Anthony Quinn profile picture

Anthony Quinn

I am a river to my people

About Me


Anthony Quinn's Bio
Earthy and at times exuberant, Anthony Quinn was one of Hollywood's more colorful personalities. Though he played many important roles over the course of his 60-year career, Quinn's signature character was Zorba, a zesty Greek peasant who teaches a stuffy British writer to find joy in the subtle intricacies of everyday life in Zorba the Greek (1964), which Quinn also produced. The role won him an Oscar nomination and he reprised variations of Zorba in several subsequent roles.
Although he made a convincing Greek, Quinn was actually of Irish-Mexican extraction. He was born Antonio Rudolfo Oaxaca Quinn in Chihuahua, Mexico, on April 21, 1915, but raised in the U.S. Before becoming an actor, Quinn had been a prizefighter and a painter. He launched his film career playing character roles in several 1936 films, including Parole (his debut) and The Milky Way, after a brief stint in the theater. In 1937, he married director Cecil B. DeMille's daughter Katherine De Mille, but this did nothing to further his career and Quinn remained relegated to playing "ethnic" villains in Paramount films through the 1940s. By 1947, he was a veteran of over 50 films and had played everything from Indians, Mafia dons, Hawaiian chiefs, Chinese guerrillas, and comical Arab sheiks, but he was still not a major star. So he returned to the theater, where for three years he found success on Broadway in such roles as Stanley Kowalski in A Streetcar Named Desire.
Upon his return to the screen in the early '50s, Quinn was cast in a series of B-adventures like Mask of the Avenger (1951). He got one of his big breaks playing opposite Marlon Brando in Elia Kazan's Viva Zapata! (1952). His supporting role as Zapata's brother won Quinn his first Oscar and after that, Quinn was given larger roles in a variety of features. He went to Italy in 1953 and appeared in several films, turning in one of his best performances as a dim-witted, thuggish, and volatile strongman in Federico Fellini's La Strada (1954). Quinn won his second Best Supporting Actor Oscar portraying the painter Gaugin in Vincente Minnelli's Lust for Life (1956). The following year, he received another Oscar nomination for George Cukor's Wild Is the Wind. During the '50s, Quinn specialized in tough, macho roles, but as the decade ended, he allowed his age to show. His formerly trim physique filled out, his hair grayed, and his once smooth, swarthy face weathered into an appealing series of crags and crinkles. His careworn demeanor made him an ideal ex-boxer in Requiem for a Heavyweight and a natural for the villainous Bedouin he played in Lawrence of Arabia (both 1962). The success of Zorba the Greek in 1964 was the highwater mark of Quinn's career during the '60s — it offered him another Oscar nomination — and as the decade progressed, the quality of his film work noticeably diminished. The 1970s offered little change and Quinn became known as a ham, albeit a well-respected one. In 1971, he starred in the short-lived television drama Man in the City. His subsequent television appearances were sporadic, though in 1994, he became a semi-regular guest (playing Zeus) on the syndicated Hercules series. Though his film career slowed considerably during the 1990s, Quinn continued to work steadily, appearing in films as diverse as Jungle Fever (1991), Last Action Hero (1993), and A Walk in the Clouds (1995).
When not acting or engaging in well-publicized court battles, Quinn continued to paint and became a well-known artist. He also wrote and co-wrote two memoirs, The Original Sin (1972) and One Man Tango (1997). In the latter, Quinn is candid and apologetic about some of his past's darker moments. Shortly after completing his final film role in Avenging Angelo (2001), Anthony Quinn died of respiratory failure in Boston, MA. He was 86.
Anthony Quinn Trivia
Anthony Quinn is the Oscar-winning actor who has appeared in more movies with other Oscar-winning actors (for acting) than any other Oscar-winning actor. 46; 28 male actors, 18 female actors
Became a naturalized US citizen in the 1940s.
Before he launched his acting career Quinn worked odd jobs as a butcher, a boxer, street corner preacher and a slaughterhouse worker. He also won a scholarship to study architecture with Frank Lloyd Wright, with whom he developed a close relationship.
Won his second Oscar for a movie in which he only appeared onscreen for a total of 8 minutes.
Son of an Irish father and Mexican mother, he grew up in the barrio of East L.A. shining shoes and selling newspapers.
Was nominated for Broadway's 1961 Tony Award as Best Actor (Dramatic) for "Becket."
Took acting class from Michael Chekhov in Hollywood.

My Interests

I'd like to meet:

My children in Heaven.

