NadaNjiente

At dance school she was already working in night clubs and performing short erotic shows on stage. Her first experience as an actress was in the role of 'Anybody's' in a tour of the musical "West Side Story", followed by roles at the famous Theater des Westens in Berlin: a scantily clad figurehead standing at the bow of a ship and a figure of desire tied to a spinning wheel (Mahagonny). She also appeared in the "Threepenny Opera" - as a whore, of course. There was more touring theatre to follow, with periods teaching jazz dance and ballet in between. She mimed the main character in a short movie, "Der Augenfisch" (The Eyefish), which was entered in the Berlinale Short Film Festival, and performed her repertoire of chansons at the legendary "Scheinbar", as well as the "Schokofabrik". She also contributed to some socially critical fringe theatre productions such as "Hoch-Tief" (about the war in former Yugoslavia) with the theatre troupe "Sued-Ost". After taking a break she returned as a belly-dancer, going on to adapt the dance to create her own striptease routines, which she performed in several clubs. She succeeded in winning first place in a lap dance competition at the Big Eden despite being a newcomer.Meanwhile, she was earning not only her daily bread but also distinctions as a model and a masseuse.Her virtuousity also shone through at the KitKat Club in her interludes on the trapeze and her 'live sex clips' on the dancefloor. (Some of these can be seen in the first 'Sex-Trance-Bizarre' videos). This led to live interpretations of erotic literature readings, such as the "120 Days of Sodom" by the Marquis de Sades, selections from the "Story of O" and parts of the "Q Letters".Her first film in the "Avant Garde" series, "The Reader", was also made around this time.Her "Wax and Slam" performances and erotic dancing turned the audiences on at the Venus 2000 Fair and in the KitKat Club at the Metropol.During the "Carneval Erotica" demonstration along the Ku-Damm in Berlin she sang chansons to house beats, danced improvised pieces to live percussion and performed a delicate piece of 'sexual poetry' selected from the finest erotic literarure. All on stage on the back of the carnival truck.In the KitKat Club's new Bessemerstrasse premises she performed with "Obszönen Theater" ("Obscene Theatre") again in "Death and Dance I". She also began to stage her own shows: the Sloppy Songs Evening was even filmed for the 'Wahre Liebe' TV show. Her show "Fragments of Passion" was first performed in June 2002 in the KitKat Club: a courageous combination of elements from both classical literature and hardcore pornography, this piece gives her the oportunity to use her professional acting talents in a completely new art form. Nada Njiente has seized the chance to create real pornographic art.She has also enchanted audiences with skilled classical belly-dance in "1001 Nights". The CSD 2002 in Berlin saw her once again on the KitKat Club's theatre truck, singing clasic chansons from the 1920s, with piano accompaniment.You can see pictures from the CSD on her homepage, where you can also find the latest instalments of her erotic story "Esperanza 2000".Since 2003 she joined the famous burlesque theatre "Kleine Nachtrevue" as actress, singer and dancer, she performes in pieces like "Einmal Huren Rauf und Runter" or "Anleitung zur Domina" and shows here own program like "Brecht-Nackt" at this place, which she performed first as "ErBrecht-Night" at kkc."Colours of night" is a monthly party-event at kkc, she organizes as coproducer every 4th friday with a different erotic theme.What makes NadaNjiente unique? Firstly, a tremendous versatility. Then comes her strong stage presence, her authenticity and, last but not least, a very special brand of humour - her strange ambitions never cease to make her laugh.