Irene Dunne profile picture

Irene Dunne

First Lady of Hollywood!

About Me

Irene Dunne, the "First Lady of Hollywood," is arguably one of the finest actresses to have never won an Academy Award, not even an honorary one. She was nominated 5 times for Best Actress!! Irene was a great comedienne, equally talented in dramas and musicals and a hit with fans, however her work has often gone unrecognized.
Irene Marie Dunn was born December 20, 1898 in Louisville, Kentucky, the daughter of steamboat inspector, Joseph John Dunn, and Adelaide Antoinette Henry Dunn, an accomplished pianist. Irene had a younger brother, Charles.Her family briefly lived in St. Louis before moving back to her mother's hometown of Madison, Indiana after the death of her father in 1913. They lived next door to her mother's parents at 916 W. Second St. in a house that still stands today.Irene, nicknamed "Dunnie," took voice and piano lessons, sang at local churches and was active in middle and high school plays before graduating in 1916 from Madison High School.In her senior high school yearbook, Dunne lists her activities as "Girls Chorus, Class Play Committee and Senior Commissioner." Beside her nickname "Dunnie," it reads, "Divinely tall and most divinely fair." Her "byword" is listed as: "Oh, that's swell." Her aspirations: "Dramatics."Upon graduation, she earned a scholarship to perfect her singing at the (now defunct) Oliver Willard Pierce Academy of Fine Arts in Indianapolis. After one year, she left for St. Louis, where she earned a teaching certificate from Webster College. She landed a teaching job in Gary, Ind., in 1918 but instead accepted a scholarship to study at the Chicago Musical College. In 1920, she moved to New York City in pursuit of a Broadway musical stage career. (She added the "e" to her last name as a young adult.) She auditioned for the Metropolitan Opera Co. but was turned down. Instead, she landed a job with a traveling theater company.She took a part in the touring company of the show "Irene". After her Broadway debut in 1922's "The Clinging Vine", she landed roles in musicals on a regular basis. In 1929, Dunne was cast as Magnolia Hawks in the Chicago company of "Show Boat" and her marvelous performance led to a movie contract with RKO.She made her screen debut in Leathernecking (1930). She was nominated for a Best Actress Oscar for role in her second film, Cimarron (1931). She made a couple classic tear-jerkers, Back Street (1932) and Magnificent Obsession (1935), then got to show off her musical abilities in Sweet Adeline (1935), Roberta (1935) and gave a top notch performance in Show Boat (1936). By 1938, Dunne was reportedly being paid $150,000 per movie.
Dunne entered a new phase in her career as a comedienne in such screwball classics as Theodora Goes Wild (1936), The Awful Truth (1937), and My Favorite Wife (1940). She was nominated for the Best Actress Oscar for her roles in Theodora Goes Wild, The Awful Truth and 1939's Love Affair opposite Charles Boyer which was later remade as An Affair to Remember and again as Love Affair in 1994. Dunne's Love Affair is easily the finest telling of the story.
She switched back to dramatic roles in the early 1940s and made such classics as Penny Serenade (1941), reteamed with Cary Grant, The White Cliffs of Dover (1944), Anna and the King of Siam (1946), Life with Father (1947). Although nearly fifty, Dunne kept her beauty and makeup artists were compelled to age her for I Remember Mama (1948), another Best Actress Oscar nomination for her role and The Mudlark (1950).
After completing It Grows on Trees (1952), Dunne retired from films, but remained active in television, politics, business and charitable concerns. A devout Roman Catholic and devoted Republican, she became active in philanthropy for her church, the American Red Cross, American Cancer Society, Boy Scouts of America and St. John’s Hospital in Santa Monica, Calif. Dunne was appointed by President Eisenhower as one of five alternative delegates to the United Nations in 1957 and later served on the board of directors of Technicolor with actor George Murphy. When interviewed she always insisted she enjoyed every minute of her career. Dunne was too ill to accept her Kennedy Center Honors in 1985, but longtime fans were pleased to see her remembered.
Personal life: In 1928 she married New York-based dentist Francis Dennis Griffin and was his wife until his death in 1965. Dunne managed a long-distance marriage to Griffin during her early movie career, but when he finally gave up his practice and moved to Hollywood, in 1936 they adopted a 4-year-old girl, Mary Frances Griffin, who they nicknamed "Missy," from the New York Founding Hospital. The couple also moved into a new $30,000 home they had built in Holmby Hills, an exclusive section of Beverly Hills. (It sold for a reported $6.9 million a few years after she died, and it was later demolished to make way for a more contemporary Hollywood-style mansion.)Dunne later had two grandchildren, Mark Shinnick and Ann Shinnick, by Mary Frances Griffin Gage and her first husband, Richard Shinnick. The grandchildren spent much of their childhoods living with Dunne. She attended parties and entertained with her personal circle of friends that included Loretta Young, Jimmy and Gloria Stewart, and Bob and Delores Hope.In 1949, Notre Dame University bestowed on her the 66th Laetare Medal, calling her "an example of talented Christian womanhood." Throughout her life, she received numerous other awards from the Catholic Church and its affiliates, including the Bellarmine Medal from Louisville’s Bellarmine College in 1965.
She also received numerous honorary degrees, including those from Chicago Musical College, her alma mater, Loyola University and Mt. St. Mary's College.She has a star on the Hollywood Walk of Fame at 6440 Hollywood Blvd.One of her last public appearances was in April 1985, when she attended the dedication of a bust in her honor at St. John's (Roman Catholic) Hospital, for which her foundation had raised more than $20 million.Irene Dunne passed away September 4, 1990 as the result of heart failure. She is interred at Calvary Cemetery in East Los Angeles, and her personal papers are housed at the University of Southern California. After her death, President Reagan spoke for Dunne fans everywhere when he said, "Losing her is like losing a member of the family. She's a special lady who will live in our hearts forever."

