods, which evolve into a slightly more traditional classical feel during the short instrumental interlude. “Aim To Please†opens with heavy synth organ and powerful drum/bass interplay before pulling back to vocals and acoustic guitar in a comfortable and natural manner. And “Interference†feels very much like a Flower Kings track, with its mid-tempo groove, prominent keyboards, and anthemic, chiming guitars..." (ProgScape)
". . ..There are some big moments here, big anthemic moments..." (ProgressiveWorld, on the CD LIFE OR DESSERT?
...the fans, in their own words...
"Your new (Blues Tune) instrumental mix is just fantastic! Keep it up!" (Kristie)
" 'Motion Sickness' is one of the best songs ive ever heard" (Fabienne)
"Your music is incredible..."Life or Dessert?"; that cd is just - perfect." (Craig)
""Wait" is in my opinion one of the greatest tunes ever written. I would be a big GRAVITY TREE fan even if that was the only song you ever wrote. Fortunately for all of us fans out there you have wrote a LOT of other great songs as well!" (Samara)
"Wow, I'm blown away by Conversing with the Dead!!!!!!!!! But actually they're all amazing! Thanx for making such an unbelievable music!!" (Marcelo)
Record Label: independent
Type of Label: None
