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La Vedette, Gloriella

Conversations with the Flamenco Shadows

About Me

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MARFIL’S FURIOUS SALSA Santi sent me walking through town. “Pull up your skirt a little,” he said. “Move your hips, sing the way a mermaid would sing. Watch how he’ll need to be near you. The time is right for it.”Tracka-tracka-tracka-tracka-tracka- they started to clap and click the fastest compás that could be played. I walked through the streets alone, followed by the clapping blackguards and Marfil’s furious salsa. Somewhere on the calle Don Opando I could hear footsteps behind me. I kept walking as if I didn’t notice, but then the steps got closer and mine got faster.Tracka-tracka-tracka-tracka-tracka-tracka the steps came closer still. I could almost feel Sagasta breathing behind me. I heard his hassock flap around his legs from the wind coming down calle St. John of the Cross. I could feel his heart keeping time with his steps. A door swung open. “You cannot deny it, Rodriguez, your behavior around your daughter is most unbecoming. And there isn’t anyone in town who hasn’t seen it.”But I couldn’t go back!Tracka-tracka-tracka-tracka-tracka- and sizzling notes were flying from the tiny lightning strings shooting around Marisalena. “Vedette,” he called after me the first time. “Vedette,” he sounded a little more like my father the second time. “Vedette,” he begged as if there was something missing in some safe place somewhere in his mind. A place with a door to it that I pushed open. “You!” Antonia’s voice flew out of this pink and blue and light green laundry hanging in the biting sun. “Moonchild, Princess of the Silver Star, Princessa.”“Vedette,” he said, getting closer. "I feel as if I’ve known you forever and yet we’ve never met.”Tracka-tracka-tracka-tracka-tracka-“Come here my child, come here to father, tell me what demons haunt your dreams. Give yourself over to Jesus who is Lord. Let him love you.”Tracka-tracka-tracka-tracka- and he ran for me. “Saaaantiiiiiiii!” And the clapping stopped-tracka-tracka-as Sagasta jumped and missed because I didn’t have shoes and it made me much much faster. I headed for the cemetery, two olive groves away. “Vedette! Vedette! Vedette!” followed me there, completely mad.“Vedette!”I couldn’t tell anymore if it was my father, or Father Sagasta or Father Olivares or Santi or Paula or Mariano or Raimundo. I just couldn’t tell. It was always the same Vedette! Vedette! Vedette!I ran through the cemetery gate and he was behind me, but not getting closer until I stepped on something sharp that stuck into my foot. It hurt and the blood on the dirt scared me when I heard the gunshot. "Aguuuuuugh," was the sound Sagasta made when he fell on his face. I turned to see that his knee was blown apart. His nose was broken and his teeth, too. I went and tried to sit him up. He wanted to try to run, but he didn’t want to leave. He was with me. He looked up and blood from his nose dropped onto his white hands. He looked at the marismas grass flowing to the rhythm of el rio around him and said, “Ah Vedette, why this when I only sought release?”“You found it,” I told him. (Page 275 in the novel)

My Interests

REVOLUTION, singing, dancing, chocolate, the Tarot, swims in the river, writing poems, expropriating private property, manzanilla sherry, laying around in the park, taking care of animals in trouble, tobacco, and my Sevilla querida.

I'd like to meet:

Other flamencos and flamencas, guitarristas y guitarreros, and people who love Spain, Andalusia, anarchy, and the Spanish Civil War. People who want to read my story of romance, tragedy, art, music and revolution.

Music:

El Camaron de la Isla, Lole y Manuel, Pepe Marchena, Fernanda y Bernarda de Utrera, La Rubia de Malaga, Tomatito Vargas, Marfil and Sangria, El Lebrijano, Bambino, Aurora Vargas, Esperanza Fernandez, Los Canasteros, Clara Montes, Tate Montoya, Omar Torrez.

Movies:

Chicago gangster movies Rufian took me to see.

Television:

¿eso que es?

Books:

The story of my life. "Vedette or Conversations with the Flamenco Shadows."

Heroes:

Tomatito Vargas, Buenaventura Durrutti, Errico Malatesta, Stephen Siciliano, Antonio Arleta, Espla De Paula, Santiago Ordonez, La Condesa de Rios, Belen de Paloma, Javier Gomez Serrano, Antonio Mendoza, Jose Perez de Lama Halcon, Corto Maltes, Zulano de Chiclana, and El Fariz.

My Blog

"Vedette" on Video

Last May 14, Omar Torrez joined the highway scribe for a televised recording session at the City of Calabasas library. The production of "Author's Night," hosted by Karyn Foley featured five pieces fr...
Posted by La Vedette, Gloriella on Mon, 18 Jun 2007 08:47:00 PST

A New Review of "Vedette"

  This review was recently published by the Historical Novel Society: Vedette: or Conversations with the Flamenco ShadowsStephen Siciliano, iUniverse, Inc., 2004, $21.95, pb, 369pp, 0595315119 O...
Posted by La Vedette, Gloriella on Mon, 20 Nov 2006 10:23:00 PST

Chairwoman of the Animal Welfare Committee

Found on page 202, this scene represents Vedette's moment of political ascendancy in the tiny republic of Cueva del Rio. The revolutionary turn of events elevates her to "Chairwoman of the Animal Welf...
Posted by La Vedette, Gloriella on Mon, 30 Oct 2006 09:20:00 PST

Buy "Vedette"

Buy "Vedette"
Posted by La Vedette, Gloriella on Wed, 04 Oct 2006 04:57:00 PST

Musical Vedette

These impressions are written by a man who is completely haunted by me. The flamenco guitarist is Omar Torrez: The Origins of Vedette's Sin sets up the oppressive religious and patriar...
Posted by La Vedette, Gloriella on Sun, 24 Sep 2006 10:06:00 PST

Marvelous Flamencas

In the patio at Villa Lorena that night I asked Tomatito to play a new fandango we just wrote. I sang it: "Marfil Marfil of womb and dangling moons down your rosewood neck. Don't want to dance witho...
Posted by La Vedette, Gloriella on Sat, 23 Sep 2006 07:00:00 PST

A Literary Review of "Vedette"

Here is a review of my story written by Tamara Kaye Sellman, editor of MARGIN, a publication that focuses on magically real literature, like mine. "Dancing for the Conquered and Slain: Vedette, a fla...
Posted by La Vedette, Gloriella on Sat, 23 Sep 2006 06:58:00 PST

Hondo Luto Por Camarón de la Isla - por Joaquin Albaicín

¡Hala! Y bienvenidos todos. Aqui un articulo muy curioso desde punto de vista gitanita de lo que paso a la gente de la sangre negra cuando murio ese maestro. El Duende Descansa Hay una potencia ...
Posted by La Vedette, Gloriella on Sat, 23 Sep 2006 06:55:00 PST

Sobre Málaga

I went back to the hotel. I liked it there. You stayed up on your balcony and watched everything going on in the street. Watching the little things different people were doing to one another, like a l...
Posted by La Vedette, Gloriella on Mon, 18 Sep 2006 10:25:00 PST

Mas Estebanez Calderon -

"...la capa me es a un propio tiempo lengua que habla, gala que adorna, arma que defiende y el instrumento mas pintiparrado de que valerme puedo en cualquier fregado en que mi persona toma parte, ya s...
Posted by La Vedette, Gloriella on Mon, 11 Sep 2006 01:41:00 PST