Movies:

*2002 -1981*
Avenging Angelo (2002)
Oriundi (1999)
Seven Servants (1996)
Gotti (1996)
A Walk in the Clouds (1995)
Hercules in the Maze of the Minotaur (1994)
Somebody to Love (1994)
This Can't Be Love (1994)
Last Action Hero (1993)
Mobsters (1991)
Jungle Fever (1991)
Only the Lonely (1991)
A Star for Two (1991)
Ghosts Can't Do It (1990)
The Old Man and the Sea (1990)
Revenge (1990)
Stradivari (1989)
Onassis (1988)
Regina Roma (1982)
High Risk (1981)
Lion of the Desert (1981)
The Salamander (1981)
*1979 - 1970*
The Passage (1979)
The Children of Sanchez (1978)
Caravans (1978)
The Greek Tycoon (1978)
Jesus of Nazareth (1977)
Target of an Assassin (1976)
The Message (1976)
The Don is Dead (1973)
Across 110th Street (1972)
The Man and the City (1971)
Flap (1970)
R.P.M. (1970)
Walk in the Spring Rain (1970)
*1969 - 1960*
A Dream of Kings (1969)
The Secret of Santa Vittoria (1969)
The Magus (1968)
The Shoes of the Fisherman (1968/I)
Guns For San Sebastian (1968)
The Happening (1967)
Lost Command (1966)
A High Wind in Jamaica (1965)
Zorba (1964)
The Visit (1964)
Behold a Pale Horse (1964)
Lawrence of Arabia (1962)
Requiem for a Heavyweight (1962)
Barabbas (1962)
The Guns of Navarone (1961)
Portrait in Black (1960)
Heller in Pink Tights (1960)
*1959 - 1951*
Last Train From Gun Hill (1959)
Warlock (1959)
The Savage Innocents (1959)
The Black Orchid (1958)
Hot Spell (1958)
Wild Is The Wind (1957)
The Ride Back (1957)
The River's Edge (1957)
The Wild Party (1956)
The Hunchback of Notre Dame (1956)
Man From Del Rio (1956)
Lust For Life (1956)
Seven Cities of Gold (1955)
The Naked Street (1955)
The Magnificent Matador (1955)
Ulysses (1955)
Attila the Hun (1954)
Strada, La (1954)
The Long Wait (1954)
Blowing Wild (1953)
East of Sumatra (1953)
Ride, Vaquero! (1953)
Seminole (1953)
City Beneath the Sea (1953)
Against All Flags (1952)
The World in His Arms (1952)
The Brigand (1952)
Viva Zapata! (1952)
Mask of the Avenger (1951)
The Brave Bulls (1951)
*1947 - 1940*
Black Gold (1947)
The Imperfect Lady (1947)
Sinbad the Sailor (1947)
California (1946)
Back to Bataan (1945)
Where Do We Go From Here? (1945)
China Sky (1945)
Irish Eyes Are Smiling (1944)
Roger Touhy, Gangster (1944)
Ladies of Washington (1944)
Buffalo Bill (1944)
Guadalcanal Diary (1943)
The Ox-Bow Incident (1943)
The Black Swan (1942)
Road to Morocco (1942)
Larceny, Inc. (1942)
The Perfect Snob (1941)
They Died With Their Boots On (1941)
Bullets for O'Hara (1941)
Blood and Sand (1941)
Thieves Fall Out (1941)
Knockout (1941)
The Texas Rangers Ride Again (1940)
City for Conquest (1940)
The Ghost Breakers (1940)
Parole Fixer (1940)
Road to Singapore (1940)
Emergency Squad (1940)
*1939 - 1936*
Television Spy (1939)
Island of Lost Men (1939)
Union Pacific (1939)
King of Chinatown (1939)
King of Alcatraz (1938)
Bulldog Drummond in Africa (1938)
Hunted Men (1938)
Tip-Off Girls (1938)
Dangerous to Know (1938)
The Buccaneer (1938)
Daughter of Shanghai (1937)
Partners in Crime (1937)
The Last Train from Madrid (1937)
Waikiki Wedding (1937)
Swing High, Swing Low (1937)
Night Waitress (1936)
The Plainsman (1936)
Sworn Enemy (1936)
Parole (1936)
The Milky Way (1936)

Books:

Quinn follows up his first book, The Original Sin, with this deeper, more contemplative memoir recalling his varied careers before and beyond acting. They include stints as one of Aimee Semple McPherson's street preachers working the East Los Angeles barrios, as a prelim fighter in local rings and as an acclaimed painter. Writing with freelancer Paisner, Quinn recalls his self-doubts concerning marriage to Cecil B. DeMille's daughter when he was a lowly Paramount contract player and his early struggles to overcome typecasting as an actor who could play only gangsters and Mexican bandits. With verve and wit he relates how he prepared his most famous roles: Gauguin in Lust for Life, Zampano in La Strada, Zorba in Zorba the Greek and others, and how he managed to put his own personal stamp on the role of Stanley Kowalski in the road company of A Streetcar Named Desire despite Brando's indelible characterization. The 80-year-old Quinn's life reads like a picaresque novel, its rogue hero of cinematic dimension.
The Original Sin is a sweeping and very personal account of his life. His story is of a man who has difficulty accepting unconditional love (this is the original sin) and the death of his son at an early age. He explores his past and reveals his darkest feelings with his psychiatrist and the reasons why he was finally able to accept love and the death of his son Christopher at the age of four. Quinn describes his upbringing, the poverty and his affections for his mother and father which helped define the character he became. His anecdotes of working in Hollywood are also entertaining and reveals a human side of Hollywood. He reveals how he met some of his famous friends which include Mae West, Katherine Hepburn, Rita Hayworth, Carole Lombard, Frank Lloyd Wright, John Barrymore, Gary Cooper, and Cecil B. de Mille.