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Member Since: 10/24/2006
Band Members: Oscar Larizza - electric bass, fretless bass, lute guitar, classical guitar, 12 strings guitar, descant recorder, DAVOLISINT C synthesizer, kawai 100f synthesizer, THOMAS solid state organ, harmonium, glockenspiel, magnetic tape;
Alessandro Mazzacane - some interesting cello sections;
Emanuele Palumbo - acoustic grand piano, HAMMOND L122s organ + Leslie 760 solid state, CRUMAR synthesizer, flute, drum machine;
Piero Palumbo - drums, percussions, marimba;
Stefano Renna - acoustic guitar, electric guitar and a few electric bass sections.
Influences: Alphataurus (Same, 1973);
Amazing Blondel ("The Amazing Blondel", 1970; "Evensong", 1970);
Bandabardò ("Iniziali Bì Bì", 1998; "Mojito Football Club", 2000; "Tre Passi Avanti", 2004);
Blind Faith (Same, 1969);
Lucio Battisti (opera omnia);
Luciano Berio ("Laborintus 2", 1965);
CCCP Fedeli Alla Linea ("Affinità E Divergenze", 1986);
De De Lind ("Io Non So Da Dove Vengo E Non So Dove Mai Andrò, Uomo E' Il Nome Che Mi Han Dato", 1973);
Dedalus (Same, 1973; "Materiale Per Tre Esecutori E Nastro Magnetico", 1974);
Edgar Allan Poe ("Generazioni - Storia Di Sempre", 1974);
Fabrizio DeAndrè ("Non Al Denaro, Non All'Amore Nè Al Cielo", 1972);
Faust (Same, 1971);
Frank Zappa ("Freak Out!", 1966; "Hot Rats", 1969; "One Size Fits All", 1975);
Il Giro Strano ("La Divina Commedia", 1972);
l'uOvo di cOlombo (Same, 1973);
Osanna ("L'Uomo", 1971; "Palepoli", 1972);
Paese Dei Balocchi (Same, 1972);
Pholas Dactylus ("Concerto Delle Menti", 1972);
Picchio Dal Pozzo (Same, 1976);
Pink Floyd ("Ummagumma", 1969; "The Dark Side Of The Moon", 1973);
Oscar Prudente ("Infinite Fortune", 1974);
Rovescio Della Medaglia ("Io Come Io", 1972);
Carlos Santana ("Abraxas", 1970);
Sergei Sergeyevich Prokofiev ("Scythian Suite", 1914);
Igor Fëdorovic Stravinskij ("Le sacre Du Printemps", 1913);
Still Life (Same, 1970);
Le Stelle Di Mario Schifano ("Dedicato A", 1967);
Il Volo (Same, 1974; "Essere O Non Essere? Essere, Essere, Essere!", 1975);
Ultima Spiaggia ("Disco Dell'Angoscia", 1975)
Sounds Like: "Analogue creativity (not digital tricks).. an old HAMMOND organ is EVEN better than a toy (any digital keyboard); an old reVox a77 reel-to-reel tape recorder is EVEN better than a hard disk recorder; spring reverb is even better than a PIC based reverb; so a good noisy, dirty, analogue record is EVEN more sincere than a perfect digital record, because perfection is only an illusion for everyone doesn't know his own ears"
Type of Label: None