Arve Henriksen

BIOGRAPHYBorn in 1968, Arve Henriksen studied at the Trondheim Conservatory from 1987-1991, and has worked as a freelance musician since 1989.He has worked with many musicians familiar to ECM listeners, including Jon Balke (with whose Magnetic North Orchestra he has played extensively), David Sylvian, Anders Jormin, Edward Vesala, Jon Hassell, Jon Christensen, Jan Bang, Marilyn Mazur, Djvan Gasparian, Audun Kleive, Nils Petter Molvær, Misha Alperin, Arkady Shilkloper, Arild Andersen, Stian Carstensen, Dhafer Youssef, Hope Sanduval, Imogen Heap, Kate Havnevik, the Cikada String Quartet, The Source and more. He has played in a wide spectre of contexts, ranging from working with koto player Satsuki Odamura, to the rock band Motorpsycho via numerous free improvising groups with Ernst Reisiger, Sten Sandell, Peter Friis-Nilsen, Lotte Anker, Terje Isungset, Marc Ducret ,Karl Seglem et cetera.He has also worked with London Sinfonietta, Norwegian Wind Ensemble, Bodø Sinfonietta, Deutsche Kammerphilarmonie Bremen and Kristiansand Symphony Orchestra performing music of Peter Tornquist. Today he is working with Supersilent, Christian Wallumrød Ensemble and Trygve Seim Ensemble.He has composed music (commision) to Bale Jazz, Vossa Jazz, "My own private furry" (dance performance) and to "FRED" (theatre performance). He was «artist in residence» at Moers Jazzfestival 2006 and he has been a part of the European Jazz Launch project 2004-2006.Arve says: "An interest in sound-making was there from the beginning of my work with the trumpet. I have spent many hours on developing a warm sound, for instance, but not only that. In my opinion, the trumpet has vast potential for tone and sound variations that we still have not heard. At one point, I think it was in 1988, Nils Petter Molvær lent me a cassette of shakuhachi flute playing. Then things changed."Arve Henriksen began collecting recordings of Japanese music, with koto, biwa, shakuhachi and other instruments: "I let the music 'ring' and develop in my head. I was astonished by the sound of this flute..." The shakuhachi's roots in the tradition of Zen Buddhism fascinated the trumpeter, as did its "meditative and minimalistic expressive quality. "This has made me work with tone and sound making in a new direction.”But his interest doesn’t stop with this. He has been inspired by all sorts of folk music, also the Norwegian. He is now interested to work with more contemporary and composed music. He has also spent time on electronics and different treatments on the trumpet. And during the last years has also been focusing on his singing.