My Interests

On his deathbed, Joseph Dunn said to his daughter Irene: "Happiness is never an accident. It's the prize we get when we choose wisely from life's great stores. So don't reach out wildly for this and that and the other thing. You'll end up empty-handed if you do. Make up your mind what you want. Go after it. And be prepared to pay well for it."

I'd like to meet:

"The glamour of Hollywood has never worn thin for me. I'm just as excited today over autograph fans as I was the day I arrived, and just as disappointed if I'm ignored. I still chuckle when I think how chagrined I was one morning in church when the girl next to me spotted Dorothy Lamour sitting in front of us. She leaned forward, asked for Dorothy's autograph, then turned to me saying 'Isn't it exciting to see a movie star!'" THIS IS A MUST SEE VIDEO! FROM THE AWFUL TRUTH

Music:


- Get Your Own

- Get Your Own

- Get Your Own

Movies:


FILMOGRAPHY It Grows on Trees (1952) as Polly Baxter - Mudlark, The (1950) as Queen Victoria - Never a Dull Moment (1950) as Kay - I Remember Mama (1948) as Mama Hansen - Life with Father (1947) as Vinnie Day - Anna and the King of Siam (1946) as Anna Owens - Over 21 (1945) as Paula Wharton - Together Again (1944) as Anne Crandall - White Cliffs of Dover, The (1944) as Susan Dunn Ashwood - Guy Named Joe, A (1943) as Dorinda Durston - Show Business at War (1943) as Herself - Lady in a Jam (1942) as Jane Palmer - Unfinished Business (1941) as Nancy Andrews - Penny Serenade (1941) as Julie Gardiner Adams - My Favorite Wife (1940) as Ellen Arden - When Tomorrow Comes (1939) as Helen - Invitation to Happiness (1939) as Eleanor Wayne - Love Affair (1939) as Terry McKay - Joy of Living (1938) as Margaret "Maggie" Garret - Awful Truth, The (1937) as Lucy Warriner - High, Wide, and Handsome (1937) as Sally Walterson - Show Boat (1936) as Magnolia - Theodora Goes Wild (1936) as Theodora Lynn - Magnificent Obsession (1935) as Helen Hudson - Roberta (1935) as Stephanie - Stingaree (1934) as Hilda Bouverie - Age of Innocence, The (1934) as Countess Ellen Olenska - Sweet Adeline (1934) as Adeline Schmidt - This Man Is Mine (1934) as Toni Dunlap - Ann Vickers (1933) as Ann Vickers - If I Were Free (1933) as Sarah Cazenove - No Other Woman (1933) as Anna Stanley - Secret of Madame Blanche, The (1933) as Sally St. John - Silver Cord, The (1933) as Christina Phelps - Back Street (1932) as Ray Schmidt - Thirteen Women (1932) as Laura Stanhope - Symphony of Six Million (1932) as Jessica - Bachelor Apartment (1931) as Helene Andrews - Cimarron (1931) as Sabra Cravat Consolation Marriage (1931) as Mary Brown Porter -- Great Lover, The (1931) as Diana Page -- Slippery Pearls, The (1931) as Herself-- Leathernecking (1930) as Delphine Witherspoon

Television:

A TRIBUTE TO IRENE AND CARYIRENE SINGS IN JOY OF LIVING...turn up volumeCUTE TRIBUTE VIDEO TO IRENEBEST SCENE FROM SHOW BOAT, with Helen Morgan, Paul Robson, and Hattie McDaniel

Books:

She sang, she danced, and she could make em laugh and cry. Irene Dunne had it all. Irene Dunne has got to be one of the most underrated and overlooked stars of the century. How many people today have ever heard of her? It's a gross injustice that this supreme comedienne and very grand lady is largely unknown and certainly underappreciated. None other than Cary Grant himself called her the finest comedienne he ever worked with, a mistress of comic timing and touch. Her lyrical inflections and very musical voice (she was a classically trained vocalist) lent a merry spark to every film she ever made. Mired in heavy melodramas and tearjerkers in the early '30s, Irene's comic talents leaped from the screen for the first time in the sublimely silly "Theodora Goes Wild" in 1936. From that point on, she was widely recognized as one of the screen's finest and funniest comediennes, and her particular brand of subtle hilarity lit up the screen in films like The Awful Truth (1937), the original Love Affair (1939), and My Favorite Wife (1940). You truly have to see and hear Irene in action in order to appreciate her. Words cannot convey the humor of that particular hesitating, under-her-breath laugh, or the insinuating expressiveness of her very mobile face and eyes. As Grant noted, she had an uncanny sense of comic subtlety and timing, and even when the material was less than sparkling (as in Joy of Living (1938)), her talent could still salvage most films.

Heroes:

Here I am with my dearest friend, Loretta Young. And the next one is with Greer Garson.